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    Best October concerts

    Post Malone and Sabrina Carpenter headline Houston's 12 must-see shows

    Johnston Farrow
    Oct 1, 2024 | 2:46 pm

    Apologies, Houston music fans, the Oasis reunion tour is not coming here. Neither is Chappell Roan. Taylor Swift already conquered NRG Stadium, and RodeoHouston is months away.

    Thankfully, October’s concert schedule shows no sign of slowing down with huge headliners holding onto audience interest like the oppressive summer heat that has overstayed its welcome.

    We've rounded up 12 of the shows that will cool your live music thirst.

    Johnny Marr & James, October 1, Bayou Music Center
    Way back in 1985, Brit band James – known best in the U.S. for the classic alt-rock hit, “Laid” – toured with the landmark indie legends, The Smiths. Forty years later, they are back on the road with the best Smith of them all, influential guitar hero Johnny Marr, who built himself a solid solo career after stints of guesting with other fantastic bands (The Pretenders, Modest Mouse, The Cribs). This show will be a treat for any Anglophile.

    Can’t Miss Songs: Johnny Marr - “How Soon Is Now?,” “There is a Light That Never Goes Out;” James - “Sit Down,” “Laid”

    The Avett Brothers, October 12, Smart Financial Centre at Sugar Land
    Proof that two brothers can partake in a long and genial career together, Seth and Scott Avett lead one of the most successful Americana acts ever. They endeared themselves to a devoted fanbase with crossover hits such as True Sadness and The Third Gleam. Now, they’re back on the road with their 12th album, the self-titled The Avett Brothers.

    Can’t Miss Songs: “No Hard Feelings,” “Ain’t No Man”

    Boyz II Men, October 12, Cynthia Woods Mitchell Pavilion
    Motownphilly is back again. The ‘90s hitmakers Boyz II Men continue to sell out amphitheaters decades after they ruled the charts and for good reason. Their unassailable run as the kings of sultry-smooth R&B earned them a revered standing in the pop culture lexicon that few groups will ever achieve. No doubt plenty of fans will be bringing the kids they made to their soulful slow-jam anthems to their headline show in The Woodlands.

    Can’t Miss Songs: “End of the Road,” “On Bended Knee,” “Motownphilly”

    Norah Jones, October 15, 713 Music Hall
    A prodigious, Texas-raised talent, Norah Jones took the music industry by storm as a young 20-something when the former Grapevine resident released one of the biggest albums of the early 21st century in Come Away with Me. Her mix of jazz and melodic singer-songwriter fare tapped into the sophisticated side of the zeitgeist en route to selling 27 million copies and winning multiple Grammys. Her career has since matured into an eclectic mix of sounds like those found on this year’s Visions.

    Can’t Miss Songs: “Don’t Know Why,” “Happy Pills”

    Jeff Lynne’s ELO, October 16, Toyota Center
    Jeff Lynne is the guy that just keeps on going, a massively successful career in the ‘70s with Electric Light Orchestra, finding new life with the Traveling Wilburys in the ‘80s, and even finding new audiences with his music’s inclusion in the Guardians of the Galaxy franchise. No one knows how much longer he’ll be on the road, but hearing his classic rock hits certainly will never get old.

    Can’t Miss Songs: “Mr. Blue Sky,” “Don’t Bring Me Down”

    Maxwell, October 18, Toyota Center
    The influential neo-soul artist Maxwell found fame alongside other artists such as Erykah Badu and D’Angelo in the late-‘90s with the classic debut, Maxwell’s Urban Hang Suite. He set himself apart by pulling from a variety of influences such as Marvin Gaye, Prince, and other genres such as the New Wave of Kate Bush and even the alt-rock of Nine Inch Nails, who he covered on his famed MTV Unplugged appearance.

    Can’t Miss Songs: “Ascension (Don't Ever Wonder),” “Fortunate”

    Sixpence None The Richer, October 19, Warehouse Live
    Formed in New Braunfels, TX as a Christian act, Sixpence None The Richer crossed over to the pop charts and seemingly soundtracked every late-‘90s and early 2000s teen rom-com flick with their massive worldwide hit, “Kiss Me.” After a long-hiatus, the band – led by Houston-born frontwoman Leigh Nash – is back with new album Rosemary Hill.

    Can’t Miss Songs: “Kiss Me,” “There She Goes”

    Korn, October 20, Cynthia Woods Mitchell Pavilion
    Like many other genres from decades ago, nu-metal and rap-rock are experiencing a nostalgic resurgence, and despite the higher instances of achy knees and less aggressive mosh pits, fans are turning out in numbers to see their Total Request Live-era heroes. That can be said about Korn, who arguably kick started the popularity of radio-friendly alt-metal that pulled bands like Limp Bizkit, P.O.D., and even Hoobastank, and they've steadily cashed in as the rightful forefathers of the scene.

    Can’t Miss Songs: “Got the Life (Follow the Leader),” “Falling Away From Me”

    Judas Priest, October 22, Smart Financial Centre at Sugar Land
    Metalheads Judas Priest proved their cultural cache when lead singer and U.K. treasure Rob Halford sang a duet with Dolly Parton as part of the 2022 Rock and Roll Hall of Fame ceremony’s show-ending jam session in full leather and spikes regalia. Simply put, Judas Priest is one of the best metal bands ever and should be a requisite must-see for anyone that likes it loud and heavy.

    Can’t Miss Songs: “Breaking the Law,” “Turbo Lover”

    Post Malone, October 22 and 23, Cynthia Woods Mitchell Pavilion
    Post Malone as a serious country artist? Based on his extremely well received C&W album, F-1 Trillion, it’s time to take Post seriously as Renaissance man — one that is as comfortable producing hip-hop albums and adeptly performing Nirvana songs — as he is writing honky tonk heartache anthems.

    Can’t Miss Songs: “Circles,” “Sunflower,” “White Iverson”

    Sabrina Carpenter, October 27, Toyota Center
    Probably the hottest pop star not named Taylor, Chappell, or Billie, song of the summer “Espresso” star Sabrina Carpenter is now firmly established as an arena-filling phenomenon. Her playful, glamorous, and sexy image is now firmly entrenched in the trendsetting mainstream. Catch her before she upgrades to even bigger venues.

    Can’t Miss Songs: “Espresso,” “Taste”

    Morrissey, October 31, 713 Music Hall
    The month of October ends with another member of The Smiths taking to a Houston stage, this time with exceedingly controversial frontman Morrissey (if he doesn’t cancel first). Recently, he made headlines for his label refusing to release his new album due to insensitive commentary, and a $100 million Smiths reunion tour was turned down by his former bandmate. Moz’s victimhood complex might be the scariest thing happening this Halloween, but he still has a devoted fanbase that will ride or die with the romantic mopester.

    Can’t Miss Songs: “Everyday Is Like Sunday,” “Girlfriend in a Coma”

    Sixpence None the Richer
    Photo courtesy of Sixpence None the Richer

    Sixpence None the Richer returns to Houston at Warehouse Live on 10/19.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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