The time has come to start making plans to attend the 2023
Houston Livestock Show and Rodeo. Tickets for three concerts go on sale this Thursday, December 8 at 10 am (online waiting room opens at 9:30 am) via rodeohouston.com.
Electronic DJs and production duo The Chainsmokers on March 10
Texas country singer Cody Jinks on March 13.
Ticket prices start at $25, plus a $4 per ticket convenience fee. The other prices are:
Upper Level: $25 – $30
Loge Level: $40
Club Level: $50 – $55
Field Level: $44
Chairman’s Club: $150 (includes food and hosted bar)
Action Seats: $155 (includes hearty hors d’oeuvres and cash bar)
The Rodeo notes that those who enter the online waiting room between 9:30 and 9:59 will be randomly selected to purchase tickets when they go on sale at 10 am. Furthermore, being in the online waiting room does not guarantee that a person will be able to purchase tickets.
All tickets will be delivered electronically. To access their tickets, concertgoers will need to download the AXS Ticketing mobile app and login with the email address they used to purchase the tickets.
In September, the Rodeo announced that Conroe-born country star Parker McCollum would be the opening night performer. More acts will be announced as next year's event draws near. The 2023 Houston Livestock Show and Rodeo and all RodeoHouston performances are scheduled for February 28–March 19, 2023 at NRG Park.
The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.
Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.
Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).
Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.
But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.
The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.
Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.
The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.