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    3 Texans on Top Chef

    Houston's most sandwich-obsessed chef heads to Milwaukee for Top Chef Season 21

    Eric Sandler
    Feb 7, 2024 | 11:59 am

    Three Texas chefs packed their knives and went to Milwaukee to compete on the new season of Top Chef. Bravo revealed the full roster of cheftestants for the show’s 21st season, which will premiere on March 20.

    Each chef brings an impressive resume to the competition. Let’s present them in alphabetical order.

    Kévin D’Andrea is the founder of Foliepop’s, an Austin-based business that supplies French desserts to other restaurants. He also had a brief stint in Houston as the chef at La Villa, a short-lived French restaurant in Montrose. D’Andrea brings prior Top Chef experience, having competed on Top Chef France in 2015.

    Amanda Turner won Chef of the Year in the 2023 CultureMap Austin Tastemaker Awards for her work as chef de cuisine at acclaimed Southern restaurant Olamaie. In recognizing her work, CultureMap Austin hailed her active role in Austin’s chef community where she always contributes to fundraisers and other worthy causes. Having worked at Uchi and spent time in Japan, she brings a multicultural perspective to Southern cuisine.

    Michelle Wallace earned a 2021 CultureMap Houston Tastemaker Award nomination as a Rising Star Chef for her work at Gatlin’s BBQ. She led the development of comfort food restaurant Gatlin’s Fins & Feathers before leaving in 2023 to start B’tween Sandwich Co. Her creative spins of sandwiches have earned another Tastemaker Awards nomination for Best Pop-Up/Startup. The Art Institute of Houston alum also worked for acclaimed Houston chef Mark Holley at Peche, the Upper Kirby seafood restaurant that closed in 2012.

    Top Chef Milwaukee Amanda Turner

    Photo by Stephanie Diani/Bravo

    Amanda Turner won Chef of the Year in the 2023 CultureMap Austin Tastemaker Awards.

    The three Texans will be competing against 12 other chefs with equally impressive credentials, including James Beard Award nominations and time at Michelin-starred restaurants.

    Season 21 brings a number of changes to Top Chef, starting with a new host. Top Chef season 10 winner Kristen Kish has replaced Padma Lakshmi as the person telling the chefs to “pack their knives and go.” Kish, who owns Austin restaurant Arlo Grey, will also host an aftershow called The Dish with Kish where she’ll review each episode with a Top Chef alum such as Gregory Gourdet, Stephanie Izard, Carla Hall, and Top Chef Houston winner Buddha Lo.

    Judges Tom Colicchio and Gail Simmons will return in their roles. They’ll be joined by a number of guest stars, including Emeril Lagasse, Art Smith, and Christina Tosi.

    An article on Bravotv.com reveals another twist for the new season. Winning a Quickfire Challenge no longer brings immunity from elimination. Instead, winning a Quickfire comes with a cash prize, but immunity only comes from winning the previous episode’s Elimination Challenge.

    The challenges will showcase signature Wisconsin ingredients such as cherries, cranberries, and cheese, according to a release. Contestants will also be tasked with putting their spin on a high-end supper club and elevating sausages — a nod to the sausage races held at each Milwaukee Brewers home game. For the finale, they’ll board the MS Eurodam in the Caribbean where one chef will win $250,000 and the coveted title of Top Chef.

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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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