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    Taking it to the streets

    Houston's Art Car Festival & Parade rolls into downtown for its 38th year

    Holly Beretto
    Feb 26, 2025 | 2:18 pm

    One of the city’s favorite celebrations is readying its return for 2025. The Orange Show Center for Visionary Art’s 38th Annual Houston Art Car Parade Weekend rolls into town from Thursday, April 10 to Sunday, April 13, 2025, with creative cars, whimsical wheels, and more.

    It’s the biggest celebration of art cars in the world, with more than 250 entries from across the U.S., Canada, and beyond. Of those entries, more than 120 first-timers are joining the returning favorites. In addition, more than 50 schools and youth groups from the Houston Independent School District will take part in this year's parade. The parade’s presenting sponsor, Team Gillman, donated 10 vehicles to Houston-area schools specifically for creating an art car.

    Always a highlight of Houston’s spring calendar, Art Car Parade Weekend brings with it high levels of artistic expression, wild creativity, inventive creations, and a host of activities.

    Here’s the lineup:

    Thursday, April 10
    Starting at 9 am, The Main Street Drag rolls through Houston, bringing the parade to the people, before ending at The Orange Show World HQ. More than 100 art cars and their artists will make stops at schools, hospitals, nursing homes, developmental facilities, and other locations. Be sure to wave when you catch an art car out in the wild.

    From 6-9:30 pm, catch the Art Car Sneak Peek at Discovery Green. This free, family-friendly event features live music, art activities for the kids, food and drinks, and the opportunity to interact with more than 100 art cars and their artists, who will be parked throughout the park and along Avenida De Las Americas.

    Friday, April 11
    The Legendary Art Car Ball at The Orange Show World Headquarters is the wildest party of the year. Electrifying displays, interactive installations, wild costumes, and pulsating beats highlight the popular fundraiser. Seattle’s Brittany Davis makes their Houston debut on the main concert stage, joined by local favorite Kam Franklin Band and Free Rads 2nd Line (6-11 pm).

    Saturday, April 12
    It’s parade day! The Lineup Party kicks off at 11 am on Allen Parkway between Taft and Bagby, giving spectators an up-close view at the parade entries, along with live music, beverage booths, food trucks, games, prizes, and a surprise installation by Meow Wolf. At the same time, the Kids Creative Zone in Sam Houston Park is a chance to take part in hands-on creative experiences and live performances. Both events are free.

    At noon, The VIPit Party and Benefit takes place on the grounds of City Hall. Known as the largest fundraiser for The Orange Show’s Houston Art Car Parade, the party offers unobstructed front row views of the parade, complimentary bites from a dozen Houston restaurants, cocktails, pre-parade entertainment, kids’ art activities, live parade commentary, and nearby reserved parking. Individual tickets start at $200 (after March 1, they’re $250) and are available here.

    Rev your engines, because The 38th Annual Houston Art Car Parade rolls out at 2 pm. More than 400,000 spectators are expected to cheer on these mobile masterpieces. The parade begins on Allen Parkway at the I-45 overpass, heading into downtown before circling City Hall and heading outbound on Allen Parkway. The parade is free to everyone, and spectators are encouraged to arrive early to grab the best viewing spots. Those who want reserved seating at the Heritage Society can buy tickets for $50 here.

    Beginning at 5 pm, the Art Car After Party will feature live music, artist meet-and-greets, and exciting giveaways in Market Square Park. Keep the evening going with specials at area establishments.

    Sunday, April 13
    The Art Car Awards Ceremony takes place at 11 am at The Orange Show World HQ, where more than $15,000 will be awarded to art car artists and groups in various categories. The judging process rates entries based on their creativity, artistic techniques, and inspiration.

    This year’s honorees include artist Jesse Sifuentes, a celebrated muralist and educator whose public works in Houston’s East End tell the stories of the community through vivid paintings and mosaics; Waltrip high school art teacher Julon Pinkston, who has mentored young artists and led student groups to award-winning Art Car Parade entries; and longtime patron and advocate Will Robinson, who has played a pivotal role in preserving and expanding Houston’s art car movement.

    "The Houston Art Car Parade represents the heart and soul of our city's creative spirit," said Jack Massing, executive director of The Orange Show Center for Visionary Art. "As I step into my first parade as executive director, I'm struck by how this event has become more than just a celebration – it's a vital platform for artistic expression that brings together established artists, students, and dreamers of all ages."

    Art car Sunflower by Joe Haden

    Photo by Morris Malakoff

    The Orange Show Center for Visionary Art’s 38th Annual Houston Art Car Parade Weekend is April 10-13.

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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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