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    Movie Review

    A first love leads to big romance in Australian film Of An Age

    Alex Bentley
    Feb 17, 2023 | 3:00 pm
    Elias Anton and Thom Green in Of An Age

    Elias Anton and Thom Green in Of An Age.

    Photo by Thuy Vy / © Of An Age Films Pty Ltd

    Great romance movies are few and far between. The multitude of factors that have to go right, including the chemistry of the two lead actors, the right type of story, and the dialogue, make success hard to achieve. Same-sex relationships have not been explored nearly as much as straight ones in the history of movies, so making an effective gay romance is inherently more difficult.

    The past year saw two solid gay rom-coms – Fire Island and Bros – and now comes a great drama, Of An Age. When we meet Kol (Elias Anton), he is a 19-year-old Australian ballroom dancer about compete with his best friend, Ebony (Hattie Hook). But a drunken night by Ebony, winding up with her lost far from home, derails those plans, and Kol has to ask Ebony’s brother Adam (Thom Green) to help find her.

    The hour-long drive gives Kol and Adam plenty of time to get to know one another, and when the closeted Kol discovers that Adam is openly gay, it begins a tentative-but-intense bond between the two. The film, which starts in 1999 and finishes in 2010, explores how a quick connection like the one Kol and Adam have can have far-reaching impact on both lives.

    Written and directed by Goran Stolevski, the film tells a story that’s both universal and highly specific to the experience of many gay people. Finding your first love can transport a person in many ways, and the film does a magnificent job of imparting that feeling, showing how Kol and Adam become close through their conversations, furtive glances, and more.

    Stolevski and the actors also impressively demonstrate just what it means for someone like Kol, who hasn’t found the courage to fully reveal himself to the world, to find someone like Adam, who already has. The film doesn’t do so in a heavy-handed manner, instead opting for a low-key approach that still tells the audience all they need to know about the lives of each man.

    The result is a highly romantic story that only frustrates because of effective storytelling choices. Right from the start, Ebony is portrayed as a drama queen of the highest order, and her self-centeredness steals focus from Kol and Adam. And the reality of where Kol and Adam are heading in their respective lives makes the relatively short time they have together all the more precious.

    Unless you’re somehow well-versed in Australian TV, none of the actors will be familiar, but that serves the story well. Both Anton and Green are eminently likable, and the start-and-stop conversations between their two characters feel so real that it’s almost painful. Hook makes Ebony into someone you love to hate, which means she’s doing her job well.

    It wasn’t so long ago that romantic movies involving gay characters felt far from mainstream. Of An Age is part of a fantastic trend that opens up a whole new world for a segment of society that’s been held back far too long.

    ---

    Of An Age is now playing in theaters.

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    Lainey Wilson Review

    Lainey Wilson brings rock ‘n roll swagger to sold-out RodeoHouston concert

    Craig Hlavaty
    Mar 20, 2026 | 12:01 am
    Lainey Wilson RodeoHouston
    Photo courtesy of the Houston Livestock Show & Rodeo
    Lainey Wilson delivered a standout performance

    Despite being one of the weirdest and most talked-about rodeo seasons in recent memory — marked by county government sideshows and barenaked carnival crowds — 2026 has been a great year for female artists at RodeoHouston, all things considered.

    Houston’s own Lizzo (69,362), Kelly Clarkson (70,007), Megan Moroney (69,125), and now Lainey Wilson (70,130) have drawn huge numbers compared to some of the male acts. Wilson’s debut RodeoHouston appearance in 2024 was a verified sold-out Saturday matinee, attracting 74,940 fans.

    Slightly surprising, Christian artist Forrest Frank has been the biggest draw so far in 2026 with 70,707 fans packing in for his Sunday matinee on March 8. Russell Dickerson, who rode into Times Square to introduce RodeoHouston to the world, pulled in 53,063 folks off the street for his debut. Stalwart Chris Stapleton’s all-too-brief show on March 12 pulled in a reliable 70,077.

    Creed and Clarkson are tied at 70,007, which bodes well for even more millennial nostalgia acts waiting in the wings.

    Will anyone next year beat the 75,600 Jonas Brothers fans that invaded NRG Stadium in 2024? Don’t worry, we’ll have our RodeoHouston 2027 wishlist online in the next few days.

    Coming into the last Thursday of the season, Wilson’s face could be seen everywhere at NRG Center, from huge banners above the Ford activation near the carnival, inside the Cavender’s booth touting her Wrangler western wear collaborations, not to mention her pitchwoman work for Whataburger and Tractor Supply.

    Wilson is also the subject of a new Netflix documentary, Lainey Wilson: Keepin’ Country Cool, which premiered at SXSW this past week. It chronicles the making of the Whirlwind album and features scenes from the road and the recording studio as the last few years of her life unfolded. Produced by Houston native Kent Kubena, Lainey fanatics will have to wait until it officially premieres on the streamer on April 22.

    The 33-year-old’s hippie-billy evolution from 2021’s Sayin’ What I’m Thinkin, 2022’s breakout Bell Bottom Country, and into 2024’s Whirlwind has seen her stretch her distinctive voice into bombastic new territories, into some late ‘80s Lita Ford vibes. When’s the power ballad duet with Dave Grohl happening?

    Wilson kicked off Thursday night with the punchy brand-new single “Can’t Sit Still,’ which just dropped on streaming services last Friday, riding onto the dirt in the back of a Ford truck, naturally. Nerdy music writer note: the song lifts a little bit of lyrical flavor from Taking Back Sunday’s “Liar (It Takes One To Know One).” Who knew 2000s screamo was still giving us gifts?

    The AC-D-She stomp of “Wildflowers and Wild Horses” got a big-budget stadium makeover. "4X4XU," which sounded like it was straight from a classic ‘80s Spotify playlist, was the first major singalong of the evening. In another lifetime, she would be the world's greatest frontwoman of a Guns N’ Roses tribute band. There’s a revival of harder-edge ‘90s female rock in the wind lately, so its probably not a coincidence that Wilson might be drinking from that well for the new album. On “Dreamcatcher,” her band went into full Rock & Roll Hall of Fame All-Star Jam mode.

    Recent #1 hit "Somewhere Over Laredo” (“caught me a red eye flight outta Houston” got a huge roar) saw Wilson taking flight on one of the starred stage’s pointed lifts. During “Atta Girl,” Wilson pulled a lucky little girl named Presley out of the chute seats to be crowned her “cowgirl of the night” to a wall of cheers, gifting her one of her signature Charlie 1 Horse cowboy hats. It’s become a tradition at Wilson shows.

    As closer "Heart Like a Truck" hit maximum altitude and Wilson hit the highest highs, her horse for the night was led out to the stairs next to the stage for Wilson’s now-customary victory lap around the stage and ride off into the bowels of NRG, leather fringe and all.

    Setlist

    Can’t Sit Still
    Wildflowers and Wild Horses
    4X4XU
    Smell Like Smoke
    Dreamcatcher
    Watermelon Moonshine
    Hang Tight Honey
    Somewhere Over Laredo
    Atta Girl
    Good Horses
    Things A Man Oughta Know
    Heart Like A Truck

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