Megan Rides Again

Houston hero Megan Thee Stallion comes home on Hot Girl Summer tour

Megan Thee Stallion

Photo courtesy of Megan Thee Stallion

Grammy award-winning rap artist Megan Thee Stallion is hitting the road this summer with the “Hot Girl Summer Tour,” a tour across the U.S. and Europe that will cover 31 cities including three in Texas as follows:

Jun 11 – Dallas, American Airlines Center
Jun 13 – Austin, Moody Center
Jun 14 – Houston, Toyota Center

The tour will feature a special Chicas Divertidas VIP section and include domestic stops in the U.S. and international performances across Europe. GloRilla will serve as a special guest on the “Hot Girl Summer Tour,” which will mark Megan’s first headlining arena tour.

The tour will kick off on May 14 in Minneapolis and stop at major cities including New York City, Los Angeles, Chicago, Philadelphia, and a hometown performance in Houston before wrapping up in Las Vegas on June 22. The international leg will begin in Glasgow, Scotland on July 4 with additional shows in England, France, Germany, and Ireland.

Tickets will be available starting with a Citi presale beginning on Wednesday, March 20. General onsale begins on Friday, March 22 at 10 am on store.megantheestallion.com.

Citi is the official card of the Hot Girl Summer Tour. Citi cardmembers will have access to presale tickets for U.S. dates beginning Wednesday, March 20 at 1pm local time until Thursday, March 21 at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

Fans can also purchase VIP Packages, which may include premium tickets, access to a VIP bar ,and cocktail service throughout the night, pre-show VIP Lounge, exclusive VIP merch item, and early entry. VIP package contents vary based on offer selected.

The tour comes after her latest song “HISS” debuted at No. 1 on the Billboard Hot 100 in February. “HISS” also became the first-ever, solo female rap song to debut No. 1 on the Billboard Global 200 and, as a result, Megan now owns the record for the biggest first week for a solo female rap song in history.

The achievement signified Megan’s third No. 1 on the Billboard Hot 100, following her other chart-topping hits such as “Savage (Remix)” with Beyoncé and “WAP” with Cardi B. The song was Megan’s second solo release via Hot Girl Productions – her independent music and entertainment entity. Earlier this year, Megan and Warner Music Group announced an agreement enabling the Houston native to release her music independently and still have distribution and resources with Warner Music.

2024 HOT GIRL SUMMER WORLD TOUR DATES:
May 14 – Minneapolis, MN – Target Center^
May 17 – Chicago, IL – United Center^
May 18 – Detroit, MI – Little Caesars Arena^
May 21 – New York, NY – Madison Square Garden^
May 22 – Philadelphia, PA – Wells Fargo Center^
May 24 – Napa, CA – BottleRock Napa Valley Festival*
May 26 – Boston, MA – Boston Calling Festival*
May 28 – Baltimore, MD – CFG Bank Arena^
May 30 – Memphis, TN – FedEx Forum^
Jun 1 – Atlanta, GA – State Farm Arena^
Jun 4 – Raleigh, NC – PNC Arena^
June 6 – Hollywood, FL – Seminole Hard Rock Hotel & Casino^
Jun 8 – Tampa, FL – Amalie Arena^
Jun 10 – New Orleans, LA – Smoothie King Center^
Jun 11 – Dallas, TX – American Airlines Center^
Jun 13 – Austin, TX – Moody Center^
Jun 14 – Houston, TX – Toyota Center^
Jun 16 – Manchester, TN – Bonnaroo Music & Arts Festival*
Jun 17 – Denver, CO – Ball Arena^
Jun 19 – Phoenix, AZ – Footprint Center^
Jun 21 – Los Angeles, CA – Crypto.com Arena^
Jun 22 – Las Vegas, NV – MGM Grand Garden Arena^
Jul 4 – Glasgow, UK – OVO Hydro
Jul 5 – Manchester, UK – Co-op Live
Jul 7 – Paris, FR – Zenith
Jul 10 – Amsterdam, NL – Ziggo Dome
Jul 11 – Cologne, DE – Lanxess Arena
Jul 14 – Dublin, IE – 3Arena
Jul 16 – Birmingham, UK – Utilita Arena
Jul 17 – London, UK – The O2
Jul 27 – Washington DC – Broccoli City Festival*
^With Support From GloRilla

music concerts

Movie Review

Glen Powell delivers sly laughs in satirical How to Make a Killing

Photo courtesy of A24

Glen Powell in How to Make a Killing.

Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their — pardon the pun — execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

---

How to Make a Killing opens in theaters on February 20.

movies film