taylor's grand opening night

Fearless Taylor Swift takes more than 62,000 Houston Swifties on 3-hour journey through all her Eras at NRG Stadium

Megastar Taylor Swift began a three-night run in Houston on Friday, April 22, the first of three monstrously sold-out shows inside the cavernous NRG Stadium, or as it's known this weekend, "NRG Stadium (Taylor's Version)."

She's the first artist to play three straight shows inside the stadium. The crowd was estimated at 62,690.

Earlier this week, Swift merch trucks arrived on site, quickly mobbed by fans and families who couldn't afford tickets to the shows proper or wanted to get first crack at the wares before they went up for sale in the concourses. You will be seeing this merch for the rest of the year. The shirts. The bracelets. The branded everything.

This 52-date tour comes with all the religiosity and thrill of a big tent revival. It's a traveling affirmation of her legacy, running through the past two decades of her discography, with accompanying costume changes. If she ever hits her Vegas Residency Era, they might build a hotel and casino for the occasion.

Imagine revisiting all of your personal eras over the course of three hours every night. It's not quite a greatest hits show, but a greatest weird vibes tour. It's been constructed with enough flashbacks and callbacks to tell a cohesive story. Each of those cuts is there for a specific reason, and Swifties can deduce the why and how for each song's inclusion.

Some acts find it hard to rectify their past personas, preferring to throw them in the mental and physical junk drawers, but Swift's had an open diary of a career. She's made it okay to look back with a touch of anger to find a common thread because she's been methodical enough to leave plenty of connective tissue.

Swift's tour is easily the biggest of the post-COVID era, with demand and thirst for tickets reaching biblical levels of frustration and triumph. In the long term, it may change how concert tickets are sold now that the government has seen enough. In the short term, millions of credit scores will take a hit.

There is no past analog for what Swift currently holds in her hands. Her only true, current-day peer is Beyoncé regarding the devotion and mania she's commanded. Even Beyoncé seems to have backed away from the kind of exposure that Swift enjoys for queenly applause and cathartic, culture-defining tours. Beyoncé doesn't have eras as much as she has had a veritable planetary reign since the first George W. Bush administration.

Plop Swift in the '80s, and she would be the equivalent of Madonna and Michael Jackson combined, with a dash of Stevie Nicks, Carole King, and Siouxsie Sioux thrown in for zest. Lately, she's been closer to her namesake, James Taylor, in introspection and wordplay.

Opening night

On Friday night, the streets around NRG were closed except for roving multigenerational bands of sequined dresses, handcrafted jackets, and the occasional dad already in earplugs, ears girded for screams. Every sequined dress in the Gulf Coast area was at NRG Stadium on Friday and will be in residency until Sunday. Houston Texans head coach Demeco Ryans and his squad will be breathing in glitter dust all Texans season long inside NRG Stadium, no doubt.

Just before 8 pm, Swift hit the stage and embarked on a three-hour tour through the various eras of her career in a non-linear format, preferring to tell her story in vignettes of pop fire of multiple hues. Compartmentalizing a nearly 20-year career is no tall order, especially for a 33-year-old alone at the top of a mountain.

Luckily, she's the master of recasting even the messier bits as lessons, not misfires. As she's begun to diversify her creative output and get more pastoral with her last three albums, it's hard not to see an era-spanning tour like this as a polite form of setting some of those former faces on a shelf for the next decade.

Showcasing her "Lover" era -- centered around the 2019 album -- allowed the material that never made it to tour (thanks to COVID) to get its long-awaited live due. The "Lover Tour" was one of the most significant pandemic-era casualties of the music world, a surefire hit with a solid set of new songs to showcase. "The Man" and "You Need to Calm Down" finally got the stage set adulation they deserved.

The "Fearless" era is the glue of sorts to this whole thing, as it's where a great deal of the crowd will be stepping inside NRG this weekend, fully invested in Swift as she teetered over from country to power-pop. A song like "You Belong With Me" can exist on several plains, which speaks to Swift's songwriting prowess. Later in the wildcard portion of the set, she played a wizened and poisonous take on "You're Not Sorry" alone on the piano.

