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    It's all happening

    Historic Houston movie theater sets eagerly anticipated reopening date

    Eric Sandler
    Sep 9, 2024 | 9:00 am
    River Oaks Theatre marquee

    The River Oaks Theatre reopens October 3.

    Photo by Corey Watson

    A day that film lovers across Houston have been looking forward to for more than three years is almost here. The iconic River Oaks Theatre will resume welcoming movie lovers on Thursday, October 3.

    Today’s announcement fulfills a hope that's existed since the theater closed in 2021. It also means that an extensive set of renovations are nearly complete.

    Acquired by Culinary Khancepts in 2022, the Houston-based company behind Star Cinema Grill as well as upscale comfort food restaurants State Fare and Liberty Kitchen, the River Oaks will open with three refurbished theaters, updated lighting and seating, and other amenities. Not only will it continue to show movies — including independent, arthouse, and classic films — but it will also host live shows, including musicians and comedians.

    “This project holds a special place in our hearts,” Culinary Khancepts president and CEO Omar Khan said in a statement. “As the only Houston-owned and operated cinema chain, and with a deep connection to the city, we were uniquely positioned to preserve this historic theatre. We are incredibly proud and grateful to have played a role in saving such a cherished venue. It would have been unthinkable for Houston to lose this beloved art house.”

    Joker: Folie à Deux will be the first movie screened at the theater. Tickets, priced at $11, are on sale now via the movie theater’ website. Opening weekend will also include In the Summers, which won the Grand Jury Prize at the Sundance Film Festival, and Sleep, a thriller from first-time Korean director Jason Yu.



    The first 800 people to watch a movie on October 3 will receive a custom gold coin that’s inspired by a tradition from the early 1900s. It is thought to bring good luck and prosperity to the theater’s reopening, according to press materials.

    Rob Saucedo, the theater’s artistic director and head of programming, has been hard at work assembling a full roster of films and other events. They include:

    • Rocky Horror Picture Show on October 5 and 18
    • Comedian Jared Goldstein on October 17
    • Army of Darkness on October 22
    • Film series devoted to movies from 1999, the work of director David Lynch, and horror movies every Saturday night.

    Those who want to demonstrate even stronger affection for the theater may follow director Richard Linklater’s lead by participating in the theater’s Name-A-Seat program that allows them to customize a plaque on a seat. In addition, the River Oaks will offer a monthly membership program called Cinema Savant that allows people to see unlimited movies for a set price.

    As the opening becomes even more imminent, the theater will share images that show off the interior renovations as well as details about its food and beverage offerings, a representative tells CultureMap.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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