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daigle's debut

Award-winning Christian country star Lauren Daigle to make her RodeoHouston debut in 2023

Steven Devadanam
Nov 29, 2022 | 4:21 pm
Lauren Daigle

Lauren Daigle makes her RodeoHouston debut next year.

Lauren Daigle/Facebook

As longtime H-Towners know, the Houston Livestock Show and Rodeo may take place in spring, but rodeo is all year. With that in mind, country music fans can get excited now about a major artist's debut next year.

Christian country star Lauren Daigle will make her RodeoHouston debut on Thursday, March 2, 2023, the rodeo announced. Tickets for her performance go on sale Thursday, December 8 at rodeohouston.com.

One of the most acclaimed and beloved performers in her genre, Daigle boasts two Grammy Awards, seven Billboard Music Awards, and four American Music Awards. She scored three No. 1 songs alone with her debut album, How Can It Be (which went platinum): “First,” “O’Lord,” and “Trust in You.”

Her follow-up album, Look Up Child, won her a Grammy, aided in part by the smash single “You Say,” which is currently listed as the longest-running No. 1 song to appear on any weekly Billboard chart.

Far more than specifically a Christian act, Daigle has won a legion of country and crossover fans with her spirited and soulful tones, a passion for charity and giving back, and an authentic connection to her live audience. Not surprisingly, Daigle has 4.7 million monthly listens on Spotify and nearly 3 million subscribers on YouTube.

Expect these tickets to go fast, as Daigle is a star who's shine is only getting brighter with every album, single, and show.

Daigle's news comes after RodeoHouston revealed its highly anticipated Opening Day performer announcement. CultureMap was first to report that Parker McCollum will take the NRG Stadium stage on Tuesday, February 28, 2023.

More entertainers will be announced as next year's event draws near. The 2023 Houston Livestock Show and Rodeo and all RodeoHouston performances are scheduled for February 28–March 19, 2023 at NRG Park.

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Movie Review

Despicable Me sequel Minions & Monsters keeps franchise's goofy vibe

Alex Bentley
Jun 30, 2026 | 4:00 pm
Henry and James in Minions & Monsters
Photo courtesy of Illumination & Universal Pictures
Henry and James in Minions & Monsters.

The Despicable Me franchise is one of the most enduring of the 21st century, now reaching its seventh film in the past 16 years with the release of Minions & Monsters. The Minions, which were originally mere sidekicks to the supervillain Gru, have now arguably become the face of the franchise, even more so when they get their own movie.

Minions & Monsters purports to give even more history for the little yellow pill-shaped beings who want nothing more than to serve bad guys. Instead of fan favorites like Kevin, Stuart, and Bob leading the way, this film features James, a Minion who can’t stop causing chaos, and his best friend, Henry (all Minions are voiced by series creator Pierre Coffin).

After a prologue showing the Minions teaming up with various baddies over centuries, the group shows up in early 20th century Hollywood, gaining attention from filmmakers like Max (Christoph Waltz) and producer brothers Frank and Edward (both voiced by Jeff Bridges). They quickly rise up the ranks, with adventures coming to involve actress Debbie (Zoey Deutch), robot Dort (Jesse Eisenberg), and a Cthulhu named Goomi (Trey Parker).

Co-directed by Coffin and Patrick Delage and co-written by Coffin and Brian Lynch, the film is the loosest one of the franchise to date, using a barely-there story as an excuse to have the Minions engage in as much mayhem as possible. The prologue is the most successful part of the film, as they meet a cyclops, wizard, bank robber, and more, with each sequence getting wilder and funnier.

The 90-minute film is just as interested in entertaining kids with its craziness as it is in giving adults references to early film history. Among the films and actors that get shout-outs are the first-ever movie, The Horse in Motion, Georges Méliès’ A Trip to the Moon, Charlie Chaplin, Buster Keaton, and more. Whether including those historical relics will have kids wanting to seek out the real deals is questionable, but at least it shows the filmmakers know they owe a debt to the greats of the past.

The second half of the film becomes less coherent as the Minions split into different factions. James, Henry, and a hard-of-hearing Minion named Ed go in one direction to make a monster movie, while a larger group led by their antagonist named Dick goes in another. There’s no real purpose to either side’s journey other than to serve up laughs through the Minionese language (which seems to lean toward Spanish, as one scene acknowledges) and their antics.

Anyone purposefully going to a Minions movie likely enjoys Coffin’s performance of each character, each of which is subtly different. The rest of the cast, while star-laden, never truly sounds like the actors portraying them, which is strange when you have distinctive voices like Waltz, Bridges, and Eisenberg. The only people who stand out are Allison Janney as the narrator, Bobby Moynihan, and a cameo by George Lucas.

While Minions & Monsters doesn’t offer up an overly compelling reason for existing, it’s also harmless fun that has the side benefit of exposing kids to bits of film history that they might not have known existed. It also tries something different from the tried-and-true format of previous films, and experimentation should be appreciated even if it’s not fully successful.

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Minions & Monsters opens in theaters on July 1.

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