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    Best October concerts

    Post Malone and Sabrina Carpenter headline Houston's 12 must-see shows

    Johnston Farrow
    Oct 1, 2024 | 2:46 pm

    Apologies, Houston music fans, the Oasis reunion tour is not coming here. Neither is Chappell Roan. Taylor Swift already conquered NRG Stadium, and RodeoHouston is months away.

    Thankfully, October’s concert schedule shows no sign of slowing down with huge headliners holding onto audience interest like the oppressive summer heat that has overstayed its welcome.

    We've rounded up 12 of the shows that will cool your live music thirst.

    Johnny Marr & James, October 1, Bayou Music Center
    Way back in 1985, Brit band James – known best in the U.S. for the classic alt-rock hit, “Laid” – toured with the landmark indie legends, The Smiths. Forty years later, they are back on the road with the best Smith of them all, influential guitar hero Johnny Marr, who built himself a solid solo career after stints of guesting with other fantastic bands (The Pretenders, Modest Mouse, The Cribs). This show will be a treat for any Anglophile.

    Can’t Miss Songs: Johnny Marr - “How Soon Is Now?,” “There is a Light That Never Goes Out;” James - “Sit Down,” “Laid”

    The Avett Brothers, October 12, Smart Financial Centre at Sugar Land
    Proof that two brothers can partake in a long and genial career together, Seth and Scott Avett lead one of the most successful Americana acts ever. They endeared themselves to a devoted fanbase with crossover hits such as True Sadness and The Third Gleam. Now,they’re back on the road with their 12th album, the self-titled The Avett Brothers.

    Can’t Miss Songs: “No Hard Feelings,” “Ain’t No Man”

    Boyz II Men, October 12, Cynthia Woods Mitchell Pavilion
    Motownphilly is back again. The ‘90s hitmakers Boyz II Men continue to sell out amphitheaters decades after they ruled the charts and for good reason. Their unassailable run as the kings of sultry-smooth R&B earned them a revered standing in the pop culture lexicon that few groups will ever achieve. No doubt plenty of fans will be bringing the kids they made to their soulful slow-jam anthems to their headline show in The Woodlands.

    Can’t Miss Songs: “End of the Road,” “On Bended Knee,” “Motownphilly”

    Norah Jones, October 15, 713 Music Hall
    A prodigious, Texas-raised talent, Norah Jones took the music industry by storm as a young 20-something when the former Grapevine resident released one of the biggest albums of the early 21st century in Come Away with Me. Her mix of jazz and melodic singer-songwriter fare tapped into the sophisticated side of the zeitgeist en route to selling 27 million copies and winning multiple Grammys. Her career has since matured into an eclectic mix of sounds like those found on this year’s Visions.

    Can’t Miss Songs: “Don’t Know Why,” “Happy Pills”

    Jeff Lynne’s ELO, October 16, Toyota Center
    Jeff Lynne is the guy that just keeps on going, a massively successful career in the ‘70s with Electric Light Orchestra, finding new life with the Traveling Wilburys in the ‘80s, and even finding new audiences with his music’s inclusion in the Guardians of the Galaxy franchise. No one knows how much longer he’ll be on the road, but hearing his classic rock hits certainly will never get old.

    Can’t Miss Songs: “Mr. Blue Sky,” “Don’t Bring Me Down”

    Maxwell, October 18, Toyota Center
    The influential neo-soul artist Maxwell found fame alongside other artists such as Erykah Badu and D’Angelo in the late-‘90s with the classic debut, Maxwell’s Urban Hang Suite. He set himself apart by pulling from a variety of influences such as Marvin Gaye, Prince, and other genres such as the New Wave of Kate Bush and even the alt-rock of Nine Inch Nails, who he covered on his famed MTV Unplugged appearance.

    Can’t Miss Songs: “Ascension (Don't Ever Wonder),” “Fortunate”

    Sixpence None The Richer, October 19, Warehouse Live
    Formed in New Braunfels, TX as a Christian act, Sixpence None The Richer crossed over to the pop charts and seemingly soundtracked every late-‘90s and early 2000s teen rom-com flick with their massive worldwide hit, “Kiss Me.” After a long-hiatus, the band – led by Houston-born frontwoman Leigh Nash – is back with new album Rosemary Hill.

    Can’t Miss Songs: “Kiss Me,” “There She Goes”

    Korn, October 20, Cynthia Woods Mitchell Pavilion
    Like many other genres from decades ago, nu-metal and rap-rock are experiencing a nostalgic resurgence, and despite the higher instances of achy knees and less aggressive mosh pits, fans are turning out in numbers to see their Total Request Live-era heroes. That can be said about Korn, who arguably kick started the popularity of radio-friendly alt-metal that pulled bands like Limp Bizkit, P.O.D., and even Hoobastank, and they've steadily cashed in as the rightful forefathers of the scene.

    Can’t Miss Songs: “Got the Life (Follow the Leader),” “Falling Away From Me”

    Judas Priest, October 22, Smart Financial Centre at Sugar Land
    Metalheads Judas Priest proved their cultural cache when lead singer and U.K. treasure Rob Halford sang a duet with Dolly Parton as part of the 2022 Rock and Roll Hall of Fame ceremony’s show-ending jam session in full leather and spikes regalia. Simply put, Judas Priest is one of the best metal bands ever and should be a requisite must-see for anyone that likes it loud and heavy.

