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    Jonas Brothers Review

    Jonas Brothers celebrate RodeoHouston return by setting new attendance record

    Johnston Farrow
    Mar 15, 2024 | 11:47 pm
    Jonas Brothers RodeoHouston 2024

    The band broke the mark set by Los Tigres Del Norte on Sunday.

    RodeoHouston/Facebook

    Fifteen years after their last appearance as teen stars, the now fully-grown up Jonas Brothers – Kevin, Joe, and Nick – conquered their second headlining perfromance at RodeoHouston on Friday, March 15 by setting an all-time attendance record with 75,600 fans.

    The night’s show made the case that pop groups can get better with age via an exciting mix of hit singles from their songbook over the course of their 75-minute show. While the trio operates in the same space as other pop-rock acts like Maroon 5 or OneRepublic, their Disney star past meant that their fans have grown up with them.

    They now have a nearly two decades of hits – including five Billboard top five albums — to pull from, and those years of experience paid off on the star-shaped stage. They seemingly knew exactly what their audience wanted with a set that had nothing but smashes. In reality, they could have played the birthday song 12 times, and it still would have been the loudest show of the year.

    Before they launched Jonas Brothers 2.0 in 2019, the group took a long hiatus that allowed the three brothers to branch out into solo careers, side-projects, acting in movies (most notably Nick in a star-making turn in Jumanji), TV shows, and more. So with the release of the comeback No. 1 Billboard Hot 100 single, “Sucker,” in 2019, they’d gained a multitude of new fans, mostly the children of the suburban women who had their posters on their bedroom walls back in the early-2000s. Plenty of tabloid fodder that came from marriages to famous actresses and an impending divorce surely didn't hurt their visibility.

    Several sold-out arena tours under their belt (including two huge shows at Toyota Center last year), and a couple of actually good comeback records were the cherry on top, making the Jo-Bros one of the biggest bands in the pop world. They were an excellent choice to play RodeoHouston on the Friday that falls on spring break for many Houston students. The fact that they shattered the all-time attendance record almost shouldn't be a surprise.

    The Jonas Brothers were sneakily talented, at ease on stage playing with each other, and they appeared to be having a good time. They are also extremely tight musicians, coming in hot from the middle of their 90-date “The Tour” world tour, a setlist comprised of songs from across their career, much like Taylor Swift’s The Eras Tour. A backing band featuring solid professionals playing brass, strings, keyboard, and drums took their sound to the next level.

    Unfortunately, with RodeoHouston’s time constraints, the trio could only perform 14 songs, but they didn’t miss when they condensed their usual 33-song setlist.

    Opener “Celebrate!” from their latest album, The Album, harkened back to ‘70s funk groups like Earth, Wind and Fire, Joe taking lead singer duties, dressed in a pink and black western shirt, leather pants and black cowboy hat.

    The 2020 single, “What a Man Gotta Do,” featured vocal trade-offs between Joe and Nick, the latter dressed in a red shirt and jeans pulling electric guitar duties, while Kevin played acoustic guitar dressed handsomely in full blue denim. The song elicited a cacophony of screams that assured some form of hearing loss for all those in the seats. “Waffle House” from 2023’s The Album kept the decibels high.

    “We had a few incredible stops in Houston, but this is next level,” Nick said, addressing the youthful, mostly female throng. “We usually play for a few hours, but we have to play the highlights tonight. That said, we think it’s important to bring it back to where it started — how many OG Jonas Brothers fans are in the house?"

    That drew what might have been the loudest cheers of the entire RodeoHouston season before kicking into the 2007 smash, “S.O.S,” from their self-titled second album. The brothers all joined in on vocals for the best performance of the night so far.

    “Cool,” from 2019 comeback album, Happiness Begins, brought a sugary rush with an undeniable chorus. The one-two acoustic ballad punch of Joe's “Gotta Find You" from mouse-house flick, Camp Rock, and Nick's "Introducing Me” from Camp Rock 2 slowed things down, the singalong nearly drowning out the singers on stage. Follow-up “Play My Music” was one of the most upbeat numbers of the night.

    “For a big part of our life we spent time in Texas,” Joe said, alluding to their youth spent in Westlake, near Austin. "We actually wrote this next one with our dad.”

    “When You Look Me in the Eyes” brought out thousands of cellphone flashlights, one of the closest country music-sounding songs so far. The emo-pop tune and top 40 hit, “Year 3000” — actually from the year 2007 and quite obviously a song of their youth — was a Blink-182 song if that band were more earnest and wholesome. A contagious, stadium-wide, round of clapping broke out.

    “Jealous”, the No. 7-charting Nick solo song allowed for him to take the spotlight in a brown cowboy hat, his high-octave vocal prowess on full display. He took a bow and a hat-tip and deserved it.

    Joe commandeered the stage next with the excellent “Cake by the Ocean." The No. 9 hit by his side-project DNCE allowed that band’s guitarist, JinJoo Lee, a moment to shine, utilizing the stage starpoints to make sure the entire venue felt like they were a part of the party. The song ended with a wicked Lee guitar solo.

    And no headliner can go wrong with a cover of “Friends In Low Places" by the highest-selling country artist in history and multi-time RodeoHouston headliner, Garth Brooks. While not the strongest executed performance of the night — they admitted they were still learning the song — it united the entire audience. Dads who brought their daughters to the show were thankful that they actually recognized one.

    “Lovebug” was an epic rush, before going headlong into the biggest song of the night in “Burnin’ Up,” the top five single from the record, A Little Bit Longer. “Only Human," the other huge hit from their 2019 comeback album, Happiness Begins, kept the energy at 11, the bangers seemingly endless.

    “Sucker,” the No. 1 hit comeback single from that same album sounded as good as it did when it was released, with some impressive whistling by Joe, the women in the crowd audibly expressing their approval. And finally, the ballad “Leave Before You Love Me” served as the easy comedown— melodic hints of Wham’s melancholic-sweetener, “Last Christmas.”

    With that, the brothers hopped onto the back of a pick-up truck as the announcer notified us we were all a part of RodeoHouston history. While previous 2024 RodeoHouston shows leaned definitively towards the adult side, the now seasoned pros reminded us that family friendly headliners can still fill the building.

    It'd be a shame to make us wait another 15 years to get the Jonas Brothers back to RodeoHouston.

    Setlist
    Celebrate!
    What a Man Gotta Do
    Waffle House
    S.O.S
    Cool
    Play My Music
    When You Look Me in the Eyes
    Year 3000
    Jealous
    Cake By the Ocean
    Friends in Low Places
    Lovebug
    Only Human
    Sucker
    Love Me Before You Leave Me

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    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

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