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    a major award

    Star Houston singer and HGO win big at 2026 GRAMMY Awards

    Eric Sandler
    Feb 2, 2026 | 9:34 am
    Kam Franklin 2026 GRAMMY Awards

    Kam Franklin, second from left, accepting the GRAMMY Award for Best Regional Roots Music Album.

    Photo by Matt Winkelmeyer/Getty Images for The Recording Academy

    A powerful Houston singer and one of the city’s leading performing arts groups are both celebrating big wins at the 2026 GRAMMY Awards. They are:

    • Houston Grand Opera for Best Opera Recording
    • Kam Franklin for Best Regional Roots Music Album

    Houston Grand Opera received the award for Intelligence, an HGO-commissioned opera created by composer Jake Heggie and librettist Gene Scheer in collaboration with director and choreographer Jawole Willa Jo Zollar. Recorded in the fall of 2023 and released last year, it’s the first album from HGO’s label that it created in partnership with the London Symphony Orchestra.

    It’s the company’s third GRAMMY win, joining an award in 1978 for Best Opera Recording for the Gershwins’ Porgy and Bess and a 1989 prize for Best Contemporary Composition for company-commissioned world premiere Nixon in China, composed by John Adams with a libretto by Alice Goodman.

    “We’re beaming with pride to see our city celebrated on the world stage today,” HGO general director and CEO Khori Dastoor said in a statement. “This GRAMMY win is an affirmation of what Houston Grand Opera stands for — bold creativity, artistic excellence, and the power of American opera. It is a joy to see Jake Heggie, Gene Scheer, and Jawole Willa Jo Zollar’s extraordinary opera recognized at the highest level. This award belongs to our brilliant cast, our virtuosic orchestra, Maestro Kwamé Ryan, and every artist and collaborator who brought this remarkable story to life. Intelligence was the very first release on our new label, established to share American opera with international audiences. There is much more to come.”

    Turning to Franklin, she contributed to A Tribute to the King of Zydeco, an album of songs by Clifton Chenier. Best known locally as lead singer of eclectic Houston band The Suffers, she sang on the song "Why Did You Go Last Night.” It’s her first GRAMMY nomination.

    "This is a win for Louisiana and Texas, and I'm grateful to everyone that took the time to listen," Franklin told the Houston Chronicle. "I'm honored to be a small part of such a massive album, filled with my music heroes, celebrating the enduring legacy of Clifton Chenier."

    Franklin’s next Houston performances will be Friday, February 13 at Dan Electro’s and Saturday, February 14 at the Secret Group. Find details on lineups and ticket information by following her on Instagram at @bamitskam.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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