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    Guilty pleasure

    Gentlemen start your engines: RuPaul's Drag Race — season four — is right aroundthe corner

    Ralph Hardesty
    Dec 23, 2011 | 4:53 pm
    • Sharon Needles
    • Jiggly Caliente

    Pipe down, Christmas! And who cares about New Years? After seeing the trailer, I don’t care about anything but RuPaul’s Drag Race coming back on TV this January.

    The naysayers will say, “Nay! The last two seasons were booooring.” They're wrong.

    Sure, Ru made a controversial choice picking Tyra in season 2, but I beg you not to cheat yourself out of joy in 2012 (before the Mayan calendar runs out). This season of RuPaul’s Project Runway-style reality competition to decide America’s Next Drag Superstar is promising some serious extravaganza.

    The previews for this season seem like the show’s budget has been significantly increased, which makes me hopeful that this show could do for Logo what Project Runway and Queer Eye for the Straight Guy did for Bravo.

    The first real trailer for this season was just released, and footage documents that, among other challenges, the queens will be stepping into the wrestling ring to grapple with each other and with multisyllabic words, with equally devastating results. It’s clear these girls can’t play nice.

    Less clear from the trailer is whether or not the term “showgirl” is an insult. Somebody tell Elizabeth Berkley something she doesn't already know.

    Sharon Needles from Pittsburgh is my early pick for the 2012 crown. Sharon, whose drag idol is “somewhere between GG Allin and Amanda Lepore,” looks like a cadaver who is into S&M. She’s as quick-witted as her falsetto is off-putting. Last year, the Drag Race judges favored creative and intelligent queens over the beautiful and vapid, and I hope that continues. As Sharon says, “Being gay and weird is downright hard. These children need a role model.”

    Speaking of beautiful and vapid, my pick for the most hysterically named queen is Jiggly Caliente. This “urban glam, slutty” drag queen explains that she’s hot, so she picked the surname Caliente. She also identifies strongly with the Pokemon Jigglypuff, and you’ll understand why. Second best name goes to Madame LaQueer.

    The most conusing name, however, goes to Chad Michaels, which sounds more like a dude rushing Pi Kappa Alpha than a drag queen. And Latrice Royale wins my award for Best Makeup and Most Anticipated Lip Sync-er.

    There’s nothing to worry about if, like me, you get bored with the queens speaking perfect English. The preview shows several of the contestants consistently mangling pronunciations of common words. This season has two native Spanish speakers from Puerto Rico, Kenya Michaels and Madame LaQueer. LaQueer is also the first plus-size Spanish-speaking queen, so she's got two plusses in my book.

    The previews for this season seem like the show’s budget has been significantly increased, which makes me hopeful that this show could do for Logo what Project Runway and Queer Eye for the Straight Guy did for Bravo.

    Plus, the preview shows that Elvira is going to be one of the many celebrity guest judges, so you officially have every reason to watch this unbelievably over the top guilty pleasure of a show this January. You're welcome.

    See the trailer for Season Four of RuPaul's Drag Race:

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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