It was on the "Evermore" and "Folklore" portions of the night where things got interesting, with Swift casting herself as a very Stevie witchy woodland fairy, swathed in soft-goth finery surrounded by a dramatic, moss-covered set design. She seemed to be the most comfortable in a flowing cream-colored dress and ballet flats than any other part of the night, acting out the emotions of the characters she conjured across those two albums. "Tolerate It" came with Swift and a male dancer in an emotional chess match at a kitchen table.

The "Reputation"-era material has aged incredibly well for an album that at the time confused everyone but Swifties, who completely bought into the cryptic industrial pop collection. During this era, Swift was finally able to respond to what had been a hellacious set of years in the tabloids with the proportional amount of venom in from her glittered fangs.

The catharsis of Swift returning to the touring stage was laid bare during "Look What You Made Me Do" for both the artist and the audience. Swift commented on the pandemic's influence on her relationship with her fans and career. Fans had been waiting to sing these songs at a concert for five years, and she had spent just as long working back to the stage.

Looking back at the "1989" era in a new context alongside the collected other eras, the songs acquire a sly bitterness that went unnoticed the first time. "1989" was a monster of a shout-laden pop album, a party thrown in defiance of haters. All Swift had to do was reorder these songs during a three-hour to show off new colors we hadn't seen before. "Wildest Dreams" remains a modern torch song stunner.

Throughout the night, Swift would always return to the tools of her trade, the piano or the guitar, to give songs on the setlist the emphasis she thought they deserved. Even her most playful hits began as an idea on a guitar. Imagine a solo Swift acoustic tour, with our heroine captivating an 80,000-seat stadium.

By the time we got to the final leg of the night — the current "Midnights" era — both "Lavender Haze" and "Anti-Hero" felt like summations of the night. Swift made an excellent after-hours album for ruminating to, combining her newfound character-driven songwriting style with a lo-fi skitter that throbs and rumbles inside a stadium.

Being able to intellectually redesign and recast even the messiest pieces of your past as an artist is something we've only seen the likes of Dylan and Bowie having the latitude to do. Most artists stay in the same gear for decades out of financial necessity. There's a long game shaping up. Whatever era awaits us after this or the next Swift persona we've yet to meet will be in great company.

"Strategy," sings Swift, "sets the scene for the tale."

Setlist

Lover

Miss Americana & the Heartbreak Prince

Cruel Summer

The Man

You Need to Calm Down

Lover

The Archer

Fearless

Fearless

You Belong With Me

Love Story

evermore

'tis the damn season

willow

marjorie

champagne problems

tolerate it

reputation

...Ready for It?

Delicate

Don't Blame Me

Look What You Made Me Do

Speak Now

Enchanted

Red

We Are Never Ever Getting Back Together

I Knew You Were Trouble

All Too Well

folklore

seven

the 1

betty

the last great American dynasty

august

illicit affairs

my tears ricochet

cardigan

1989

Style

Blank Space

Shake It Off

Wildest Dreams

Bad Blood

Surprise Songs

Wonderland

You’re Not Sorry (Taylor’s Version)

Midnights

Lavender Haze

Anti‐Hero

Midnight Rain

Vigilante Shit

Bejeweled

Mastermind

Karma

Photo by Marco Torres/Marco from Houston

Swift was positively Fearless on Friday night,

RIP, Chuck

Actor Chuck Norris, star of 'Walker, Texas Ranger,' dies at 86

Courtesy photo

Chuck Norris, star of "Walker, Texas Ranger," has died at 86.

Chuck Norris, the martial arts grandmaster and action star whose roles in “Walker, Texas Ranger” and other television shows and movies made him an iconic tough guy — sparking internet parodies and adoration from presidents — has died at 86.

Norris died Thursday, in what his family described as a “sudden passing.”

“While we would like to keep the circumstances private, please know that he was surrounded by his family and was at peace,” the family said in a statement posted to social media.

Before he would become a star in movies and on TV, Norris was wildly successful in competitive martial arts. He was a six-time undefeated World Professional Middleweight Karate champion. He also founded his own Korean-based American hard style of karate, known sometimes as Chun Kuk Do, and the United Fighting Arts Federation, which has awarded more than 3,300 Chuck Norris System black belts worldwide. Black Belt magazine ultimately credited Norris in its hall of fame with holding a 10th degree black belt, the highest possible honor.

Born Carlos Ray Norris in Ryan, Oklahoma, on March 10, 1940, he grew up poor. At age 12, he moved with his family to Torrance, California, and joined the U.S. Air Force after high school, in 1958. It was during a deployment to Korea that he started training in martial arts, including judo and Tang Soo Do.

