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    Bun B Concert Review

    Bun B, Ludacris, Keith Sweat, and more throw epic birthday bonanza at RodeoHouston

    Craig D. Lindsey
    Mar 8, 2025 | 6:00 am

    Although his birthday isn’t for a couple more weeks, Houston rapper/burger slinger Bun B used his fourth time as the Houston Livestock Show and Rodeo’s resident Black Heritage Day music curator to throw himself a Birthday Bonanza concert on Friday, March 7 — and it was an odd lineup with some awkward technical glitches.

    Before the show started, tributes were given to Sylvester Turner and Sheila Jackson Lee. Then, TSU’s Ocean of Soul and Prairie View A&M’s Marching Storm bands teamed up and gave dual, thundering sets before joining forces and performing together for the announced crowd of 69,667.

    After a bunch of fireworks and pyrotechnics went off a few minutes before 9:30 pm, a clip package of celebs giving Bun birthday wishes played on the screens. This package included comedians (Cedric the Entertainer, Gary Owen), rappers (Slim Thug, Paul Wall) and a predictably creepy message from wrestling legend The Undertaker. Then, Ennio Morricone’s “Man with No Name” theme started playing and Bun came out rocking a long leather coat with fringes and a cowboy hat that once again had the Monster Energy Drink logo on the front. He and his band started things off with “Get Throwed.”

    Bun B Birthday Bonanza RodeoHouston 2025

    Photo by Marco Torres

    Tommy Richman was the night's first surprise guest.

    Unlike his previous “Takeover” shows, the concert didn’t have a clear musical theme. For the past few weeks, Bun has gotten clowned on social media for his all-over-the-place lineup. (Facebook trolls were mocking up flyers announcing other possible artists, including Ice JJ Fish and Milli Vanilli.)

    However, the lineup did give off a Black dad’s Spotify playlist kind of energy, and it did seem like Bun (soon to be 52) booked a lot of favorites from his library. First up was So So Def’s resident boy band Jagged Edge, who did a medley of their late ‘90s/early 2000s hits. After that was a surprise performance from Do or Die, a Chicago rap group who was signed to Houston's Rap-A-Lot Records back in the day. They performed their hit tune “Po Pimp,” which Bun said he often performed during sound checks. Both acts dressed Black-dad casual, like they were going to their kids’ soccer game after this.

    If there was one artist people were truly anticipating, it was R&B temptress Coco Jones. Coming out in an all-white ensemble, including shiny cargo pants and a cowboy hat, she led the crowd with a couple bars of “Here We Go (Uh Oh)” before doing “Taste,” from her upcoming album Why Not More? Jones was the first of several artists who had audio problems during the show, switching mics halfway through when her voice wasn’t picking up all over the stadium.

    At this point in this show, Bun B came back out in a beige waistcoat with the UGK logo bedazzled on the back, looking like a land baron on Gunsmoke. “I believe I look like a million dollars in here,” he said, before introducing surprise performer Tommy Richman. Richman, who had a show earlier that evening at White Oak Music Hall, stopped by to do his TikTok hit “Million Dollar Baby.”

    Local gospel great Yolanda Adams came out next, in a white zip-up and spangly jeans, singing during an In Memoriam package of Black people who died recently (like Turner) and who’ve been dead for a while now (like DMX). During this performance, one of the background singers’ mics was louder than Adams’s, something she appeared to pick up on.

    After performing a couple of her peppier gospel numbers, Adams asked Bun, “Don’t you think it’s time to bring out the slabs?” A quartet of slabs rolled up next to the stage, carrying some local rap legends, as Bun performed a couple UGK tunes. Then, Bun brought out Houston MC Don Toliver, who arrived in a red Ferrari. Once he hopped out (wearing what looked like a black leather tracksuit with fringes and a blue handkerchief around his face), he performed several songs but also struggled with microphone problems.

    Next, Bun introduced another surprise performer: T.I. All dreaded up and wearing what looked like a pleather outfit, the Atlanta vet did a boisterous set, pulling out a lot of his 2000s hits and saying, “I’m the king, bitch!” every once in a while.

    Keith Sweat was next, giving the right amount of old school energy as he sang hits from his New Jack Swing heyday. Sweat prematurely left the stage at one point, thinking his set was over. But when the music for “How Deep Is Your Love?” began playing, he returned. He saved face by asking the crowd, “You thought I was finished?”

    An Ali Siddiq video appeared once as Bun introduced Ludacris, the final performer of the night. Just like his fellow ATL rap god T.I., Luda gave an energetic performance (in cowhide-looking shorts!). He pulled out all the classics, including “Stand Up” and “Move B***h,” before leading the entire audience in singing “Happy Birthday” to Bun. Bun closed it out as always with UGK’s “Int’l Players Anthem.”

