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    love in h-town

    Hot Houston singles get ready to mingle in Netflix smash Love is Blind Season 5 set in Bayou City

    Steven Devadanam
    Aug 24, 2023 | 6:45 pm
    Nick Vanessa Lachey Love is Blind

    Celeb couple Nick and Vanessa Lachey star in Season 5 of Love is Blind set in Houston.

    Vanessa Lachey/Instagram and Netflix

    Like a budding romantic duo ready to commit, Houston and Love is Blind are official.

    Producers of the wildly popular Netflix romance reality show hosted by celeb couple Nick and Vanessa Lachey, as well as sources from Houston First can finally confirm that Season 5 is set in Houston with a partial Houston cast. Season 5 premieres on September 22, per Netflix.

    News of Love is Blind's new season and locale first circulated in May during the big TV upfronts (announcements of new lineups) that occur each year. Then on August 22, major outlets like Deadline and Today reported the new Love is Blind season premiere date, Houston setting and cast members, and the release date for the companion series After the Altar, which reunites cast members and couples.

    Love in the air

    Houston First, the official city of Houston marketing arm, confirmed the Houston details on August 24 (top brass there has whispered and hinted to CultureMap for months that a big show was coming) in a mass announcement. Fans can look forward to 10 Houston-centric Love is Blind episodes this year. Here's the schedule:

    Week 1, September 22: Episodes 1-4
    Week 2, September 29: Episodes 5-7
    Week 3, October 6: Episodes 8-9
    Week 4, October 13: Episode 10 (weddings)

    For the uninitiated, Love is Blind is a romantic social experiment where 15 young, single men and women meet, court, get engaged, and even wed — before meeting in person. (A concept not unfamiliar to generations of Indian couples.) The "blind" aspect of the show finds the interested men and women dating each other in small "pods" (rooms) where they chat and flirt solely through a speaker.

    Adding to the intrigue and suspense: couples can only gaze upon each other after an accepted marriage proposal. If things go smoothly, they plan the wedding, meet each others' friends and family and eventually wed if both agree — always with varied results.

    Previous seasons have been shot in Atlanta, Chicago, Dallas, and Seattle, making big-city Houston a natural choice.

    Holly Clapham Rosenow, chief marketing officer at Houston First, had been working with the Love is Blind production company for months. "That crew was swift and worked with a purpose — that is one professional group," she tells CultureMap. Though she lobbied for the show with no guarantees, Rosenow recalls feeling hopeful when she heard that hunky host Nick Lachey was spotted at an airport and here in town.

    Blind to a Hollywood presence

    Once the cast and crew arrived in town and embedded themselves in the Inner Loop, Rosenow was sure news of a big TV shoot here would be outed by watchful locals. "Honestly, I'm surprised we didn't hear more rumblings that a production team was here taping," she says. "But we didn't — and that goes to their professionalism."

    As for spoilers or juicy tidbits, Rosenow can't reveal any confirmed Season 5 Houston locations; Houston First simply suggested shoot locales. When pressed, Rosenow says that the cast "spent time in the city's urban core" and engaged in "city-centric experiences," but, "they could've gone out and experienced other parts of the city." (Well played, Holly.)

    For Rosenow, all this work is affirmation that city spending on luring TV shows to Houston pays off — even when local media questions the spends (CultureMap actually spoke up in the city's defense in one investigation). She notes that in just 18 months, Houston saw mega-hit shows Top Chef, The Bachelor, and later Love is Blind shot here.

    The city, through the Houston Film Commission, also worked with runaway Netflix smash Mo, which is set here and stars local comedian/actor Mo Amer and a slew of Bayou City stars and notables. The commission has also worked with HBO's House of Ho — centered on the local Vietnamese power family the Hos — all of which proves that Houston is having a reality TV moment.

    Rosenow, for her part, doesn't want it to just be a moment. "I feel great for Houston," she says. "I'm super proud of how well the Houston First team worked with these TV production teams. It was so symbiotic and beautiful with the initial relationships we formed that now, there are no formal pitches. It's a 'hey, when can we get out here again and what can we work on?'"

    How did that happen? "The word is out," she says. "Houston has proven itself. Houston is now known as an easy place to film, it's a welcoming place for casts, and we're hospitable and will work with production teams to fulfill their needs. And our film commission is wonderful, too. It's kind of the ultimate package. We go the extra mile [for these shows] and it's appreciated."

    Stay tuned to Houston

    Her wish list for future shows (she'd love to see scripted programs here) include favorites like Queer Eye and really "as many shows as we can."

    She also reveals to us that she's already actively pitching the production company behind the comical Netflix food/travel show Somebody Feed Phil — a no-brainer, really — hosted by Phil Rosenthal, the quirky creator of Everybody Loves Raymond. "We're a food town," she says, "so of course, I would love to see that here."

    Memo to Houston First and Netflix: If we do land that show, Phil will no doubt need a guide to help navigate our incomparable food scene — and we just happen to know a guy.


    news/entertainment
    popular

    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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