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    weekend event planner

    These are the 14 best things to do in Houston this weekend

    Craig D. Lindsey
    Dec 17, 2025 | 6:30 pm

    We’re officially in the home stretch, and Christmas is just around the corner.

    Before that, this weekend offers plenty of holiday-themed events, including an ugly sweater party/toy drive and a yuletide visit from Pentatonix. But some fascinating visual art is also popping off this weekend, from an intriguing art exhibition to several movie screenings, including the latest from hometown boy Richard Linklater.

    Or, you could pick up some booze over at O.S.T. Liquor, get lit, and sing “Luv Ya Blue” over and over again – just a suggestion.

    Thursday, December 18

    Contemporary Arts Museum Houston presents Music at the Museum
    Music at the Museum is back, as CAMH wraps up the year with an evening of live music, an art workshop, and contemporary art. Jupiter will be spinning house, ambient, club tracks, and more. And you can participate in the cyanotype workshop downstairs. Join CAMH FAQ team member and artist Carlos Mendoza in this hands-on activity that bridges car cultures from the West Coast to H-Town. 6 pm.

    Sabine Street Studios presents "Zuzu's Petals" opening reception
    Sabine Street Studios’ end-of-the-year exhibition, “Zuzu’s Petals,” takes inspiration from the beloved 1946 classic film, It’s a Wonderful Life. The group exhibition of mixed media works offers an opportunity for reflection on the year that has passed, the promise of the new year ahead, and the meaningful memories that weave through our lives. The reception will include complimentary beverages and snacks, as well as brief artist talks where each creator will share insights into their work and its significance within the exhibition. 6 pm.

    Aurora Picture Show presents Aurora Holiday Party & Raffle
    Join Aurora Picture Show’s famously festive, annual holiday party – the first one held in the new Navigation Blvd. space. This free event features beverages provided by Double Trouble and Saint Arnold, light bites from Phoenicia, vintage holiday TV projections, and music provided by DJs Gracie Chavez, Marcelluz Gualez, Alex la Rotta, and Peter Lucas. The raffle, benefitting Aurora’s artistic and educational programming, is open until 9 pm and features an array of great items, experiences, and gift cards. 7 pm.

    Friday, December 19

    The Museum of Fine Arts, Houston presents Nouvelle Vague
    Nouvelle Vague, Richard Linklater’s love letter to the revolutionary magic of the French New Wave, reimagines the making of Jean-Luc Godard’s Breathless (1960). As a Cahiers du Cinema critic, Godard (Guillaume Marbeck) turns to filmmaking with a mix of fresh faces and daring talents that bring his spontaneous, idiosyncratic film to life. Capturing the behind-the-scenes creative chaos at the heart of one of cinema’s most iconic and influential debuts, catch this movie at the MFAH this weekend – in glorious 35mm! 7 pm (5 pm Sunday).

    Rice Cinema presents The Projectionists’ Reel
    Rice Cinema will have a special screening featuring work by Tish Stringer, a Rice alum and former technical exhibition manager at Rice Cinema. In The Projectionists’ Reel, Kirston Otis spins the tale of how crafty projectionists of the Greenway Theater cannibalized cinematic ephemera into remix joy. Preceded by a bonus screening of We’re Not Judges, a short film by Renée Feltz, a former KPFT News Director, and currently at Democracy Now! The filmmakers will be in attendance for a post-screening Q&A. 7 pm.

    Houston Symphony presents Elf in Concert
    Buddy (Will Ferrell) was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa’s elves. Unable to shake the feeling that he doesn’t fit in, the adult Buddy travels to New York in search of his real father (James Caan). After DNA test confirmation, Buddy and his dad build a relationship with chaotic (and comedic) moments. The heartwarming tale of Buddy the Elf will play on the big screen, while every note of John Debney’s score is played live to picture. 7:30 pm (2 pm Sunday)

    Vincent Victoria Presents The 1968 Cherry Cola Pitts Christmas Special: A Musical
    Vincent Victoria Presents delivers the world premiere of a new stage production, The 1968 Cherry Cola Pitts Christmas Special: Christmas Will Never be the Same. The production, a sharp, irreverent, joyously queer holiday biting satire set in the explosive year of 1968, stars Cherry Cola Pitts, an openly gay entertainer navigating fame, freedom, and chaos under the studio lights. 8 pm (3 and 8 pm Saturday; 3 pm Sunday).