    Yeah, it was a weird night. There were audio and visual glitches, a lineup that had everything from Dirty South legends to quiet-storm mainstays to one-hit wonders to gospel singers making a joyful noise. Bun took an ambitious swing with this one, assembling a grab bag of his favorite artists for a freewheeling show that appealed to many demographics. I wouldn’t mind if he did it again — but those mics better be sorted out next time.

    Setlist

    Get Throwed, Bun B

    Let’s Get Married (Remix), Jagged Edge
    Promise, Jagged Edge
    Where the Party At, Jagged Edge

    Po Pimp, Do or Die

    Here We Go (Uh Oh), Coco Jones
    Taste, Coco Jones
    ICU, Coco Jones

    Million Dollar Baby, Tommy Richman

    The Battle Is the Lord’s, Yolanda Adams
    Church Doors (Remix), Yolanda Adams

    Diamonds & Wood, Bun B
    Murder, Bun B

    BANDIT, Don Toliver
    After Party, Don Toliver
    Lemonade, Don Toliver

    Rubber Band Man, T.I.
    24’s, T.I.
    U Don’t Know Me, T.I.
    Whatever You Like, T.I.
    Bring Em Out, T.I.
    Live Your Life, T.I.
    What You Know, T.I.
    About the Money, T.I.

    I Want Her, Keith Sweat
    Make It Last Forever, Keith Sweat
    Twisted, Keith Sweat
    Nobody, Keith Sweat
    How Deep Is Your Love, Keith Sweat

    All I Do is Win, Ludacris
    Stand Up, Ludacris
    Yeah, Ludacris
    How Low, Ludacris
    What’s Your Fantasy, Ludacris
    Move B***h, Ludacris

    Int’l Players Anthem, Bun B with group

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    Movie Review

    Early Stephen King novel The Long Walk is a movie with a modern-day message

    Alex Bentley
    Sep 12, 2025 | 10:30 am
    Cast of The Long Walk
    Photo by Murray Close/Lionsgate
    Cast of The Long Walk, including stars Cooper Hoffman and David Jonsson (center).

    2025 has been an impressively prolific year as far as Stephen King adaptations go. The year has already brought the horror film The Monkey (based on a 1980 short story) and the sentimental The Life of Chuck (based on a 2020 short story). Now comes The Long Walk, another film that digs deep into King’s prolific archive, with the original book (under King's pseudonym, Richard Bachman) coming out in 1979.

    In the world of the film, young men from all 50 states volunteer for a lottery to compete in a competition called The Long Walk for a chance to win a large cash prize. The catch is it’s not a race, but rather a feat of endurance, as every participant must maintain a speed of at least 3 miles per hour until only one person remains. Those who are unable to do so are given a series of three warnings until they are brutally shot.

    Among the participants are Raymond Garraty (Cooper Hoffman), who happens to come from the state where the competition starts; Peter McVries (David Jonsson), an affable and confident guy; Gary Barkovitch (Charlie Plummer), who seems to antagonize everybody he meets; and Hank Olson (Ben Wang), a mouthy kid who teams up with Raymond and Peter. All the while, the group is urged on by The Major (Mark Hamill), who seems to take great pleasure in their suffering.

    Directed by Francis Lawrence and written by JT Mollner, the film mostly consists of conversations between the participants in the competition, with the occasional killing underscoring the intensity of what they’re doing. Much of the dialogue is between Raymond and Peter, who become fast friends and share thoughts that are both practical and philosophical. The walk literally never stops, so there’s a natural propulsiveness to the story even during scenes that feature nothing but talking.

    The details of the story can be a tad confusing, though. The film is clearly set at some point in the mid-20th century, as all of the vehicles come from that era and the young men all wear clothes and shoes that are far from modern. But they also live in a dystopian, financially-strapped world where every young man feels he has no choice but to enter a lottery for a competition in which he will most likely die. The alternate universe reality takes some time to get used to.

    Lawrence, who has directed every Hunger Games film, is right at home pitting a group of young people against each other in a televised spectacle that can feature graphic violence. If you so choose, the film is easy to read as a commentary on the current state of the world, where the themes of the story lie closer to reality than perhaps even King could predict.

    In a short career that has included films like Licorice Pizza and Saturday Night, Hoffman has already proved himself as a worthy successor to his late father, Philip Seymour Hoffman. He has a natural empathy in his acting that draws you in, and a talent that pulls the most out of every line. Jonsson is his equal and perhaps even more compelling here, as the English actor uses a mumbly voice and squinty face to great effect.

    There’s not much to The Long Walk other than walking, talking, and killing, but it still makes for an intense experience that rises above its simplicity. It’s difficult to classify a film like this as “entertainment,” but the performances of Hoffman, Jonsson, and others make it a great watch despite the cruelty.

    ---

    The Long Walk opens in theaters on September 12.

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