let the good times roll

Mardis Gras! Galveston opening weekend kicks of with concerts, parades, and bountiful beads

A perennial draw, Mardis Gras! Galveston is one of the oldest continuous celebrations in the continental United States, starting just 10 years after New Orleans. Naturally, the event is one of main highlights of the island calendar year.

Galveston's massive, always popular event is expected to draw hundreds of thousands this year, many who'll pack the island during carnival season for concerts, parades, balcony parties, elegant balls, and of course, beads from Friday, February 2 through Fat Tuesday, February 13.

The fun runs from The Strand to Seawall Boulevard and parts in between; those planning their trip can check out this handy map. To up the ante, the popular “Golden Bead” contest is back; lucky fans who manage to grab a golden bead will be treated exclusive prizes. Read more here.

Here’s what’s happening across the opening three-day weekend, from Friday, February 2 through Sunday, February 4.

Photo courtesy of Mardi Gras! Galveston

Friday – Umbrellas and Hayden Baker

Parades are the soul of Mardis Gras, and few do it better on the island than the Funky Uptown Umbrella Brigade. The group is known for their rainbow of meticulously decorated umbrellas that weave through the streets, sometimes breaking into “The Hokey Pokey.”

Mardi Gras! Galveston Funky Uptown Umbrella Brigade. Thousands pack the streets Friday for the opening night Funky Uptown Umbrella Brigade. Photo courtesy of Mardi Gras! Galveston

Mardi Gras! Galveston umbrellas Funky Uptown Umbrella Brigade Show off your best umbrella for fun — and free admission.Photo courtesy of Mardi Gras! Galveston

It’s also one of the few parades people can join free of charge, provided they bring their own decorated umbrella, of course. This year’s parade honors the memory of Mary Pegler, a Galveston night-life entrepreneur and philanthropist who filled many dance floors and raised money for numerous good causes.

Other parades include the Party Gras! Procession, the George P. Mitchell Mardi Gras Award Honoree Parade, and the Mardi Gras! Galveston Parade with Grand Marshal Trey from the Fe.

On the Corona Extra Stage at the Tremont House (2300 Strand), there will be several concerts. In addition to Mid Life Crisis and The Line Up, country star Hayden Baker will take the headline spot at 10 p.m. Baker started out his career doing covers and how-to tutorials on YouTube before being discovered by country superstar Brad Paisely. Since then, he has been a rising star on the country scene.

Hayden Baker performs Friday.Photo via Hayden Baker/Facebook

For those who wants a quieter experience during the day before the party gets rolling, historical sites like Moody Mansion and the Trinity Episcopal Cemetery are running tours while the sun is up.

Saturday – Golf Carts, 5K, and Gin Blossoms

Saturday is the big show! Several more themed parades are set to wow visitors, including the Mystic Krewe of Aquarius. Galveston’s second-oldest krewe, it features a whopping 12 flats, 15 marching bands, and walking units and more. When it comes to the quintessential Mardis Gras parade experience, accept no substitutes.

Mardi Gras! Galveston Mystic Krewe parade float The Mystic Krewe of Aquarius is Galveston’s second-oldest krewe.Photo courtesy of Mardi Gras! Galveston

Earlier in the day is the Jolly Jester Jaunt, a 5k marathon with a Mardis Gras flair. Not only is it a fun way to get some exercise, participants will receive passes to balcony parties, concerts, and drinks afterwards. It’s one of the best ways to get right in the thick of the celebrations.

Or if walking isn’t your speed, how about the Zaniest Golf Cart Parade? Locals outfit their carts with a wild collection of decorations.

Music-wise, the night belongs to the Gin Blossoms. One of the 1990s’ best alt-rock acts, they had major hits with “Hey Jealousy” and “Til I Hear it From You.” Now on the nostalgia circuit but still releasing records, the band’s southwestern sound mixes well with the frontier nature of Texas Mardis Gras.

Photo via Gin Blossoms/Facebook

Sunday – All Things Latin at Fiesta Gras!

Mardis Gras’s roots are in Carnival, which exploded in popularity in Latin America and the Caribbean. It’s only fitting that Mardis Gras! Galveston have a day-long celebration of Latin America, which is the theme for Sunday’s events — dubbed Fiesta Gras!

The afternoon opens with the Univision Houston Parade, a massive collection of various Hispanic floats, bands, and dance troupes. It continues with the Los Locos Vaqueros & Jeeps Parade.

Karina Gonzalez Houston Ballet Photo via Karina Gonzalez/Instagram/Jeff Busby

The Grand Marshal is Houston Ballet principal ballerina Karina Gonzalez. The Venezuela-born dancer has starred in productions like Ben Stevenson’s Cinderella, Andre Prokovsy’s The Great Gatsby, and Justin Peck's Reflections.

Music-wise, Sunday caps off with the Duelo. The norteño band from Roma mixes traditional Mexican music with a more dance-ready, romantic style that is sure to get people swaying. They’re sure to play their hit “Desde Hoy,” a slow jam with an incredible accordion line that is an instant earworm.

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For more information, schedules, and tickets, visit the official Mardi Gras! Galveston site.

Movie Review

Live action Lilo & Stitch remake offers up frenzied fun and nostalgia

Courtesy of Disney

Lilo & Stitch returns to theaters this weekend.

The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.

Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.

Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).

Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.

But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.

The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.

Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.

The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.

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Lilo & Stitch is now playing in theaters.

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