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    top chef spoilers ahead

    Houston's Top Chef World All-Star contestant and former Olympian speaks out after 'shocker' episode

    Eric Sandler
    Mar 16, 2023 | 9:30 pm
    Dawn Burrell Top Chef

    Dawn Burrell has packed her knives.

    Photo by Stephanie Diani/Bravo

    Spoiler alert. A Houston chef’s dream of being crowned Top Chef World All-Star has come to an abrupt end.

    Chef Dawn Burrell, the Olympian-turned-chef who reached the finals of Top Chef: Portland, has packed her knives. While she’ll have the opportunity to fight her way through Last Chance Kitchen to return to the main competition, her time on the London-based season is done for now.

    Viewers had a pretty good idea that Burrell’s number might be up. She got a classic “loser’s edit” throughout the episode’s elimination challenge, which tasked the contestants with creating a rice-based dish.

    For example, viewers heard ominous sounding music as she spoke her about the black rice congee she planned to make for the episode’s elimination challenge. “Time is not on our side today,” Burrell says to the camera as the soundtrack plays. “I have to have pressure cookers.”

    Uh oh.

    Throughout the challenge, things got worse. The rice isn’t finished by the end of the two hour prep time. Just before service, fellow contestant Amar Santana tastes her finished dish — Black Venus congee with black bean and five-spice braised oxtail — and tells the audience that “Dawn’s congee is one dimensional. I’m actually very surprised, because on her season, her flavor profiles were always there.”

    After Amar’s comment, we see her taste her dish and shrug her shoulders as if to say “tastes alright to me.” Double uh oh. Sure enough, the judges aren’t impressed.

    “If Dawn didn’t tell me this was congee, I wouldn’t have known,” Padma Lakshmi comments. “It feels like broth and crispy rice, not a creamy congee,” Gail Simmons adds.

    At judges’ table, Tom Colicchio tells Burrell she missed the mark. “It ate more like black rice soup than congee,” he says. “It was eating crunchy,” Simmons adds.

    The final verdict comes swiftly. “Dawn, please pack your knives and go. I’m sorry,” Lakshmi says.

    Reached by phone, Burrell acknowledges that leaving on the second episode stings, particularly due to the elimination challenge being focused on rice.

    “I love rice. I think that it’s a bridge in life and culture,” she tells CultureMap. “To have been eliminated on a challenge and an ingredient that I hold so dear was really a shocker for me. It did not feel good at all.”

    In Burrell’s opinion, the dish’s initial problems stemmed from not using enough liquid to prepare the rice during prep time. She thinks she also suffered when another contestant made a congee dish that the judges preferred.

    “I think if they only had one to go on, there would not have been that stark comparison between the two,” she says.

    While it’s an unfortunate outcome for the chef, her professional life is looking up. Late August, the Afro-Asian restaurant she’s opening in Midtown’s The Ion mixed-use development, is finally on track for an early summer opening.

    “You’ll be eating at Late August very soon,” she promises.

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    In the spotlight

    Houston reels in new rank among 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 27, 2026 | 4:00 pm
    Filmmaking, best cities for filmmakers
    Photo by Kyle Loftus on Unsplash
    undefined

    Houston has just snapped up new recognition as the No. 10 best place to live and work as a filmmaker in North America, according to MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The Bayou City has made improvements after ranking 12th in the magazine's 2025 list.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The spotlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    For up-and-coming filmmakers that want to live in Texas, MovieMaker says doing it in Houston is "more sustainable than ever" thanks to incentives like the Texas Moving Image Industry Incentive Program, which increased its production grant rebate from 22.5 percent to up to 31 percent for qualified in-state spending. The report also said Houston has an "arms-wide-open" approach for filmmakers.

    "As the biggest city in Texas, and fourth biggest city in America, Houston has nearly every type of location, from cityscapes to piney woods to rolling hills to nearby farmland," the report said. "It’s close to Galveston Island and the Gulf of Mexico, and car commercials love the absence of billboard advertising."

    MovieMaker also highlighted Houston's diversity, its low cost of living compared to the national average, and its local festivals like the Houston Cinema Arts Festival and Houston Latino Film Festival.

    "The city has enough film crew for two to three sizable features, and recent shoots have included the thrillers Eleven Days, with Taylor Kitsch, and A Love, from director Courtney Glaude, Tyler Perry Studios’ executive creator of Scripted and Unscripted," the report said. "Houston is also notable for a strong contingent of films with budgets under $1 million."

    Elsewhere in Texas, Austin ranked as the No. 5 best place to live and work as a filmmaker in North America. Dallas ranked seventh, while neighboring Fort Worth ranked 12th. San Antonio appeared as No. 14, and El Paso landed 25th on the list.

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