    Can’t Miss Songs: “Breaking the Law,” “Turbo Lover”

    Post Malone, October 22 and 23, Cynthia Woods Mitchell Pavilion
    Post Malone as a serious country artist? Based on his extremely well received C&W album, F-1 Trillion, it’s time to take Post seriously as Renaissance man — one that is as comfortable producing hip-hop albums and adeptly performing Nirvana songs — as he is writing honky tonk heartache anthems.

    Can’t Miss Songs: “Circles,” “Sunflower,” “White Iverson”

    Sabrina Carpenter, October 27, Toyota Center
    Probably the hottest pop star not named Taylor, Chappell, or Billie, song of the summer “Espresso” star Sabrina Carpenter is now firmly established as an arena-filling phenomenon. Her playful, glamorous, and sexy image is now firmly entrenched in the trendsetting mainstream. Catch her before she upgrades to even bigger venues.

    Can’t Miss Songs: “Espresso,” “Taste”

    Morrissey, October 31, 713 Music Hall
    The month of October ends with another member of The Smiths taking to a Houston stage, this time with exceedingly controversial frontman Morrissey (if he doesn’t cancel first). Recently, he made headlines for his label refusing to release his new album due to insensitive commentary, and a $100 million Smiths reunion tour was turned down by his former bandmate. Moz’s victimhood complex might be the scariest thing happening this Halloween, but he still has a devoted fanbase that will ride or die with the romantic mopester.

    Can’t Miss Songs: “Everyday Is Like Sunday,” “Girlfriend in a Coma”

    Sixpence None the Richer
      
    Photo courtesy of Sixpence None the Richer

    Sixpence None the Richer returns to Houston at Warehouse Live on 10/19.

    news/entertainment

    Movie Review

    New horror film M3GAN 2.0 turns up the campy fun of the original

    Alex Bentley
    Jun 27, 2025 | 1:01 pm
    M3GAN in M3GAN 2.0
    Photo by Geoffrey Short/Universal Pictures
    M3GAN in M3GAN 2.0.

    When a studio releases a movie in January (aka Dumpuary), the general rule of thumb is that they’re trying to get rid of a movie that isn’t very good. Of course, there are exceptions to every rule, as M3GAN was in 2023, which rode the comedy of a killer AI robot who likes to dance to over $180 million worldwide.

    A sequel was a given, and now with a built-in fanbase, M3GAN 2.0is a prime summer release. After running into trouble with her robot invention, Gemma (Allison Williams) has seemingly seen the error of her ways, now focused on creating things like a mechanical exoskeleton that can benefit society. Little does she know that the code she used to create M3GAN (aka Model 3 Generative Android) has been co-opted to create AMELIA (Ivanna Sakhno), a new robot which is being used for nefarious purposes.

    Naturally, the only thing to do is to bring M3GAN (played by Amie Donald, voiced by Jenna Davis) back from the “dead,” which is easy to do because — surprise! — she has been lurking inside the smart house in which Gemma and her niece Cady (Violet McGraw) now live. The inevitable showdown between the two robots is alternately helped and hindered by people like billionaire Alton Appleton (Jemaine Clement), fellow tech entrepreneur Christian (Aristotle Athari), co-worker Cole (Brian Jordan Alvarez), and others.

    Written and directed by Gerard Johnstone, who also directed the first film, M3GAN 2.0 doesn’t stray from the original formula, delivering way more laughs than scares. Because there’s a familiarity with the character, Johnstone leans into the campy side of things, essentially winking at the audience for much of the film. Whether it’s temporarily imprisoning M3GAN in an innocuous desktop robot or a number of one-liners, there is a lot of comedy to be found.

    The film is a type of horror, though, and it delivers in the mild, PG-13 way that won’t offend non-horror fans. AMELIA (aka Autonomous Military Engagement Logistics and Infiltration Android) gives off Terminator vibes, and she lays waste to virtually all challengers. M3GAN doesn’t get to show off her skills as much as she did last time, which might be a tad frustrating for some, but she gets in enough punches and kicks for the experience to be worth it.

    The story itself starts off strong before devolving into an overly complicated mess. The arc of AMELIA is particularly strange, as the strength of her powers and the level of her autonomy seem to change at will in the second half of the film. Gemma develops a rivalry with another character that might have worked better if it had been hinted at early in the film instead of being dropped in as a surprise.

    Davis’ voice performance as M3GAN is once again fantastic, as she delivers sarcasm and menace equally well. Sakhno isn’t asked to do much but look terrifying, and she accomplishes that job. Williams is up and down in her role, stronger in the moments when she’s not being asked to prove her tech bona fides. Clement is his usual over-the-top self, which suits his character.

    As with the first film, if you go into M3GAN 2.0 not expecting anything more than some goofy violent robot action, you’ll walk away satisfied. The unlikely breakout hit for Blumhouse Productions may not be able to support a good story, but it entertains in the way it’s supposed to do.

    ---

    M3GAN 2.0 is now playing in theaters.

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