The World of Hans Zimmer – A New Dimension comes to Fort Worth on September 29.
Photo by Frank Embacher
If you've been to the movies in the past 40 years, you've likely enjoyed the music of composer Hans Zimmer, and an upcoming tour called The World of Hans Zimmer – A New Dimension will showcase that music in a new way.
The 24-city arena tour, stopping at the Toyota Center in Houston on Tuesday, September 9, features arrangements of Zimmer's diverse collection of scores, synchronized with sequences from many of the epic films he's done.
In addition to Houston, the tour will visit Fort Worth on September 29.
Zimmer has scored more than 500 projects across all mediums and has been honored with two Academy Awards, including Dunein 2022.
Other notable films that he has scored include Rain Man, Thelma and Louise, Gladiator, The Dark Knight trilogy, No Time to Die, Top Gun: Maverick, and more.
While Zimmer will not perform live on stage during the tour, he is the show’s curator, producer, and musical director.
Instead, the show will be led by Matt Dunkley, who has a long-standing professional partnership with Zimmer. He will perform alongside a symphony orchestra featuring top soloists from Zimmer’s talent pool, including the Odessa Orchestra & Friends and the Nairobi Chamber Chorus.
Tickets for the tour will be available on Friday, May 2 at 10 am at Ticketmaster.com. Use the cord WORLD25 to access a special TikTok presale.
@hanszimmer “The World of Hans Zimmer: A New Dimension” TikTok Presale is NOW LIVE! 🎟️ 🎵 Use the password WORLD25 at worldofhanszimmer.com to get your tickets and experience this incredibly talented orchestra perform in North America! ♬ original sound - Hans Zimmer
In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.
Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).
Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.
Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.
Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.
Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.
Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.
Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.