remembering charlie

Remembering Charlie Robison: Houston-born country music giant passes away at 59

Houston-born Robison passed away on September 10 in San Antonio.

A giant of the Texas music scene has passed away. Charlie Robison, a gravelly voiced, bad boy, say-anything singer-songwriter, died at a hospital in San Antonio on Sunday, September 10 after suffering cardiac arrest and other complications, according to an Associated Press report. Robison passed away just nine days after his 59th birthday.

His wife, Kristen Robison, confirmed the new on social media, writing:

“It is with a heavy heart that I share the news that my husband, Charlie Robison has passed away today, surrounded by his family and friends. My heart is broken. Please pray for me, our children and our family.”

Robison was born in Houston — making him a local favorite here for decades — but grew up in Bandera, Texas on the ranch his family has owned for generations. Tanned, ranch-strong, and standing six-foot-four, Robison looked more jock than country singer — he played football at then Southwest Texas State University in the 1980s before an injury ending his sports career.

He made his way to Austin, playing with bands Chaparral and Two Hoots and a Holler before forming his own act, Millionaire Playboys. Paying homage to his beloved ranch home, he released his solo debut album, Bandera, in 1996. Sony Records caught wind of the young star and quickly signed him to the subsidiary Lucky Dog Records, releasing Life of the Party on the label in 1998.

Life of the Party may well be Robison's most beloved album, netting monster tracks such as the singalong, anthemic "My Hometown," "Sunset Boulevard," and "Barlight." His next album, Unleashed Live, features two Texas country giants: Robison's brother Bruce Robison and Jack Ingram.

Columbia Records then snatched him up, releasing a live album and Step Right Up. The sheen of the Nashville country scene jetted him into pop culture; he was cast as a judge in the reality TV singing competition Nashville Star.

But the tough guy, straight-shootin' Robison and his Texas grit found the glossy, hip Nashville scene repressive. He left Columbia, signed with the smaller label Dualtone, moved away from mainstream/Nashville radio-friendly tunes and returned to his love of Southern rock. The move paid off: In 2004, his single "Good Times" from the album of the same name was featured on the HBO vampire series smash True Blood.

He later self-produced and released the album Beautiful Day in 2009 on Dualtone, which prominently features Nashville singer/songwriter Keith Gattis. He left his Texas base to embark on an East Coast and U.S. tour in 2009, bringing his Texas swag to national live audiences, before settling back in Texas and gigging primarily there and Louisiana, Arkansas, Oklahoma, and Colorado.

While Life of the Party may be Robison's most familiar release, the 2013 Live at Billy Bob's Texas album is perhaps his magnum opus, showcasing his gritty voice, Lone Star State lyricism, and shredding guitar solos. (He was known to play classic rock covers during live shows, such as AC/DC's "You Shook Me All Night Long" and even Elton John's "Rocket Man.")

Persistent throat problems prompted surgery in 2018 that ultimately cost him his 25-year singing career. Robison announced his retirement in a statement that year that reflected his "never take yourself too seriously" approach to music:

“With a very heavy heart I am officially retiring from the stage and studio. “It’s been an amazing ride, and I cannot tell you all what the last 25 years has meant to me. I was looking forward to another 25 but as they say, ‘shit happens.’”

Always alongside country's elite, Robison will be remembered for his collaborations with notable names such as Natalie Maines of the Dixie Chicks, Lloyd Maines, Charlie Sexton, Rich Brotherton, his brother Bruce, and more — some of whom would surprise fans onstage.

Branching into the hospitality business, Charlie Robison opened Alamo Icehouse in San Antonio with former Major League Baseball player Brooks Kieschnick in 2014.

Music permeated his personal life: Robison married Emily Erwin of The Chicks in 1999; the couple divorced in 2008 and shared three children: Charles Augustus and twins Julianna Tex and Henry Benjamin. He married Kristen Robison — also a singer-songwriter — in 2015.

Legendary at Houston venues like The Mucky Duck for crowd-favorite, shout-out lines, Robison maintained everyman charm with his party boy paycheck lines like "...we drove back home at the end of that week and we spent it all on pot" from "My Hometown."

He stands tall, literally and figuratively, as a Texas rebel who traded national country music sheen for staying true to his Texas roots. The larger-than-life singer was known for his exceptional treatment of his band and being refreshingly approachable to fans. No doubt his "My Hometown" line, "I'll see you in Houston If I ever get out that way" will be echoing across the Bayou City in tribute to a true local son.

Movie Review

Avatar: Fire and Ash returns to Pandora with big action and bold visuals

Photo courtesy of 20th Century Studios

Oona Chaplin in Avatar: Fire and Ash.

For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

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Avatar: Fire and Ash opens in theaters on December 19.

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