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    The Donn of Tiki

    Texas-born tiki legend shines in new documentary with Houston screening

    Brianna Caleri
    Oct 13, 2025 | 3:00 pm
    The Donn of Tiki film still

    The Donn of Tiki uncovers tiki culture's origins through one influential bar owner.

    Still from The Donn of Tiki

    It seems like the 20th century phenomenon of tiki bars would have emerged organically, with no sole progenitor, but a quick online search always turns up the late, supposedly Texas-born bar owner Donn Beach. A new documentary called The Donn of Tiki follows the history of "tiki culture" from this influential origin, aiming to "separate fact from fiction," according to a press release.

    The James Beard Media Award-nominated film will screen in Houston at the River Oaks Theatre on Tuesday, October 14. Austin can catch it at the Regal Westgate Stadium 11 on October 15.

    In the film's first moments, it defines tiki as "Cantonese food, Caribbean mixology, and South Pacific decor combined to create an aesthetic that was exotic, yet undeniably American." It also wastes no time in characterizing Beach, portrayed in this film as a whimsical claymation figure, as an unreliable narrator.

    Although Ernest Raymond Gantt, a.k.a. Donn Beach, was based in Hollywood when he opened his bar Don the Beachcomber in 1934, he was born in Mexia, Texas — or at least that's what the film settles on, using census records. The current website for the Don the Beachcomber brand, which was purchased by 23 Restaurant Services in 2022, repeats Beach's claim that his birthplace was New Orleans, Louisiana.

    The film goes on to detail the escapism of tiki culture, the surprising subtly of the mixology despite the aesthetic overkill, and the business intricacies of bootlegging and commercializing indigenous practices in Hawai'i. As it'd be a crime to film a bland documentary about tiki culture, all the interviewees pull these historical threads while wearing vivid Pacific island prints.

    Even taking into account Beach's penchant for yarn-spinning and legendary contribution to cultural appropriation, the film's official description calls him "a champion for authenticity, both in his work, and within himself."

    Audience members at the Houston screening will be able to learn more from co-director Max Well during a post-screening Q&A. For now, local screenings offer the only opportunities the general public will have to see the film. However, an FAQ page on the documentary's website says the team is working on a Blu-Ray release with more content, including recipes, and they expect the film to eventually be available on demand on platforms such as Amazon Video and Apple TV.

    The River Oaks Theater will host two screenings at 7:15 pm and 8:45 pm. Tickets ($21) are available here.

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    Movie review

    Will Arnett shines in Bradley Cooper’s divorce drama Is This Thing On?

    Alex Bentley
    Jan 9, 2026 | 10:30 am
    Will Arnett in Is This Thing On?
    Photo by Searchlight Pictures/Jason McDonald
    Will Arnett in Is This Thing On?.

    With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.

    Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. He plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.

    The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls and Christine (Cooper and Andra Day) and Stephen and Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.

    The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.

    As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.

    If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.

    Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.

    Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.

    ---

    Is This Thing On? opens wide in theaters on January 9.

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