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    Movie Review

    Crime thriller Caught Stealing is a pleasant mainstream surprise

    Alex Bentley
    Aug 28, 2025 | 7:28 pm
    Austin Butler in Caught Stealing

    Austin Butler in Caught Stealing.

    Photo by Niko Tavernise

    Since his career as a feature film director started in 1998, Darren Aronofsky has been known for making intense dramas with stories that are often intentionally hard to understand, like The Whale and mother!. To put it plainly, he’s never been a filmmaker who’s been beholden to genres, so the idea of him making a straightforward crime film like the new Caught Stealing is baffling for those who have followed his career.

    The story centers on Hank Thompson (Austin Butler), who once had big dreams of being a professional baseball player, but now tends bar at a seedy New York City joint. Hank, along with his girlfriend Yvonne (Zoë Kravitz), is unwittingly dragged into a criminal enterprise when his next door neighbor, Russ (Matt Smith), asks Hank to watch his cat when he goes out of town.

    Multiple goons soon start showing up at Russ’ door, looking for money that Russ has taken from them. Despite not knowing anything about that, Hank gets beaten up, threatened, and pursued by groups led by Colorado (Bad Bunny) and Hasidic Jews Lipa (Liev Schreiber) and Shmully (Vincent D’Onofrio), as well as Detective Roman (Regina King).

    Written by Charlie Huston (adapting his own 2004 book of the same name), the film is inarguably the most entertaining one of Aronofsky’s career. Although there are multiple soul-crushing events for Hank in the film, Aronofsky seems to rein in his more depressing tendencies in favor of a fast-paced crime thriller. There are plenty of moments where he could have leaned into the darker parts of the story, but instead he lets the comedy of Huston’s script shine through, keeping things relatively light.

    The characters are what make the movie work the most. Hank’s backstory lends extra meaning to his current dilemma, and also underscores his relationships with Yvonne and his unseen mother, whom he calls every day. Every one of the criminals - from Russ to two Russian thugs to the Orthodox Jews - stands out in a way that serves the story and enhances the entertainment factor. Even small roles like Hank’s boss Paul (Griffin Dunne) make an impact thanks to the way the film is structured.

    It’s also nice to see Butler let loose after a string of award-bait roles in films like Elvis and The Bikeriders. Hank fights through a significant amount of trauma, allowing Butler to show off his dramatic acting skills again, but he also gets to indulge in a bit of action acting, which he handles with aplomb. Butler has been impressive before, but he makes Hank into a magnetic character throughout here.

    The other actors are a little bit of a mixed bag. Kravitz is good, but she doesn’t get enough screentime for her character to feel fully realized. Schreiber, D’Onofrio, and Bad Bunny are a hoot in their respective roles, each bringing a menace that’s tinged with likability. King tries to employ a New York accent, something that distracts from what her character is saying.

    Nothing in Aronofsky’s previous filmography suggested he would be interested in a movie like Caught Stealing, much less be so successful actually making it. But movie fans are the winners for his mid-career change of heart, getting a highly enjoyable crime film that delivers on both the story and acting front.

    ---

    Caught Stealing opens in theaters on August 29.

    moviesfilm
    news/entertainment

    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

    moviesfilm
    news/entertainment

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