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    best february concerts

    Olivia Rodrigo, RodeoHouston's return, and The Eagles headline Houston's best February concerts

    Johnston Farrow
    Feb 2, 2024 | 11:33 am


    The Eagles band
    Eagles/Facebook

    The Eagles bring The Long Goodbye final tour to Toyota Center on February 16.

    The coldest days of winter seemingly behind us, the Houston live music scene is heating up in February with one sold-old world tour, the kickoff of RodeoHouston, and a number of acclaimed national acts hitting stages across the city.

    Although ticket prices are as burning hot as the shows that are coming to Houston this month, they haven’t seemed to put a damper on the appetites of concertgoers, with a huge slate of 2024 show being announced seemingly every week – see Dave Matthews Band, Alice Cooper & Rob Zombie, Bush, and Third Eye Blind this month alone.

    Consider these shows appetizers to the entrees on the concert schedule in the months ahead.

    Portugal. The Man, February 10, Bayou Mustic Center

    Formed in Alaska, alt-rock act Portugal. The Man found a dedicated fan base in Houston early into its career, so much so that Jagi Katial, co-founder of the local venue White Oak Music Hall, appeared in the video for the 2017 Grammy Award winning hit, “Feel It Still.” Woodstock, the album that featured that song, catapulted the band to festival mainstays. The quintet is back in H-town touring last year’s Chris Black Changed My Life – you might have heard lead single, “Dummy,” in a recent Taco Bell commercial. Snacktime opens.

    Eagles & Steely Dan, February 16, Toyota Center

    Long after hell froze over and seemingly endless final tours, the Eagles – minus deceased original members Glenn Frey and Randy Meisner – are still going strong, almost as if their career is stuck in a “Hotel California” they can never leave. But really, this is it, folks, as this Toyota Center appearance is part of “Long Goodbye” Final Tour with jazzy dad rock legends Steely Dan opening.

    No longer the “New Kid in Town,” it feels like the ‘70s hitmakers that sold 200 million albums worldwide are back in Houston almost annually on a tour touted as the end of the line. Maybe this is the tour they “Take It to the Limit.” Plan accordingly.

    Cold War Kids, February 16, House of Blues

    Indie-rock vets Cold War Kids are on the road following a 2023 opening slot for ’80s New Wave stars Tear for Fears, now headlining shows behind their latest, self-titled release. The Long Beach, California group rose to prominence on alt-rock radio with their hits “First,” “Love is Mystical,” and “Hang Me Up to Dry,” that draws comparisons to later-day Modest Mouse or a poppier version of The Black Keys. To celebrate the start of the tour, they’re releasing their new single, “Heaven In Your Hands.”

    Black Violin, February 17, 713 Music Hall

    Classical and hip-hop meets with Fort Lauderdale duo Black Violin, comprised of Kev Marcus on violin and Wil B. on viola. First gaining acclaim on the Fox talent competition show, Showtime at the Apollo, which they won, they captured the imagination of string afficionados and rap diehards with their unique take on hip-hop covers. Since the early 2000s, they’ve appeared on stage with Alicia Keys and Wu-Tang Clan and guested on records by Tom Petty and Aerosmith.

    Yo La Tengo, February 23, The Heights Theater

    For fans of melancholy, melodic indie music heavily indebted to the Velvet Underground, the Kinks, twee and shoegaze, the appearance of Yo La Tengo at the intimate confines of The Heights Theater is a must-attend event. One would be hard-pressed to find an act that has been as consistently great and as influential as the Hoboken, New Jersey trio since they released their debut album in 1986, laying the groundwork for so many independent acts to come. Add 2023’s This Stupid World to the list of listenable gems.

    Gov’t Mule, February 25, Bayou Music Center

    The hard-touring Gov’t Mule is practically an institution in jam band circles and continues its run with 2023’s Peace…Like a River. Gov’t Mule specializes in easy-going blues riffs as evidenced in their biggest songs, “Thorazine Shuffle” and “Soulshine,” a bit of a throwback to the ‘70s classic rock heyday, not surprising for an act co-founded by Allman Brother Band guitarist Warren Haynes and bassist Allen Woody. Expect a lot of guitar solos and hazy sightlines.

    Olivia Rodrigo, February 27, Toyota Center

    One of the biggest pop stars going right now, Olivia Rodrigo’s first tour in 2022 saw her selling out 713 Music Hall in mere minutes due to her massive, Grammy Award-winning breakthrough debut, Sour. Three No. 1 songs later, the “Drivers License” songwriter will perform a sell-out show at the much larger Toyota Center as part of her insane, 77-show, globetrotting Guts tour. The ‘90s alt-pop-punk influenced trendsetter will bring songs from that similarly huge second No. 1 album, which features her hella-good, fourth chart-topping song, “Vampire.” The fantastic Chappell Roan opens.

    RodeoHouston, February 27-March 17, NRG Stadium

    The annual Bayou City tradition is back! RodeoHouston kicks off its 2024 slate of diverse musical acts doing what it does best: showcasing country stars and a final installment of Bun B’s historic Takeovers. Chart-topping country singer and former judge on The Voice, Blake Shelton, will serve as the season opener on February 27, making his sixth appearance and the first since his wife, Gwen Stefani, put on a RodeoHouston show for the ages in 2022. No pressure, Blake.

    Fast-rising female artist, the Kentucky-born Carly Pearce, brings her classic Faith Hill sound to her first appearance on the star-shaped stage on February 29, hot off releasing her single, “We Don’t Fight Anymore” with another repeat RodeoHouston performer, Chris Stapleton. The month is capped off by the Australian duo King & Country, which made history as the first Christian pop band to play on the NRG Stadium dirt and dust in 2022, drawing a praise-worthy 50,000+ ticket holders.

    ††† (Crosses), February 27, House of Blues

    The decidedly non-Christian but Christian-monikered ††† (Crosses) is the cult-act side project of Deftones lead singer Chino Moreno and multi-instrumentalist Shaun Lopez. Whereas Deftones offers a more straight-ahead approach to hard rock and melodic metal, Crosses dives hard into the synths with a delicious mix of dark wave and goth soundscapes. They are currently promoting the 2023 release, Goodnight, God Bless, I Love U, Delete which featured contributions from the Cure's Robert Smith.

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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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