“I went out for gymnastics and football at North Torrance high,” he told The Associated Press in 1982. “I played some football, but I also spent a lot of time on the bench. I was never really athletic until I was in the service in Korea.”

After he was honorably discharged in 1962, he worked as a file clerk for Northrop Aircraft and applied to be a police officer, but was put on a waitlist. Meanwhile, he opened a martial arts studio, which expanded to a chain, with students including such stars as Bob Barker, Priscilla Presley, Donnie and Marie Osmond, and Steve McQueen, whom he later credited with encouraging him to get into acting.

From one studio to another
Norris made his film debut as an uncredited bodyguard in the 1968 movie “The Wrecking Crew,” which included a fight with Dean Martin. He had also crossed paths with Bruce Lee in martial arts circles. Their friendship — sometimes, as sparring partners — led to an iconic faceoff in the 1972 movie “Return of the Dragon,” in which Lee fights and kills Norris' character in Rome's Colosseum.

He went on to act in more than 20 movies, such as “Missing in Action,” “The Delta Force” and “Sidekicks.”

“I wanted to project a certain image on the screen of a hero. I had seen a lot of anti-hero movies in which the lead was neither good nor bad. There was no one to root for,” Norris said in 1982.

In 1993, he took on his most famed role, as a crime-fighting lawman in TV's “Walker, Texas Ranger.” The show ran for nine seasons, and in 2010, then-Gov. Rick Perry awarded him the title of honorary Texas Ranger. The Texas Senate later named him an honorary Texan.

“It’s not violence for violence’s sake, with no moral structure,” Norris told the AP in 1996, speaking about the show. “You try to portray the proper meaning of what it’s about — fighting injustice with justice, good vs. bad. … It’s entertaining for the whole family.”

Norris also made a surprise comedic appearance as a decisive judge in the final match of the 2004 movie “Dodgeball.” He only on occasion has taken acting roles in recent years, including 2012's “The Expendables 2” and the 2024 sci-fi action movie “Agent Recon.” He's due to appear in “Zombie Plane,” an upcoming film starring Vanilla Ice.

Chuck Norris: the man, the meme, the legend
It was around the time of “Dodgeball” that his toughman image became the stuff of legend, literally: “Chuck Norris Facts” went viral online with such wildly hyperbolic statements as, “Chuck Norris had a staring contest with the sun -- and won,” and, “They wanted to put Chuck Norris on Mt. Rushmore, but the granite wasn’t tough enough for his beard.”

Norris ultimately embraced the absurdity of the meme craze, putting together “The Official Chuck Norris Fact Book,” which combined his favorites with supposedly true stories and the codes he aimed to live by. He would also write books on martial arts instruction, a memoir, political takes, Civil War-era historical fiction and more.

“To some who know little of my martial arts or film careers but perhaps grew up with 'Walker, Texas Ranger,' it seems that I have become a somewhat mythical superhero icon,” Norris wrote in the forward to the fact book. “I am flattered and humbled.”

That book raised money for a nonprofit he founded with President George H.W. Bush that promoted martial arts instruction for kids.

The intentionally outlandish statements featured in the 2008 Republican presidential primary, when Norris endorsed Arkansas Gov. Mike Huckabee and shot an ad playing on the “Chuck Norris facts.”

President Donald Trump's supporters later promoted Trump Facts in the same vein, and political pundits tried it as well, describing the commander-in-chief's decision to seize Venezuela's sitting president, Nicolas Maduro, as a “Chuck Norris Moment,” and its initial effect on oil prices a “Chuck Norris Premium.”

Norris was outspoken about his Christian beliefs and his support for gun rights, and backed political candidates for years — he even went skydiving with Bush for the former president's 80th birthday. As for Trump, Norris endorsed him in the 2016 general election and wrote guest columns praising him without explicitly endorsing him the in the days before the 2020 and 2024 elections.

Norris has five surviving children: stunt performers Mike and Eric with his late ex-wife Dianne Holechek, twins Dakota and Danilee with his wife Gena Norris, and Dina, the result of an early 1960s “one-night stand” revealed in his autobiography.

Norris celebrated his birthday just over a week before his death, posting a sparring video on Instagram.

“I don't age. I level up,” he wrote.

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