Concert News

Goo Goo Dolls slide into Houston on 2025 tour with Dashboard Confessional

Goo Goo Dolls will play at Smart Financial Centre on July 17.

Photo courtesy of Goo Goo Dolls

The rock band Goo Goo Dolls will hit the road in 2025 with their Summer Anthem Tour, a 41-date trek that will include a stop at Smart Financial Centre in Sugar Land on Thursday, July 16.

The Houston-area date and one in Fort Worth on July 16 will be the second and third concerts on the tour after it kicks off in Phoenix, Arizona on July 13. The massive North American tour will continue through September 12.

The band, led by John Rzeznik and Robby Takac, will perform a career-encompassing set that will celebrate the 30th anniversary of their breakthrough 1995 album, A Boy Named Goo, and feature multiple songs from their 2022 album, Chaos in Bloom.

They'll be joined on all dates by special guest Dashboard Confessional.

Although generally considered a '90s band, Goo Goo Dolls actually released their first album in 1987. They waited eight years and five albums before their first major hit, "Name," which led the way toward songs like "Iris" and "Slide" becoming '90s anthems.

The band has released 14 studio albums in their career, and according to statement by Rzeznik, they are putting together a 15th release that may also be showcased during the tour.

A local pre-sale will be on Thursday, November 21 from 10 am to 10 pm before the public on-sale starts on Friday, November 22 at 10 am. Tickets can be purchased at googoodolls.com/tour.

Goo Goo Dolls will be partnering with Joe Torre Safe At Home for the tour, a nonprofit founded in 2002 by Ali and Joe Torre to provide healing and education services to youth who have been traumatized by exposure to violence including domestic violence, child abuse, teen dating abuse and sexual assault to help break the cycle of violence.

GOO GOO DOLLS LIVE

Saturday, July 13, 2025 - Phoenix, AZ - Arizona Financial Theatre
Wednesday, July 16, 2025 - Fort Worth, TX - Dickies Arena
Thursday, July 17, 2025 - Sugar Land, TX - Smart Financial Centre
Saturday, July 19, 2025 - Rogers, AR - Walmart AMP
Sunday, July 20, 2025 - Nashville, TN - Ascend Amphitheater
Tuesday, July 22, 2025 - Atlanta, GA - Cadence Bank Amphitheatre at Chastain Park
Wednesday, July 23, 2025 - St Augustine, FL - St. Augustine Amphitheatre
Friday, July 25, 2025 - Charlotte, NC - Skyla Credit Union Amphitheatre
Saturday, July 26, 2025 - Raleigh, NC - Red Hat Amphitheater
Sunday, July 27, 2025 - Vienna, VA - Wolf Trap - Filene Center
Tuesday, July 29, 2025 - Boston, MA - LeaderBank Pavilion
Wednesday, July 30, 2025 - Saratoga Springs, NY - Broadview Stage at SPAC
Friday, August 1, 2025 - Holmdel, NJ - PNC Bank Arts Center
Saturday, August 2, 2025 - Wantagh, NY - Northwell at Jones Beach Theater
Sunday, August 3, 2025 - Philadelphia, PA - The Mann Center
Tuesday, August 5, 2025 - Bangor, ME - Maine Savings Amphitheater
Wednesday, August 6, 2025 - Gilford, NH - BankNH Pavilion
Friday, August 8, 2025 - Bridgeport, CT - Hartford HealthCare Amphitheater
Saturday, August 9, 2025 - Buffalo, NY - KeyBank Center
Saturday, August 10, 2025 - Toronto, ON - Budweiser Stage
Tuesday, August 12, 2025 - Cuyahoga Falls, OH - Blossom Music Center
Wednesday, August 13, 2025 - Chicago, IL - Huntington Bank Pavilion at Northerly Island
Friday, August 15, 2025 - Indianapolis, IN - Everwise Amphitheater at White River State Park
Saturday, August 16, 2025 - Sterling Heights, MI - Michigan Lottery Amphitheatre
Monday, August 18, 2025 - Waite Park, MN - The Ledge Amphitheater
Tuesday, August 19, 2025 - La Vista, NE - The Astro
Thursday, August 21, 2025 - St. Louis, MO - Saint Louis Music Park
Friday, August 22, 2025 - Kansas City, MO - Starlight Theatre
Sunday, August 24, 2025 - Morrison, CO - Red Rocks Amphitheatre
Tuesday, August 26, 2025 - West Valley City, UT - Utah First Credit Union Amphitheatre
Thursday, August 28, 2025 - Airway Heights, WA - Northern Quest Resort & Casino
Friday, August 29, 2025 - Bend, OR - Hayden Homes Amphitheater
Sunday, August 31, 2025 - Seattle, WA - Venue TBD
Monday, September 1, 2025 - Seattle, WA - Venue TBD
Thursday, September 4, 2025 - Berkeley, CA - Greek Theatre
Saturday, September 6, 2025 - Santa Barbara, CA - Santa Barbara Bowl
Sunday, September 7, 2025 - Los Angeles, CA - Greek Theatre
Tuesday, September 9, 2025 - Albuquerque, NM - Isleta Amphitheater
Thursday, September 11, 2025 - Oklahoma City, OK - The Zoo Amphitheatre
Friday, September 12, 2025 - Camdenton, MO - Ozark Amphitheater

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Movie Review

Avatar: Fire and Ash returns to Pandora with big action and bold visuals

Photo courtesy of 20th Century Studios

Oona Chaplin in Avatar: Fire and Ash.

For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

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Avatar: Fire and Ash opens in theaters on December 19.

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