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    The Donn of Tiki

    Texas-born tiki legend shines in new documentary with Houston screening

    Brianna Caleri
    Oct 13, 2025 | 3:00 pm
    The Donn of Tiki film still

    The Donn of Tiki uncovers tiki culture's origins through one influential bar owner.

    Still from The Donn of Tiki

    It seems like the 20th century phenomenon of tiki bars would have emerged organically, with no sole progenitor, but a quick online search always turns up the late, supposedly Texas-born bar owner Donn Beach. A new documentary called The Donn of Tiki follows the history of "tiki culture" from this influential origin, aiming to "separate fact from fiction," according to a press release.

    The James Beard Media Award-nominated film will screen in Houston at the River Oaks Theatre on Tuesday, October 14. Austin can catch it at the Regal Westgate Stadium 11 on October 15.

    In the film's first moments, it defines tiki as "Cantonese food, Caribbean mixology, and South Pacific decor combined to create an aesthetic that was exotic, yet undeniably American." It also wastes no time in characterizing Beach, portrayed in this film as a whimsical claymation figure, as an unreliable narrator.

    Although Ernest Raymond Gantt, a.k.a. Donn Beach, was based in Hollywood when he opened his bar Don the Beachcomber in 1934, he was born in Mexia, Texas — or at least that's what the film settles on, using census records. The current website for the Don the Beachcomber brand, which was purchased by 23 Restaurant Services in 2022, repeats Beach's claim that his birthplace was New Orleans, Louisiana.

    The film goes on to detail the escapism of tiki culture, the surprising subtly of the mixology despite the aesthetic overkill, and the business intricacies of bootlegging and commercializing indigenous practices in Hawai'i. As it'd be a crime to film a bland documentary about tiki culture, all the interviewees pull these historical threads while wearing vivid Pacific island prints.

    Even taking into account Beach's penchant for yarn-spinning and legendary contribution to cultural appropriation, the film's official description calls him "a champion for authenticity, both in his work, and within himself."

    Audience members at the Houston screening will be able to learn more from co-director Max Well during a post-screening Q&A. For now, local screenings offer the only opportunities the general public will have to see the film. However, an FAQ page on the documentary's website says the team is working on a Blu-Ray release with more content, including recipes, and they expect the film to eventually be available on demand on platforms such as Amazon Video and Apple TV.

    The River Oaks Theater will host two screenings at 7:15 pm and 8:45 pm. Tickets ($21) are available here.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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