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    post malone concert review

    Post Malone's road show lifts up RodeoHouston with heart and soul

    Craig Hlavaty
    Mar 18, 2025 | 10:48 pm

    On Tuesday night Post Malone brought his ongoing F-1 Trillion road show to the largest rodeo in Texas, mere months after headlining the Cynthia Woods Mitchell Pavilion for two nights in October.

    Posty is so incredibly popular right now could have opened and closed RodeoHouston in 2025 and he could have sold out both shows. The streets around NRG Stadium turned feral just before sundown as the parking lots reached capacity. This was easily the hottest ticket of the season.

    The whole world seems to have gone country — yet again — and the 29-year-old Post Malone followed suit this past year, debuting a new Hank Jr. Jr. persona to curious audiences with his latest album F-1 Trillion. When the Texas-bred rapper started showing out in Wrangler jeans, turkey feathers, turquoise jewelry, pearl snap shirts, and five-figure cowboy boots, some outlaw gatekeepers and traditional hardliners dismissed him as a scene poser. It’s a familiar story, one that Beyonce experienced herself with the Cowboy Carter project, her own inventive take on the fluid country genre.

    [By the way, the last time Malone was at NRG Stadium he was performing with Beyonce during the halftime show of the Houston Texans ritualistic Christmas Day sacrifice to the Baltimore Ravens. While he was in town, he made sure a lucky bartender had a wonderful Christmas. But I digress.]

    Malone’s collection of expertly crafted pop-country featuring voices as diverse as Billy Strings, Sierra Ferrell, and Blake Shelton had no business being so satisfying. While other acts are aping the spirit of ‘90s hat acts, Malone seems to be blazing a trail of his own, digging into the earnest hooks of early ‘00s pop-country he grew up on and fusing it with his own innate talent for juicy hooks and tobacco-stained wordplay.

    “Wrong Ones” kicked off the proceedings on Tuesday night with Malone taking a long walk from the corner of the stadium to the starred stage. A country-fried version of the buoyant “Circles” followed, with a barefoot Posty stalking the stage dressed like a RodeoHouston volunteer that just got home from a long shift doing parking lot traffic control.

    “I’m doing my best not to cuss tonight, ladies and gentlemen,” joked Malone, obviously looking to make a return down the line. Soon enough, he broke his own rule and let a few tender and complimentary expletives escape through his microphone. Judging by the size of the crowd, RodeoHouston might have looked the other way.

    Malone spent “Pour Me A Drink” walking the stage crooning with his trademark red Solo cup in hand. 2018’s breakthrough single “Psycho” came reimagined as a soaring anthem, and “White Iverson” began with a few tasteful honky tonk piano licks. It’s impressive how well some of Malone’s earliest singles lend themselves to a pop-country sheen. Even his updated take on “Better Now” sounded like it came straight from Nashville’s Music Row. “Never Love You Again” — sans Sierra Ferrell — was lifted by some fiddle from his virtuosic band member Lillie Mae. Her fiddle remained a constant, steady counter to Malone all night.

    It wouldn’t be a RodeoHouston show without another George Strait cover, and Malone delivered his own faithful take on “Ocean Front Property,” to the approving screams of thousands. With the amount of Strait covers this year, it wouldn’t be a surprise if this is some sort of sneaky, conspicuous way of teasing the return of King George to NRG Stadium in 2026.

    “Congratulations” was the biggest jolt of the night, full of manic pyro and crying guitar. It was a victory lap, a proof of concept. Sporting his brand-new RodeoHouston belt buckle, Malone utilized every inch of the stage to deliver the most bombastic, uplifting show of 2025.

    Setlist

    Wrong Ones
    Circles
    What Don’t Belong To Me
    Pour Me A Drink
    Psycho
    White Iverson
    Never Love You Again
    Ocean Front Property (George Strait cover)
    Better Now
    I Had Some Help
    Rockstar
    Congratulations
    Sunflower

    Post Malone RodeoHouston

    Courtesy of the Houston Livestock Show and Rodeo

    Post Malone put a country spin on some of his fan favorite songs.

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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