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    The Donn of Tiki

    Texas-born tiki legend shines in new documentary with Houston screening

    Brianna Caleri
    Oct 13, 2025 | 3:00 pm
    The Donn of Tiki film still

    The Donn of Tiki uncovers tiki culture's origins through one influential bar owner.

    Still from The Donn of Tiki

    It seems like the 20th century phenomenon of tiki bars would have emerged organically, with no sole progenitor, but a quick online search always turns up the late, supposedly Texas-born bar owner Donn Beach. A new documentary called The Donn of Tiki follows the history of "tiki culture" from this influential origin, aiming to "separate fact from fiction," according to a press release.

    The James Beard Media Award-nominated film will screen in Houston at the River Oaks Theatre on Tuesday, October 14. Austin can catch it at the Regal Westgate Stadium 11 on October 15.

    In the film's first moments, it defines tiki as "Cantonese food, Caribbean mixology, and South Pacific decor combined to create an aesthetic that was exotic, yet undeniably American." It also wastes no time in characterizing Beach, portrayed in this film as a whimsical claymation figure, as an unreliable narrator.

    Although Ernest Raymond Gantt, a.k.a. Donn Beach, was based in Hollywood when he opened his bar Don the Beachcomber in 1934, he was born in Mexia, Texas — or at least that's what the film settles on, using census records. The current website for the Don the Beachcomber brand, which was purchased by 23 Restaurant Services in 2022, repeats Beach's claim that his birthplace was New Orleans, Louisiana.

    The film goes on to detail the escapism of tiki culture, the surprising subtly of the mixology despite the aesthetic overkill, and the business intricacies of bootlegging and commercializing indigenous practices in Hawai'i. As it'd be a crime to film a bland documentary about tiki culture, all the interviewees pull these historical threads while wearing vivid Pacific island prints.

    Even taking into account Beach's penchant for yarn-spinning and legendary contribution to cultural appropriation, the film's official description calls him "a champion for authenticity, both in his work, and within himself."

    Audience members at the Houston screening will be able to learn more from co-director Max Well during a post-screening Q&A. For now, local screenings offer the only opportunities the general public will have to see the film. However, an FAQ page on the documentary's website says the team is working on a Blu-Ray release with more content, including recipes, and they expect the film to eventually be available on demand on platforms such as Amazon Video and Apple TV.

    The River Oaks Theater will host two screenings at 7:15 pm and 8:45 pm. Tickets ($21) are available here.

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    Movie Review

    Toy Story 5 proves that Pixar's toy box still holds some surprises

    Alex Bentley
    Jun 18, 2026 | 3:30 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

    ---

    Toy Story 5 opens in theaters on June 19.

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