Movie Review

Captain America: Brave New World isn't the MCU's much-needed comeback

Anthony Mackie in Captain America: Brave New World.

Photo by Eli Adé / courtesy of Marvel

If it feels like it’s been a long time since the last Marvel Cinematic Universe movie, that’s because it has. Deadpool & Wolverine technically counts, but it was really its own thing that was mostly disconnected from the larger story the MCU is trying to tell. And two out of the three MCU movies in 2023 were underwhelming, so Marvel remains far from the highs of its Avengers days.

They’re trying to get things going again with Captain America: Brave New World, the first glimpse of Sam Wilson (Anthony Mackie) — formerly known as the Falcon — as the new Captain America. The film thrusts the audience right into the action, with Wilson on a mission to retrieve a ~~MacGuffin~~ stolen package for the U.S. government at the behest of President Thaddeus Ross (Harrison Ford). The two men continue to have a symbiotic relationship for the majority of the movie, with each needing the other and hating the fact that they do.

The main story of the film improbably (unwisely?) brings together two of the MCU’s least well-received films, 2008’s The Incredible Hulk and 2021’s The Eternals. Dr. Samuel Sterns (Tim Blake Nelson), apparently holding a longtime grudge since the events of The Incredible Hulk, plays a big part, as does the Celestial Island, which was last seen at the end of The Eternals and not mentioned in any property since that time.

Directed by Julius Onah and written by Onah and four other screenwriters, the best that can be said for this return of the MCU is that Mackie makes for a compelling presence. The combining of the Captain America elements with his Falcon persona makes for some pretty good action, with the character showing off some unique moves. On the downside, though, he’s mostly facing off against anonymous henchmen, so most of his fight scenes feel repetitive and uninspired.

The story itself is a mishmash of characters that only hardcore Marvel/MCU fans will know, with barely any attempt at reintroducing them to a broad audience. Sidekick Joaquin Torres (Danny Ramirez) and wronged super soldier Isaiah Bradley (Carl Lumbly) return from the Disney+ show The Falcon and the Winter Soldier, providing some levity and gravity, respectively. Having Sterns back in the mix is never explained properly, nor is how he is able to wield influence over a large number of people.

If there’s to be any lasting memory from this film, it’s the introduction of the (fictional) indestructible material adamantium into the MCU. Previously known from the X-Men universe as what was used to strengthen Wolverine’s skeleton and give him his claws, adamantium is now a prized discovery found in the Celestial Island that, like any valuable material, causes normally level-headed people to get into fights over it.

Mackie brings enough charm to his acting that he can ably serve as the lead, something he hadn’t previously been asked to do in the MCU. Ford is fine; his years of experience make him a natural for playing another president, although the transformation his character undergoes is goofier than it needed to be. Nelson has to act from behind some truly hideous makeup and he feels one-note most of the time.

For the MCU to make it back to their previous standing atop the blockbuster landscape, they’re going to have to deliver much more interesting characters and stories than are present in Captain America: Brave New World. It might be time to consider stand-alone stories instead of ones that rely on information that many moviegoers have long since forgotten.

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Captain America: Brave New World opens in theaters on February 14.

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Movie Review

Fun visuals can't save The Magic Faraway Tree's meager plot

Photo courtesy of Vertical Entertainment

Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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