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    tribute to a friend

    Ken Hoffman honors his late friend, actor and comedian Richard Lewis

    Ken Hoffman
    Feb 29, 2024 | 9:00 am
    Richard Lewis

    Richard Lewis was 76.

    Photo by Ethan Miller/Getty Images

    Years ago, Richard was coming to Houston to perform Friday and Saturday nights at the Improv comedy club. I asked him to come on my radio show Friday morning to talk up his performances. He said sure.

    I was a Richard Lewis fan first. After I started writing for a newspaper, and writing many columns about him, we became friends. We were both from New Jersey. Both New York Knicks fans. Both loved the Beatles.

    I told him, I have a running bit on the show where celebrities play trivia against an odd opponent. Usually the celebrity would play against the building janitor or a stripper from the Men’s Club or a school crossing guard. How about if you play trivia against a couple of children?

    Richard said, “Bad idea. I don’t work with kids. I’m not like a sitcom dad. That’s not my act onstage — or in real life.”

    I said trust me. Richard was dead set against the idea but as a favor he went along with it.

    That morning Richard Lewis faced off in trivia against Pete Bechtol and my boy Andrew – both age 7.

    Now you have to understand that one of Richard’s favorite plays was Death of a Salesman, maybe the saddest, most tragic, and morbid American stage production ever. The main character Willy Loman realizes that he has wasted his life, is a failure as a husband and father, and commits suicide. Richard would drop “Willy Loman” takes during his act. Death of a Salesman was Richard’s go-to adlib.

    The trivia contest began. First question goes to Richard Lewis. “How much is the square root of 784 multiplied by 2,756? You have five seconds to answer … go!”

    Richard didn’t even answer. He wasn’t having fun. The kids thing wasn’t working for him. Please make this stop.

    OK, Pete and Andrew, here’s your question: "In what play will you find a character named Willy Loman?”

    In his squeaky little boy voice, Pete answered “Death of a Salesman!”

    Richard’s eyes lit up. He couldn’t believe this little kid knew about Death of a Salesman. He was genuinely shocked. He asked the kids, “How do you know who Willy Loman is?”

    Andrew said, “We starred in a kindergarten production of Death of a Salesman last year. I played Willy Loman. The last scene was pretty tough.”

    Richard smelled a rat and gave me a look and started laughing. We got him. For one time, he had fun working with children.

    Sometimes I’d get a call late at night. It would be Richard, coming off a high of performing his standup act. He was too nervous to sleep. He sent me long rambling emails about his performances, usually working in something about the New York Knicks sucking for another NBA season. Whenever he performed in Houston, I’d bring friends to his shows and he always met us backstage. He was incredibly gracious and sweet.

    He would register at hotels as Mr. Procol. He loved rock ‘n’ roll. His walkup music in comedy clubs was Purple Haze by Jimi Hendrix. He was buddies with Ringo Starr. Of course, for the past 20 years he was a regular on his best friend Larry David’s show Curb Your Enthusiasm.

    Richard and I had a mutual friend who had a little bit of Willy Loman in him. The friend couldn’t find his place or value and took to drugs and drinking, much like Richard had early in his career. Richard was able to sober up and enjoy his career and life. He got married, even adopted a rescue dog, and loved living. He told me the dog was even more needy than he was. Our friend couldn’t stay on course. He disappeared into a small apartment and rarely left the building.

    Richard said if I could convince our friend to go to rehab, he would pay for his treatment. I tried. He slammed the door in my face. Our friend stopped being our friend. A few years later he died alone in his bed.

    Richard wrote to me: “I feel terrible how he went down what he felt was an easy road, which was always a pipe dream and it backfired in the worst way. He’s a great soul and he loved me and I did tons for him but wasn’t able to follow through. Pot was the perfect initial drug for him and enabled his laziness and then it went south. Your offer of driving him to Austin Hill and me paying was the best we could do. He just never bottomed out until there was no saving him.”

    Last year Richard revealed that he was suffering from Parkinson’s disease. He put out a statement on Twitter:

    “I have Parkinson’s disease but I’m under a doctor’s care and everything is cool. I’m finished with standup. I’m just focusing on writing and acting from here on out.”

    I sent him a note:

    “You got this. You’re an all-time great. I know you’ll find a way to keep making people laugh – just different now. I cherish our friendship. You’re the only person I know that I can actually brag about.”

    He wrote back: I love you, KH.

    Richard Lewis died Tuesday. I hope he meant it when he said he loved me. I think he did.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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