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    Movie Review

    Goofiness keeps Dungeons & Dragons: Honor Among Thieves light on its feet

    Alex Bentley
    Mar 31, 2023 | 2:00 pm

    In the franchise world in which we now live, movie studios are always looking for the next big thing that will ensure fans come flocking to the theater. The role-playing game Dungeons & Dragons has gotten a pop cultural boost in recent years thanks to the Netflix show Stranger Things, and now – just shy of its 50th anniversary – it’s getting its own blockbuster movie, Dungeons & Dragons: Honor Among Thieves.

    Sophia Lillis, Justice Smith, and Michelle Rodriguez in Dungeons & Dragons: Honor Among Thieves

    Photo courtesy of Paramount Pictures

    Sophia Lillis, Justice Smith, and Michelle Rodriguez in Dungeons & Dragons: Honor Among Thieves.

    The somewhat complex story centers on two of the titular thieves, Edgin (Chris Pine) and Holga (Michelle Rodriguez), who lead a group of rogues who make a living by stealing, but only from those who deserve it. One such altruistic mission, a relic that can bring back the dead, leads to the pair getting caught and put in jail, separating Edgin from his daughter, Kira (Chloe Coleman).

    Fellow thief Forge (Hugh Grant) agrees to look after her, but after a daring escape, Edgin and Holga discover that Forge is even more of a scoundrel than they thought, rising to the title of Lord in their absence with the help of the sorceress Sofina (Daisy Head), and poisoning Kira’s mind against them. They must gather the rest of the team, including Simon (Justice Smith) and Doric (Sophia Lillis), to try to take him down and recover the relic once and for all.

    Written and directed by John Francis Daley and Jonathan Goldstein, with help from co-writer Michael Gilio, the film has the unenviable task of turning the famously dense game into something that pleases both fanatics and those unfamiliar with its many characters, creatures, and locations. It’s clear the filmmakers are trying to strike a balance between the two, loading the story with terms they barely attempt to explain while at the same time making the movie as goofy as possible.

    Only the second of those two approaches truly works. The problem the filmmakers run into is that this is an introductory film that barely seems to care about introducing its characters. A lengthy speech by Edgin at the beginning attempts to do that, but is staged in such a way that the humor of sequence takes precedence over the details of the people. The only reason the characters wind up likable is because of the sheer amount of time spent with them and the actors’ performances.

    Well, that and the comedy sprinkled throughout the film. If Daley, Goldstein, and Gilio do anything right, it’s not taking the material too seriously. The world has already seen Lord of the Rings and Game of Thrones, so adding in funny elements like the wise-cracking Edgin, a supremely fat dragon, and more keeps the film from getting lost in its own minutiae. Not all the jokes land, but 75-80 percent of them do, which is enough to keep the film buoyant.

    Pine, as he’s shown in the recent Star Trek and Wonder Woman films, has charm to spare. He occupies this particular role extremely well, and so even if you can’t remember his character’s name, his performance carries the film. Rodriguez is an acquired taste, but her surly demeanor and physical prowess works for her here. The supporting actors shine at times, but the film doesn’t showcase them enough to make them stand out.

    While miles better than the reviled 2000 Dungeons & Dragons, Honor Among Thieves is a merely okay beginning for a possible new franchise. There’s some excitement to be had and it stays light on its feet thanks to the comedy, but more attention paid to the story is warranted if they decide to make sequels.

    ---

    Dungeons & Dragons: Honor Among Thieves opens in theaters on March 31.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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