    Saturday, December 20

    O.S.T. Liquor Store presents the Annual Holiday Bourbon Allocation
    O.S.T. Liquor Store will launch one of its largest and most anticipated bourbon allocation releases, offering more than 200 rare and highly coveted bottles to collectors and holiday shoppers. The event is known for drawing enthusiasts from across the Houston area who are seeking hard-to-find bourbons, whiskeys, and limited-edition spirits to raise the bar on gifting and entertaining this holiday season. Get there early. 10 am.

    BLCK Market Holiday Festival at East River
    Step into a festive celebration of Black-owned businesses at the BLCK Market Holiday Festival at East River. Attendees will enjoy holiday shopping at its finest as East River transforms into a bustling winter market filled with music, merriment, and unique finds. Browse curated gifts (seasonal décor, art, skincare, books, and candles), dance to the beats of live DJs, and get grub at food trucks – all while being surrounded by the joyful energy of community. Santa and Mrs. Claus will also be available for photos from 12-2 pm. 11 am.

    Pentatonix in concert
    In 2011, a cappella group Pentatonix became the first act to top both the Holiday Albums and Holiday Songs charts simultaneously. Since then, Christmas has become their business, dropping such seasonal releases as 2014’s That’s Christmas to Me and 2016’s A Pentatonix Christmas. They’ll be Houston as part of their Christmas in the City tour, performing favorite songs from their seven holiday-themed albums, including the new Christmas in the City. 7 pm.

    Winsome Prime presents Annual Ugly Sweater Christmas Party & Toy Drive
    The Southern-inspired steakhouse is kicking off the holiday week with its annual Ugly Sweater Christmas Party & Toy Drive. Attendees are asked to bring a new toy to benefit the Isiah Factor Christmas Toy Drive, as well as dress in their most outrageous, over-the-top holiday sweaters for an ugly sweater contest, with special perks, giveaways, and photo moments throughout the event. 7 pm.

    Sunday, December 21

    Kings Harbor Waterfront Village presents Holiday on the Harbor
    Join Lake Houston mixed-use development Kings Harbor Waterfront Village as it celebrates the holiday season with Holiday on the Harbor. Attendees can enjoy a free photo opportunity with Santa and Mrs. Claus, music from a DJ, face painting, an on-site caricature artist, and riding on the trackless train. Families can also play yard games and create holiday crafts, making it a day full of holiday cheer for kids and adults alike. 1 pm.

    Houston Cinema Arts Society and Houston Film Commission presents Luv Ya Bum!
    Luv Ya Bum! is more than a sports documentary – it’s a testament to the power of leadership, community, and the enduring impact of legendary Houston Oilers head coach Bum Phillips. River Oaks Theatre will have a screening, presented by Houston Cinema Arts Society (HCAS) and Houston Film Commission, complete with a post-screening conversation with the producers. A special exhibition will be on display, courtesy of the Museum of the Gulf Coast, featuring a remarkable collection of personal effects and historical artifacts. 2 pm.

    The Houston Tidelanders present Yule-Tide Carols
    The Houston Tidelanders will ring in the holiday season with their show, Yule-Tide Carols. The tradition brings Christmas to life through the four-part harmonies of barbershop a cappella singing. The Tidelanders will perform a mix of classic Christmas favorites and fresh new arrangements, from the peaceful beauty of “O Little Town of Bethlehem” to the inspiring message of “I Heard the Bells on Christmas Day.” 4:30 pm.

    Pentatonix
    Photo courtesy of Pentatonix

    Pentatonix performs at Toyota Center on December 20.

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    Creed concert review

    Creed serve up millennial nostalgia at pyro-packed RodeoHouston concert

    Craig Hlavaty
    Mar 11, 2026 | 11:54 pm
    Creed concert RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Singer Scott Stapp serenades the RodeoHouston crowd.

    Hello, my friend, we meet again.

    I’ve had a torrid relationship with Creed. As a circa-2000s punk rocker, it was implied that I was supposed to hate them. Nevertheless, I enjoyed those hook-laden Mark Tremonti riffs and Scott Stapp’s burly, Bono-grasping vocals, with just a hint of irony deep in the mix. I had “One Last Breath” on a burned mix CD, bunched in with Fugazi, Rancid, and Sham 69. I would skip it as quickly as I could, depending on who was in the car. Driving home from a long day slinging milk in the Kroger dairy cooler? Windows down, Stapp up.

