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    love in h-town

    Hot Houston singles get ready to mingle in Netflix smash Love is Blind Season 5 set in Bayou City

    Steven Devadanam
    Aug 24, 2023 | 6:45 pm
    Nick Vanessa Lachey Love is Blind

    Celeb couple Nick and Vanessa Lachey star in Season 5 of Love is Blind set in Houston.

    Vanessa Lachey/Instagram and Netflix

    Like a budding romantic duo ready to commit, Houston and Love is Blind are official.

    Producers of the wildly popular Netflix romance reality show hosted by celeb couple Nick and Vanessa Lachey, as well as sources from Houston First can finally confirm that Season 5 is set in Houston with a partial Houston cast. Season 5 premieres on September 22, per Netflix.

    News of Love is Blind's new season and locale first circulated in May during the big TV upfronts (announcements of new lineups) that occur each year. Then on August 22, major outlets like Deadline and Today reported the new Love is Blind season premiere date, Houston setting and cast members, and the release date for the companion series After the Altar, which reunites cast members and couples.

    Love in the air

    Houston First, the official city of Houston marketing arm, confirmed the Houston details on August 24 (top brass there has whispered and hinted to CultureMap for months that a big show was coming) in a mass announcement. Fans can look forward to 10 Houston-centric Love is Blind episodes this year. Here's the schedule:

    Week 1, September 22: Episodes 1-4
    Week 2, September 29: Episodes 5-7
    Week 3, October 6: Episodes 8-9
    Week 4, October 13: Episode 10 (weddings)

    For the uninitiated, Love is Blind is a romantic social experiment where 15 young, single men and women meet, court, get engaged, and even wed — before meeting in person. (A concept not unfamiliar to generations of Indian couples.) The "blind" aspect of the show finds the interested men and women dating each other in small "pods" (rooms) where they chat and flirt solely through a speaker.

    Adding to the intrigue and suspense: couples can only gaze upon each other after an accepted marriage proposal. If things go smoothly, they plan the wedding, meet each others' friends and family and eventually wed if both agree — always with varied results.

    Previous seasons have been shot in Atlanta, Chicago, Dallas, and Seattle, making big-city Houston a natural choice.

    Holly Clapham Rosenow, chief marketing officer at Houston First, had been working with the Love is Blind production company for months. "That crew was swift and worked with a purpose — that is one professional group," she tells CultureMap. Though she lobbied for the show with no guarantees, Rosenow recalls feeling hopeful when she heard that hunky host Nick Lachey was spotted at an airport and here in town.

    Blind to a Hollywood presence

    Once the cast and crew arrived in town and embedded themselves in the Inner Loop, Rosenow was sure news of a big TV shoot here would be outed by watchful locals. "Honestly, I'm surprised we didn't hear more rumblings that a production team was here taping," she says. "But we didn't — and that goes to their professionalism."

    As for spoilers or juicy tidbits, Rosenow can't reveal any confirmed Season 5 Houston locations; Houston First simply suggested shoot locales. When pressed, Rosenow says that the cast "spent time in the city's urban core" and engaged in "city-centric experiences," but, "they could've gone out and experienced other parts of the city." (Well played, Holly.)

    For Rosenow, all this work is affirmation that city spending on luring TV shows to Houston pays off — even when local media questions the spends (CultureMap actually spoke up in the city's defense in one investigation). She notes that in just 18 months, Houston saw mega-hit shows Top Chef, The Bachelor, and later Love is Blind shot here.

    The city, through the Houston Film Commission, also worked with runaway Netflix smash Mo, which is set here and stars local comedian/actor Mo Amer and a slew of Bayou City stars and notables. The commission has also worked with HBO's House of Ho — centered on the local Vietnamese power family the Hos — all of which proves that Houston is having a reality TV moment.

    Rosenow, for her part, doesn't want it to just be a moment. "I feel great for Houston," she says. "I'm super proud of how well the Houston First team worked with these TV production teams. It was so symbiotic and beautiful with the initial relationships we formed that now, there are no formal pitches. It's a 'hey, when can we get out here again and what can we work on?'"

    How did that happen? "The word is out," she says. "Houston has proven itself. Houston is now known as an easy place to film, it's a welcoming place for casts, and we're hospitable and will work with production teams to fulfill their needs. And our film commission is wonderful, too. It's kind of the ultimate package. We go the extra mile [for these shows] and it's appreciated."

    Stay tuned to Houston

    Her wish list for future shows (she'd love to see scripted programs here) include favorites like Queer Eye and really "as many shows as we can."

    She also reveals to us that she's already actively pitching the production company behind the comical Netflix food/travel show Somebody Feed Phil — a no-brainer, really — hosted by Phil Rosenthal, the quirky creator of Everybody Loves Raymond. "We're a food town," she says, "so of course, I would love to see that here."

    Memo to Houston First and Netflix: If we do land that show, Phil will no doubt need a guide to help navigate our incomparable food scene — and we just happen to know a guy.


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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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