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Movie Review

Annette Bening recreates great swimming achievement in inspiring Nyad

Alex Bentley
Oct 20, 2023 | 3:07 pm

Even for fans, significant sports accomplishments and milestones have a way of fading away over time. People of a certain age may remember the name of long-distance swimmer Diana Nyad, who swam around Manhattan and from the Bahamas to Florida in the late 1970s. But do you remember that her most significant swimming feat came just 10 years ago when she was 64 years old?

That event, her swimming over 100 miles from Cuba to Key West, Florida, is at the center of Nyad. Annette Bening stars as Nyad, who - when the film begins - is 30 years removed from her ‘70s heyday, living an anonymous life in Los Angeles with her best friend, Bonnie (Jodie Foster). Even though it’s been forever since she swam competitively, a desire to not just sit around in the twilight of her life leads her to take up the sport again.

She soon goes from recreational laps at the neighborhood pool to an obsessive need to do the only thing that eluded her in her younger years, the Cuba-to-Florida swim, something that no other swimmer had been able to do either. With her intense personality, she convinces Bonnie to be her coach, and hires a team – including navigator John Bartlett (Rhys Ifans) – to help guide her through the notoriously tough waters.

Directed by Jimmy Chin and Elizabeth Chai Vasarhelyi, and written by Julia Cox from Nyad’s autobiography, the film is inspirational, but not in the faux way that some schmaltzy movies can be. Instead, the filmmakers rouse by showing just how insanely difficult that particular swim is, with its swift crossing currents and dangerous sea creatures, especially for a woman of her age.

Chin and Vasarhelyi, directing their first narrative feature after years of helming documentaries like Free Solo, devote themselves to verisimilitude here, putting Bening (and, likely, a stunt double) into the open water instead of overusing CGI. That effort pays real dividends, as there’s just something about seeing someone actually swimming in rough seas that ups the stakes of the story.

Even though Nyad is the protagonist of the story, they don’t try to hide her ornery personality. She has a monomaniacal focus on her goal that sometimes puts her and those who are helping her in danger. They also repeatedly show her alienating conversation partners with a need to tell them the complete details about her swimming achievements, making her seem like not the most fun person to be around in general.

Bening is as good as ever in the lead role, laying herself bare in multiple ways to inhabit Nyad’s persona. The same age as Nyad was during the events in the film, she shows that the right pairing of actor and part can yield great results. Foster is equally impressive, delivering a performance that is definitely supporting, but still shows her star skills. Ifans, playing a rare American, is also solid in a limited appearance.

Nyad has a few clunky moments, but for the most part it’s a well-told and -staged story about an athlete defying the odds. Perhaps this film will keep Nyad’s remarkable triumph from vanishing from world’s memory, with the help of two of the best actors in recent Hollywood history.

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Nyad is currently playing at IPIC Theater in Houston and debuts on Netflix on November 3.

Jodie Foster and Rhys Ifans in Nyad

Photo by Kimberley French/Netflix

Jodie Foster and Rhys Ifans in Nyad.

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Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Alex Bentley
Jan 2, 2026 | 2:30 pm
Everett Blunck in The Plague
Photo courtesy of IFC
Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

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The Plague is now playing in theaters.

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