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    birds of a feather

    Funny family of ducks soars in whimsical animated film Migration

    Alex Bentley
    Dec 26, 2023 | 10:30 am

    The rise of animation studio Illumination as a power in the industry has been fascinating to watch, as they have had three big animated franchises – Despicable Me (with Minions as an offshoot), Sing, and The Secret Life of Pets – in just 14 years. With two Dr. Seuss movies and now The Super Mario Bros. Movie also in their stable, they have become as powerful as Disney in the family movie sphere.

    They have moved away from the tried-and-true with their latest, Migration, which follows a family of ducks – dad Mack (Kumail Nanjiani), mom Pam (Elizabeth Banks), teen son Dax (Caspar Jennings), daughter Gwen (Tresi Gazal), and Uncle Dan (Danny DeVito). Mack is overly protective of the family, never letting them venture far from their home pond in New England.

    When another group of migrating ducks passes through, Mack finally gives in to the pleas of the rest of the family to let them travel, with the aim to make it to Jamaica. Naturally, their trip south is full of unexpected adventures, including run-ins with Erin (Carol Kane), a scary heron; Chump (Awkwafina), a tough pigeon; Delroy (Keegan-Michael Key), a caged parrot; and Goo Goo (David Mitchell), the leader of another flock of ducks whose home may not be as serene as they thought.

    Directed by Benjamin Renner and Guylo Homsy and written by Mike White, the film is full of whimsy that has its share of silliness, but never stupidity. The trap that many animated films fall into is playing to people who love base humor, but the jokes on display in Migration almost always feel well-earned thanks to the level of characterization provided.

    The road trip aspect of the movie is fun, with the curmudgeonly dad balanced out by the practical mom, adventurous kids, and zany uncle. The other characters they run into along with the way are each the center of comic set pieces, and all of the sequences find a way to exaggerate their humor without going too over-the top.

    Illumination films have typically featured non-realistic characters and settings, but the animators stepped up their game for this film in their depictions of the main family and their environments, especially the water. They also take full advantage of the ducks’ ability to fly, putting the action up in the air on several occasions, giving the audience a sensation not often felt in animated films.

    While the voicework in the film is great for the most part, the decision to have actors of four different nationalities play the family members is slightly jarring. Nanjiani (Pakistani) and Banks (American) are experienced comic actors who bring the most out of their characters, while Jennings (English) and Gazal (Australian) acquit themselves well, even if they got their parts because they are children of Illumination filmmakers.

    Migration will have to duke it out with Wonka for families looking to go to the movies over the holidays, but Illumination has proven once again that they are a powerhouse in the animation field. With a relatively grounded story and some stellar animation, they may have started yet another popular franchise.

    Pam (Elizabeth Banks), Mack (Kumail Nanjiani), and Dax (Caspar Jennings) in Migration
    Photo courtesy of Illumination Entertainment and Universal Studios
    Pam (Elizabeth Banks), Mack (Kumail Nanjiani), and Dax (Caspar Jennings) in Migration.

    ---

    Migration is now playing in theaters.

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    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

    music
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