    When I began my music journalism career 20 years ago (!!!), I began sticking up for them, much to the consternation of a lot of my fellow writers who were hung up on stuff that was supposed to be cooler and hipper. Creed’s pop-culture zenith came right as The Strokes and The White Stripes were thrust on us by the music press as a counter to post-grunge, which other music writers were categorically allergic to. Remember when our biggest problems in America were bands that were overtly influenced by Pearl Jam and Alice In Chains?

    In 2012, I interviewed lead singer Scott Stapp along the way for the Houston Press, and I distinctly recall Stapp being confused on our call that a guy from a smug alt-weekly wasn’t asking him stupid questions or making fun of his leather pants. The band was heading to Houston for a two-night stand at the Bayou Music Center in 2012 when they played 1997’s “My Own Prison” and 1999’s “Human Clay” in their entirety.

    Fun fact: “Human Clay” has sold over 20 million albums alone, besting Nirvana’s “Nevermind” and Pearl Jam’s “Ten” by only a relatively small margin. Creed moved more physical CDs when people actually bought music.

    Somehow, along the way, people stopped hating Creed and Nickelback, and the hate gave way to pre-social media, millennial high school, and pre-9/11 nostalgia. The similarly maligned Nickelback sold out the rodeo in 2024.

    On Wednesday, March 11, I saw junior high school kids wearing crispy new Creed shirts with their parents. Gen Alpha is beginning to get curious about what mom and dad were up to during spring break 2001, and Zoomers are rediscovering Y2K fashions. Haven’t you seen those “Mom, What Were You Like In The ‘90s?” memes?

    Creed has been sold out for weeks, drawing 70,007 attendees. If you had told someone 10 years ago that Creed would sell out RodeoHouston, they would have been skeptical. And yet here we are, staring down at a sold-out Creed show. These things run in cycles. Emotions fade. Annoyance turns into wistfulness for the days of Nokia brick phones and 99-cent gas. You can even go on a Creed Cruise now.

    Creed hit the stage just before 9:30 pm, an enviable bedtime for most elderly millennials, kicking off with the TOOL-chugalug of “Bullets,” with Stapp and Tremonti making the best use of their stage platforms, crucial devices for any major rock band in the 2000s. Unrelenting pyro shot from the dirt surrounding the stage every time Stapp lifted or flailed his arms like Elvis if he discovered cardio.

    The dirge of “Torn” — the second single from My Own Prison — was pyro-less, likely giving the cannons a few minutes to cool off. The sweaty Stapp, at just 52, looks to be in better shape than he did 20 years ago, now sporting a conservative haircut like he stepped out of his company’s stadium suite or finished a twilight run at Memorial Park.

    Stapp introduced “My Own Prison” with a preachery pep talk that wouldn’t sound out of place at an altar call at Sturgis. The crowd hung on every emphatic word. Maybe seeing two middle-aged dudes wearing Stryper shirts down on the concourse made more sense than I realized. Is Creed actually just TOOL that accepted Christ? The graphics behind the band could’ve fooled me.

    Stapp introduced “One” with a speech on commonalities and love. Looking back, Creed’s lyrics were much too earnest, hitting at a time when critics were still hungover from grunge.

    During “With Arms Wide Open,” the rodeo cameras would routinely cut to tattooed dads and rocker chicks in the crowd playing air guitar along with Tremonti and singing their guts out like they did the first time they heard it on 94.5 The Buzz. For a large segment of the crowd, they might have had a Gen-X parent jamming this stuff on the way to school in the morning.

    “Are you ready to get higher in here, Houston?” Stapp yells. The place erupts as “Higher” starts. Stapp was in his element, pyro shooting off, his silver jewelry dangling, taking in the crowd, like he didn’t expect such a response.

    Possibly the last true rock power ballad ever recorded, “One Last Breath,” got the biggest screams of the night; it might also be the Gen-Z “Don’t Stop Believing” as long as we’re making wildly controversial statements. [Editor’s note: Isn’t that Mr. Brightside? -ES]

    Welcome back, Creed, from pop-culture purgatory, and props for what might have been the loudest RodeoHouston show in years.

    SETLIST

    Bullets
    Torn
    Are You Ready?
    My Own Prison
    What If
    One
    With Arms Wide Open
    Higher
    One Last Breath
    My Sacrifice

    Creed concert RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Singer Scott Stapp serenades the RodeoHouston crowd.

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