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    Movie Review

    New animated movie The Bad Guys 2 achieves success with a great cast

    Alex Bentley
    Aug 1, 2025 | 3:30 pm
    Snake, Shark, Wolf, Piranha, and Tarantula in The Bad Guys 2

    Snake, Shark, Wolf, Piranha, and Tarantula in The Bad Guys 2.

    Photo courtesy of Universal Pictures / DreamWorks Animation

    For a long time, Disney was the undisputed champion when it came to animated movies, but in the 21st century, Dreamworks Animation has gone toe-to-toe with them, establishing franchises like Shrek, Madagascar, Kung Fu Panda, and How to Train Your Dragon. In 2022 Dreamworks released the instant winner The Bad Guys, which naturally made it easy for the studio to greenlight a sequel, The Bad Guys 2.

    In the first film, the criminal group known as the Bad Guys - Wolf (Sam Rockwell), Snake (Marc Maron), Tarantula (Awkwafina), Shark (Craig Robinson), and Piranha (Anthony Ramos) - made the decision to go good. Now, even though they caught and helped imprison the evil guinea pig Professor Rupert Marmalade IV (Richard Ayoade), their old reputation continues to haunt them, with none of them able to secure a real job.

    When a thief starts stealing various valuable items made of a material called “MacGuffinite,” the Bad Guys are prime suspects, especially in the eyes of police chief-turned-commissioner Misty Luggins (Alex Borstein). It’s up to the Bad Guys to clear their own name, with some help from Governor Diane Foxington (Zazie Beetz), as well as a trio of new female villains: Doom (Natasha Lyonne), Kitty Kat (Danielle Brooks), and Pigtail (Maria Bakalova).

    Directed by Pierre Perifel and JP Sans, and written by Etan Cohen and Yoni Brenner, the film has the same manic energy as the first film, going in so many oddball directions that it can’t help but entertain. Taking place in a world where humans and human-like animals live side-by-side with no one batting an eye, at no point does the film pretend to play the normal rules of physics. Because of this, it feels completely natural for them to jump cars off buildings, be twisted into unnatural shapes, and even go to space on the outside of a ship.

    The idea of the main group being somewhat reformed criminals adds on a layer of complexity to the story that is not present in most films aimed at children. There are references to other heist movies and some slightly off-color jokes, but more than anything it’s the vibe that a good crime-adjacent story can have. Everyone can laugh at the ridiculous and completely unbelievable ways Shark disguises himself, but the way that kind of thing relates to the history of crime/spy movies makes it even more enjoyable for those with a broad cinematic knowledge.

    What makes the series, and this film in particular, so fun is that it brings in elements that appeal to adults while still staying laser-focused on entertaining kids. The design of the characters, which are completely different from the ones in the book series by Australian author Aaron Blabey, are subtle in some ways and over-the-top in others. The filmmakers once again combine different animation styles to make all of the characters pop, and various exotic locations - including outer space - give the animators plenty of opportunities to show their skills.

    The cast of the film was on the money in the first film, and each of them prove themselves again here. As the lead, Rockwell gets the most opportunities to show his worth, but each of the main actors makes their character their own. New additions like Lyonne, Brooks, and Bakalova fit in seamlessly, with Lyonne even inspiring her character’s look to a degree.

    Not every Dreamworks Animation film has been a success, but The Bad Guys 2 avoids sequelitis by keeping what worked from the first film and adding in just enough new stuff to keep things interesting. With fun characters, compelling design, and a story that goes in unexpected directions, the film makes it easy to root for the bad guys.

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    The Bad Guys 2 is now playing in theaters.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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