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    a perfect ending

    Ken Hoffman celebrates Larry David and the Curb Your Enthusiasm finale

    Ken Hoffman
    Apr 8, 2024 | 9:01 am
    Curb Your Enthusiasm Larry David

    Larry left 'em laughing.

    Curb Your Enthusiasm/Facebook

    My favorite TV show ever ended forever Sunday night. HBO’s Curb Your Enthusiasm wrapped up 12 seasons over 24 years with a one-hour episode Sunday night that saw Larry David sentenced to jail for violating Georgia’s Election Integrity law by offering a bottle of water to a woman waiting in line to vote.

    Just like Saturday Night Live once said, O.J. Simpson was sent to prison for robbery “but really murder,” a jury found David guilty of breaking the voting law, but really:

    In flashback clips we watched David killing a rare black swan, burning down Mocha Joe’s coffee shop in spite, failing to yell “fore” after hitting a golf shot, bribing a city councilmember, refusing to jump off a stuck ski lift while sitting next to a single Orthodox Jewish woman after sundown, urinating on a holy Christian picture, stealing shoes from a Holocaust museum, digging up his dead mother’s body and moving it to a better part of a cemetery, giving Covid to Bruce Springsteen, eating ice cream meant for a dying dog’s last meal, teaching a child how to draw a swastika, hiring a prostitute to sit next to him so he could drive in the HOV lane, and prying a 5-wood golf club from a dead man’s coffin.

    And those were just a few highlights from Larry David’s rap sheet over the years on Curb Your Enthusiasm. No wonder his agent on the show called him “a social assassin.”

    Curb Your Enthusiasm’s finale was a revenge episode for the critically lambasted Seinfeld finale that David wrote in 1998. The premises were almost identical. In the Seinfeld finale the four main characters were found guilty of violating a Good Samaritan law and sentenced to one year in jail. The last scene had Jerry, George, Kramer, and Elaine settling in behind bars.

    Except in the Curb finale, David is behind bars for only a few minutes before he is set free on a courtroom technicality. The last scene had Larry and Jerry Seinfeld walking out of the jail, commenting that’s how the Seinfeld finale should have ended. Duh!

    Several years ago, I wrote a column asking a bunch of B-level Houston media types: who is the funniest person – who’s made you laugh the most and the hardest in your lifetime?

    My answer was George Carlin. I loved his standup and his books. I saw him perform several times and he was always razor sharp and funny.

    I’d like to change my vote. My funniest person, now looking back, is Larry David. My funniest show is Curb Your Enthusiasm. And my second funniest show is Seinfeld, which David co-created with Jerry Seinfeld and wrote most of the episodes. Between 190 episodes of Seinfeld and 120 episodes of Curb between 1989 and Sunday night, Larry David has filled my life with thousands of great laughs.

    When Seinfeld left the air in 1998, I thought there’d never be a comedy cast that brilliant. Then Curb debuted in 2000 and David did it again — this time starring in front of the camera and surrounding himself with Cheryl Hines as his wife Cheryl, Jeff Garlin as his smarmy agent Jeff Greene, Susie Essman as Jeff’s foul-mouthed wife, and J.B. Smoove as his free-loading house guest Leon Black.

    Along the way there were guest appearances by Richard Lewis, Tracey Ullman, Sienna Miller, Ted Danson, Wanda Sykes, Rob Reiner, Shaquille O’Neal, Joan Rivers, Alanis Morisette, Martin Scorsese, Mel Brooks, Ben Stiller, David Schwimmer, Hugh Hefner, Super Dave Osborne, John McEnroe, Dustin Hoffman, and this season’s unforgettably hilarious scenes with Bruce Springsteen. And dozens and dozens more. Actors lined up to work with Larry David.

    Not since Seinfeld on Thursday nights did I make sure I was home to watch a TV show like I did for Curb Your Enthusiasm. Sunday night was Curb night. Taping it to watch later was out of the question. I have friends who watched each episode of Curb, then watched it again right away, then we started texting each other about our favorite lines. Can you believe when Susie told Larry to …

    Nothing was off limits on Curb. The front of my face was laughing, but inside my brain couldn’t believe what I just saw. Curb wasn’t like a network sitcom that returns each year until it gets canceled. Curb would air on HBO only when David felt he had something to say. There was once a gap of seven years between Curb seasons. David produced only 10 episodes a season — 12 seasons, 120 episodes over 24 years. Every episode was worth waiting for.

    The last few years felt like that could be the end. Then would come the good news, David would do another season. But Sunday night was the end for keeps. David is 76 years old. It’s time. He gave it everything he had.

    But one thing’s for sure, Larry David is leaving ‘em laughing.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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