rodeo idol

Luke Bryan closes RodeoHouston 2023 with year's biggest crowd and true American Idol heartthrob swagger

Bryan charmed a crowd of 74,779 — the Rodeo's biggest.

Photo by Houston Livestock Show & Rodeo

For nearly all of the rodeo concerts I’ve seen this season for CultureMap, I’ve stuck my AirPods into my ears when I got out of my truck and listened to the artist for that night as I did my nightly lap around NRG Park heading into the concert. It functions as a way to drown out the crowd noise, soundtrack my evening, and get into creative writing mode. It’s like breathing in the air on a new alien planet.

Some nights, like New Kids On the Block, it blended perfectly with oodles of elderly millennials in vintage ‘80s garb double-fisting wine cups in the concourses. Chris Stapleton’s western bedroom noir made me play gentle air guitar as I took the escalator up the side of the stadium with thousands of sweaty couples. The merrily morose indie country of the Turnpike Troubadours paired nicely with the party bus line oozing pre-gamers and the Parker McCollum and Margo Price lookalikes.

On Sunday March 19, the season closed out with lovable horndog Luke Bryan, which made for a slightly swaggery walk-in from the purple lot for me. “Country Girl (Shake It For Me),” makes this painfully urban cowboy shake it in his pretty little Tecovas, no lie.

“Kick the Dust Up” almost made me buy a new John Deere Gator XUV off-road cart for running errands around Montrose. “Knockin’ Boots” made for an awkward elevator ride up the seven floors of NRG Stadium, listening to Thomas Luther Bryan sing “Boys like me need the girls like you to kiss me” alone with an NRG attendant.

Closing the RodeoHouston season with a sold-out late matinee, Bryan jumped out of the Ford transport in full “Coolest Drunk Dad at the PTA Fundraiser Karaoke Jam” mode, setting things off with “I Don’t Want This Night To End” from 2011’s Tailgates and Tanlines. Our Tailgate Elvis – is it too late to copyright that? – settled into a flirty crowd-pleasing hits set, with jeans as tight as yoga pants.

This was Bryan’s 10th RodeoHouston show, which he credited with helping him “Buy Dirt” in more than a few states in the union. While you weren’t looking he became one of the busiest country acts of the past two decades, currently presiding as a Supreme Pop Judge on ABC’s American Idol with Justice Katy Petty and Chief Justice Lionel Richie.

In just a few days, Bryan will continue his ongoing residency at Resorts World Theatre in Las Vegas, which could be called Nashville West for the proliferation of country stars posting up for weeks at a time for music-hungry revelers. Heck, Houston is arguably the country music capital of the world during rodeo season.

Bryan’s backing band seemed seamlessly seasoned from residency shows, aiming for the biggest riff, the biggest synth line, and the biggest chorus.

Tailgate Elvis is everywhere — and 74,779 rodeo fans can’t be wrong.

In closing, it seems that this real was the first “normal” RodeoHouston since COVID, with most of 2020 and the totality of 2021 falling victim to the virus. Last year still felt shaky and unsure, with most of the city still getting used to walking in large crowds and eating corn dogs again in public with dignity. It was Remedial RodeoHouston. The 2023 season was the true return of the rodeo, pre-pandemic and ready to party, with fans eager to sell out NRG Stadium for their favorite artists, eat fantastically insane food, and drink all the alcohol.

Note: Houston, we don’t know how to walk in public. We stop abruptly, walk against the human current, make erratic lane changes, and just generally walk just like we drive. It’s truly one of our best civic traditions and I can’t wait to do it all again with you at Minute Maid Park in a few weeks.

Setlist

I Don’t Want This Night To End

Kick The Dust Up

Rain Is a Good Thing

What Makes You Country

Buy Dirt

Country On

Crash My Party

Waves

Sunrise, Sunburn, Sunset

Play It Again

One Margarita

Knockin’ Boots

That’s My Kinda Night

Country Girl (Shake It For Me)

Photo by Houston Livestock Show & Rodeo

Movie Review

Feuding couple fights for survival in dark comedy Over Your Dead Body

Photo courtesy of IFC Films

Jason Segel and Samara Weaving on Over Your Dead Body.

When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

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Over Your Dead Body is now playing in theaters.

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