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    love in h-town

    Hot Houston singles get ready to mingle in Netflix smash Love is Blind Season 5 set in Bayou City

    Steven Devadanam
    Aug 24, 2023 | 6:45 pm
    Nick Vanessa Lachey Love is Blind

    Celeb couple Nick and Vanessa Lachey star in Season 5 of Love is Blind set in Houston.

    Vanessa Lachey/Instagram and Netflix

    Like a budding romantic duo ready to commit, Houston and Love is Blind are official.

    Producers of the wildly popular Netflix romance reality show hosted by celeb couple Nick and Vanessa Lachey, as well as sources from Houston First can finally confirm that Season 5 is set in Houston with a partial Houston cast. Season 5 premieres on September 22, per Netflix.

    News of Love is Blind's new season and locale first circulated in May during the big TV upfronts (announcements of new lineups) that occur each year. Then on August 22, major outlets like Deadline and Today reported the new Love is Blind season premiere date, Houston setting and cast members, and the release date for the companion series After the Altar, which reunites cast members and couples.

    Love in the air

    Houston First, the official city of Houston marketing arm, confirmed the Houston details on August 24 (top brass there has whispered and hinted to CultureMap for months that a big show was coming) in a mass announcement. Fans can look forward to 10 Houston-centric Love is Blind episodes this year. Here's the schedule:

    Week 1, September 22: Episodes 1-4
    Week 2, September 29: Episodes 5-7
    Week 3, October 6: Episodes 8-9
    Week 4, October 13: Episode 10 (weddings)

    For the uninitiated, Love is Blind is a romantic social experiment where 15 young, single men and women meet, court, get engaged, and even wed — before meeting in person. (A concept not unfamiliar to generations of Indian couples.) The "blind" aspect of the show finds the interested men and women dating each other in small "pods" (rooms) where they chat and flirt solely through a speaker.

    Adding to the intrigue and suspense: couples can only gaze upon each other after an accepted marriage proposal. If things go smoothly, they plan the wedding, meet each others' friends and family and eventually wed if both agree — always with varied results.

    Previous seasons have been shot in Atlanta, Chicago, Dallas, and Seattle, making big-city Houston a natural choice.

    Holly Clapham Rosenow, chief marketing officer at Houston First, had been working with the Love is Blind production company for months. "That crew was swift and worked with a purpose — that is one professional group," she tells CultureMap. Though she lobbied for the show with no guarantees, Rosenow recalls feeling hopeful when she heard that hunky host Nick Lachey was spotted at an airport and here in town.

    Blind to a Hollywood presence

    Once the cast and crew arrived in town and embedded themselves in the Inner Loop, Rosenow was sure news of a big TV shoot here would be outed by watchful locals. "Honestly, I'm surprised we didn't hear more rumblings that a production team was here taping," she says. "But we didn't — and that goes to their professionalism."

    As for spoilers or juicy tidbits, Rosenow can't reveal any confirmed Season 5 Houston locations; Houston First simply suggested shoot locales. When pressed, Rosenow says that the cast "spent time in the city's urban core" and engaged in "city-centric experiences," but, "they could've gone out and experienced other parts of the city." (Well played, Holly.)

    For Rosenow, all this work is affirmation that city spending on luring TV shows to Houston pays off — even when local media questions the spends (CultureMap actually spoke up in the city's defense in one investigation). She notes that in just 18 months, Houston saw mega-hit shows Top Chef, The Bachelor, and later Love is Blind shot here.

    The city, through the Houston Film Commission, also worked with runaway Netflix smash Mo, which is set here and stars local comedian/actor Mo Amer and a slew of Bayou City stars and notables. The commission has also worked with HBO's House of Ho — centered on the local Vietnamese power family the Hos — all of which proves that Houston is having a reality TV moment.

    Rosenow, for her part, doesn't want it to just be a moment. "I feel great for Houston," she says. "I'm super proud of how well the Houston First team worked with these TV production teams. It was so symbiotic and beautiful with the initial relationships we formed that now, there are no formal pitches. It's a 'hey, when can we get out here again and what can we work on?'"

    How did that happen? "The word is out," she says. "Houston has proven itself. Houston is now known as an easy place to film, it's a welcoming place for casts, and we're hospitable and will work with production teams to fulfill their needs. And our film commission is wonderful, too. It's kind of the ultimate package. We go the extra mile [for these shows] and it's appreciated."

    Stay tuned to Houston

    Her wish list for future shows (she'd love to see scripted programs here) include favorites like Queer Eye and really "as many shows as we can."

    She also reveals to us that she's already actively pitching the production company behind the comical Netflix food/travel show Somebody Feed Phil — a no-brainer, really — hosted by Phil Rosenthal, the quirky creator of Everybody Loves Raymond. "We're a food town," she says, "so of course, I would love to see that here."

    Memo to Houston First and Netflix: If we do land that show, Phil will no doubt need a guide to help navigate our incomparable food scene — and we just happen to know a guy.


    news/entertainment
    popular

    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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