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    Best October concerts

    Post Malone and Sabrina Carpenter headline Houston's 12 must-see shows

    Johnston Farrow
    Oct 1, 2024 | 2:46 pm

    Apologies, Houston music fans, the Oasis reunion tour is not coming here. Neither is Chappell Roan. Taylor Swift already conquered NRG Stadium, and RodeoHouston is months away.

    Thankfully, October’s concert schedule shows no sign of slowing down with huge headliners holding onto audience interest like the oppressive summer heat that has overstayed its welcome.

    We've rounded up 12 of the shows that will cool your live music thirst.

    Johnny Marr & James, October 1, Bayou Music Center
    Way back in 1985, Brit band James – known best in the U.S. for the classic alt-rock hit, “Laid” – toured with the landmark indie legends, The Smiths. Forty years later, they are back on the road with the best Smith of them all, influential guitar hero Johnny Marr, who built himself a solid solo career after stints of guesting with other fantastic bands (The Pretenders, Modest Mouse, The Cribs). This show will be a treat for any Anglophile.

    Can’t Miss Songs: Johnny Marr - “How Soon Is Now?,” “There is a Light That Never Goes Out;” James - “Sit Down,” “Laid”

    The Avett Brothers, October 12, Smart Financial Centre at Sugar Land
    Proof that two brothers can partake in a long and genial career together, Seth and Scott Avett lead one of the most successful Americana acts ever. They endeared themselves to a devoted fanbase with crossover hits such as True Sadness and The Third Gleam. Now, they’re back on the road with their 12th album, the self-titled The Avett Brothers.

    Can’t Miss Songs: “No Hard Feelings,” “Ain’t No Man”

    Boyz II Men, October 12, Cynthia Woods Mitchell Pavilion
    Motownphilly is back again. The ‘90s hitmakers Boyz II Men continue to sell out amphitheaters decades after they ruled the charts and for good reason. Their unassailable run as the kings of sultry-smooth R&B earned them a revered standing in the pop culture lexicon that few groups will ever achieve. No doubt plenty of fans will be bringing the kids they made to their soulful slow-jam anthems to their headline show in The Woodlands.

    Can’t Miss Songs: “End of the Road,” “On Bended Knee,” “Motownphilly”

    Norah Jones, October 15, 713 Music Hall
    A prodigious, Texas-raised talent, Norah Jones took the music industry by storm as a young 20-something when the former Grapevine resident released one of the biggest albums of the early 21st century in Come Away with Me. Her mix of jazz and melodic singer-songwriter fare tapped into the sophisticated side of the zeitgeist en route to selling 27 million copies and winning multiple Grammys. Her career has since matured into an eclectic mix of sounds like those found on this year’s Visions.

    Can’t Miss Songs: “Don’t Know Why,” “Happy Pills”

    Jeff Lynne’s ELO, October 16, Toyota Center
    Jeff Lynne is the guy that just keeps on going, a massively successful career in the ‘70s with Electric Light Orchestra, finding new life with the Traveling Wilburys in the ‘80s, and even finding new audiences with his music’s inclusion in the Guardians of the Galaxy franchise. No one knows how much longer he’ll be on the road, but hearing his classic rock hits certainly will never get old.

    Can’t Miss Songs: “Mr. Blue Sky,” “Don’t Bring Me Down”

    Maxwell, October 18, Toyota Center
    The influential neo-soul artist Maxwell found fame alongside other artists such as Erykah Badu and D’Angelo in the late-‘90s with the classic debut, Maxwell’s Urban Hang Suite. He set himself apart by pulling from a variety of influences such as Marvin Gaye, Prince, and other genres such as the New Wave of Kate Bush and even the alt-rock of Nine Inch Nails, who he covered on his famed MTV Unplugged appearance.

    Can’t Miss Songs: “Ascension (Don't Ever Wonder),” “Fortunate”

    Sixpence None The Richer, October 19, Warehouse Live
    Formed in New Braunfels, TX as a Christian act, Sixpence None The Richer crossed over to the pop charts and seemingly soundtracked every late-‘90s and early 2000s teen rom-com flick with their massive worldwide hit, “Kiss Me.” After a long-hiatus, the band – led by Houston-born frontwoman Leigh Nash – is back with new album Rosemary Hill.

    Can’t Miss Songs: “Kiss Me,” “There She Goes”

    Korn, October 20, Cynthia Woods Mitchell Pavilion
    Like many other genres from decades ago, nu-metal and rap-rock are experiencing a nostalgic resurgence, and despite the higher instances of achy knees and less aggressive mosh pits, fans are turning out in numbers to see their Total Request Live-era heroes. That can be said about Korn, who arguably kick started the popularity of radio-friendly alt-metal that pulled bands like Limp Bizkit, P.O.D., and even Hoobastank, and they've steadily cashed in as the rightful forefathers of the scene.

    Can’t Miss Songs: “Got the Life (Follow the Leader),” “Falling Away From Me”

    Judas Priest, October 22, Smart Financial Centre at Sugar Land
    Metalheads Judas Priest proved their cultural cache when lead singer and U.K. treasure Rob Halford sang a duet with Dolly Parton as part of the 2022 Rock and Roll Hall of Fame ceremony’s show-ending jam session in full leather and spikes regalia. Simply put, Judas Priest is one of the best metal bands ever and should be a requisite must-see for anyone that likes it loud and heavy.

    Can’t Miss Songs: “Breaking the Law,” “Turbo Lover”

    Post Malone, October 22 and 23, Cynthia Woods Mitchell Pavilion
    Post Malone as a serious country artist? Based on his extremely well received C&W album, F-1 Trillion, it’s time to take Post seriously as Renaissance man — one that is as comfortable producing hip-hop albums and adeptly performing Nirvana songs — as he is writing honky tonk heartache anthems.

    Can’t Miss Songs: “Circles,” “Sunflower,” “White Iverson”

    Sabrina Carpenter, October 27, Toyota Center
    Probably the hottest pop star not named Taylor, Chappell, or Billie, song of the summer “Espresso” star Sabrina Carpenter is now firmly established as an arena-filling phenomenon. Her playful, glamorous, and sexy image is now firmly entrenched in the trendsetting mainstream. Catch her before she upgrades to even bigger venues.

    Can’t Miss Songs: “Espresso,” “Taste”

    Morrissey, October 31, 713 Music Hall
    The month of October ends with another member of The Smiths taking to a Houston stage, this time with exceedingly controversial frontman Morrissey (if he doesn’t cancel first). Recently, he made headlines for his label refusing to release his new album due to insensitive commentary, and a $100 million Smiths reunion tour was turned down by his former bandmate. Moz’s victimhood complex might be the scariest thing happening this Halloween, but he still has a devoted fanbase that will ride or die with the romantic mopester.

    Can’t Miss Songs: “Everyday Is Like Sunday,” “Girlfriend in a Coma”

    Sabrina Carpenter
    Photo courtesy of Sabrina Carpenter

    Sabrina Carpenter serves the "Espresso" at the Toyota Center on October 27.

    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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