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    Top Chef finale recap

    Top Chef recap: And the winning cheftestant is...

    Eric Sandler
    Jun 3, 2022 | 8:34 am
    The three finalists smile before service.
    The three finalists smile before service.
    Photo by David Moir Bravo

    The final episode of Top Chef Houston hit all the familiar notes of the show's previous finales. From the chefs selecting one of their former competitors as a sous chef to the judges cooking a pre-finale dinner for the cheftestants, Season 19’s conclusion played out exactly as fans of the show have come to expect.

    That feels true for the result, too. In the end, a season that’s been notable for its complete absence of drama between the contestants produced a winner that viewers could have seen coming from episode one. Buddha Lo, a Top Chef super fan, won the $250,000 and the career-making title.

    “A 15-year old boy in regional Australia has lived his dream,” Buddha said after learning of his victory. “I didn’t dream to be an astronaut. I didn’t dream of anything else. I dreamt to be right here.”

    The finale is notable for its complete lack of gimmicks or distractions. Each competitor has $1,500 and plenty of time to create the best four-course meal of their careers. Even if it felt likely that this result would occur, all three finalists rose to the challenge.

    Buddha took inspiration from his family members and his life in America to create a menu that balanced his impressive techniques with enough emotion to give the meal heft. He started with hamachi with caviar (for his brother), continued with panang curry with lobster and crab (for his mother), reached a high with Mongolian lamb with smoked eggplant (for his father), and concluded with pumpkin pie mille-feuille with maple caramel (a nod to Thanksgiving and life in America). Each course featured a precisely cut tuile that ended with stunning-looking leaves made from pumpkin.

    In the end, the worst criticism any of the judges made came from Eric Ripert, chef-owner of New York’s celebrated, three-star Michelin seafood restaurant Le Bernardin, who noted that Buddha’s techniques reminded him of dishes from the ’80s and ’90s. “He loves mastering those techniques,” Padma Lakshmi replied. “To him, that is play.” That observation settled the debate.

    Not that he didn’t have stiff competition in the finale from Evelyn Garcia. Over the course of the season, she surpassed Buddha with four Elimination Challenge wins to his three, including in the penultimate episode. She certainly had every opportunity to win, and she delivered a meal that the judges enjoyed from start to finish.

    Her meal began with scallop crudo with prickly pear and citrus broth and continued with shrimp and corn crystal dumplings. Then, she served braised goat in “curry mole” and concluded with a bunelo and panna cotta.

    The editing implied that Evelyn might have triumphed if she had added another sprinkle of salt to the scallops in her crudo, cooked her goat in that intriguing-sounding curry mole, and had a softer panna cotta, but those hints seem like the editors trying to add a little drama. Buddha’s focus, commitment, and sheer will pushed his meal over the top.

    Chef Sarah Welch served a meal inspired by her interests in reducing food waste and whole animal cooking. A series of small errors, including a rabbit ballotine that was either overcooked or undercooked depending on the slice, put her behind the other two competitors, but her self-deprecating humor added an important amount of levity to the episode.

    At judges’ table, it becomes clear(ish) that they preferred Buddha’s first and third courses to his competitors’ efforts. Evelyn took the second course with her dumplings. All three desserts achieved such a high level of excellence that the judges essentially declared the course a tie.

    “If you are the future of our industry, we are in really good hands,” head judge Tom Colicchio told all three finalists.

    Despite not winning, chef Evelyn achieved a lot by appearing on the show. She represented Houston well throughout the season, and her time on the show has sparked important changes to her culinary perspective. Dishes she served on the show — for example, her curry brisket from the barbecue challenge or the nopal relleno with shrimp purée from last week's episode — could become the sort of career-defining creations that bring diners to the door of her future restaurant.

    Like fellow Houstonian and Top Chef Season 18 finalist Dawn Burrell, she joined the elite club of cheftestants who never hear Padma tell them to pack their knives and go. Expect to see her make guest appearances in future seasons. And, more importantly, to make a mark on dining in Houston for years to come.

    “Coming this far and seeing myself evolve and change, I can walk away saying I gave it my all every single time. That I’m proud of,” Evelyn said through tears.

    We are, too, chef. Houston can’t wait to see what you do next.

    The three finalists smile before service.

    Top Chef Houston episode 14
    Photo by David Moir/Bravo
    The three finalists smile before service.
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    Movie Review

    Evil Dead Burn maintains this year's streak of top-notch horror movies

    Alex Bentley
    Jul 9, 2026 | 2:30 pm
    Luciane Buchanan in Evil Dead Burn
    Photo courtesy of Warner Bros. Pictures
    Luciane Buchanan in Evil Dead Burn.

    Horror franchises tend to endure because of several reasons. First and foremost, the title conjures up nostalgia for older viewers, as the many of the most popular ones started in the 1970s or ‘80s. Sequels can recycle key elements of past films as long as they tweak the formula enough to offer something original. And they’re also relatively cheap to make, as new films can bring in young or lesser-known actors to be terrorized.

    All of those reasons make Evil Dead Burn a smashing success, giving viewers reminders of the past while still becoming its own thing. The film is almost non-stop from the jump as a series of people, known colloquially as “deadites,” get infected by a malevolent force. A long, 15-minute opening set piece introduces the main characters, including Alice (Souhelia Yacob), her brother-in-law Joseph (Hunter Doohan), his girlfriend Thya (Luciane Buchanan), and his parents, Susan (Tandi Wright) and Edgar (Erroll Shand).

    They’re all mourning the death of Alice’s husband Will (George Pullar), who they think died while driving drunk. However, the infection in Will’s corpse soon latches on to Edgar, whose descent into murderous rage is initially masked by his intense grief. With the family all gathered together in an older, decaying home, no one is safe from the rampage of the supernatural force.

    Written and directed by French filmmaker Sébastien Vanicek and co-written by Florent Bernard, the film is aimed directly at horror fanatics who are used to copious amounts of blood and gore. From the opening scene to the film’s final intense moments, Vanicek and his team come up with numerous hide-your-eyes sequences that test the stomachs of weak-willed viewers. But for those who can’t get enough of such things, they also indicate a creativity and willingness to push boundaries that is both thrilling and entertaining.

    While some previous entries in the Evil Dead series leaned comedic, this entry follows the previous two films in 2013 and 2023 as as a pure horror. However, that doesn’t mean that the film is devoid of lightness. One of the most enjoyable aspects is Vanicek comically adhering to the concept of Chekhov’s gun. So many different potential weapons are introduced and later used that you can’t help but laugh when they come into play.

    Ultimately, it’s the performances by the lesser-known cast that make the movie what it is. Doohan (Wednesday) plays a mild-mannered character who seems to be the main protagonist early on, but he cedes the spotlight to Yacob as the film goes along. The French actress knows how to hold the screen through both her actions and line deliveries. Shand, with his craggy face and bald head, turns into a superior villain, able to chill with just his intense stare.

    Evil Dead Burn is not for everybody, but it’s another great addition to what’s turning out to be a banner year for horror movies. With highly effective, cringeworthy action sequences, moments that lighten the mood when needed, and a cast that carries the story, it’s an announcement of bigger things to come for all involved.

    ---

    Evil Dead Burn opens in theaters on July 10.

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