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    April's Best Concerts

    Rolling Stones and Bad Bunny headline Houston's 8 best concerts in April

    Johnston Farrow
    Apr 3, 2024 | 2:30 pm

    After a thrilling, record-setting RodeoHouston season, we get back to our regularly scheduled programming of top-tier shows as the 2024 concert year heats up with marquee names gracing Bayou City stages.

    National and international touring artists are back on the road with gusto, ticket prices showing no signs of abating from their post-pandemic inflation highs, forcing music fans to either take out another mortgage or get very selective as to how they spend their entertainment dollars. Whether its legacy acts squeezing out a few more tours before they call it a day or performers working at their peak with multiple headline shows in each city, it’s a multitude of riches for those who enjoy live music.

    The following are the biggest and best concerts taking place in Houston this April.

    The Black Crowes, April 5, 713 Music Hall
    The brothers Robinson, Craig and Rich, aka The Black Crowes are celebrating 40 years as a band when they bring their Happiness Bastards tour to town. The tour moniker may be a sly nod to the issues the siblings faced over the years, reuniting in 2019 following a long hiatus fueled by bad blood between the two. But there is no denying the power of their blues-fueled American rock that produced a number of hits and made them stars in the ‘90s, such as “Remedy,” “Jealous Again,” and “She Talks to Angels,” selling over 30 million albums in the process. Amplified Heat opens.

    Lauren Daigle, April 11, Toyota Center
    Simply put, Lauren Daigle is one of the biggest Christian artists in the game right now, as evidenced by a headlining RodeoHouston in 2023. She burst onto the scene in 2015 with the crossover smash album, How Can It Be, which achieved platinum status, followed by two more hit records, the two-time platinum, No. 3 charting Look Up Child, and last year’s self-titled album. Her high-energy shows and positive message have earned her a devout following across the U.S.

    Jade Bird, April 11, Heights Theater
    A supremely talented British singer-songwriter, Jade Bird recently moved to Austin to pursue her career further after garnering critical and commercial acclaim across the pond with her self-titled debut in 2019, released at the tender age of 21. Her follow-up, Different Kinds of Light, only strengthened her songwriting prowess, calling on alt-rock, Britpop, indie and folk sounds with a fierce, heartfelt vocal delivery. She’ll be celebrating her latest EP, Burn the Hard Drive, out on April 10.

    Adam Ant and The English Beat, April 20, Bayou Music Center
    U.K. New Wave legend Adam Ant and ska-influenced The English Beat recall a time of eye-catching outfits, art school cool, synth-heavy melodies and inescapable hooks that ruled MTV and pop radio. Adam Ant broke huge around the world with “Goody Two Shoes” and “Stand and Deliver.” The English Beat, while not as high-profile as Adam Ant, had their fair share of hits as a beloved cult act behind songs such as “Mirror in the Bathroom” and “Save it for Later,” garnering radio-friendly popularity in their ‘80s heyday.

    Social Distortion and Bad Religion, April 22, Bayou Music Center
    Two of the best bands of their genre, SoCal punks Social Distortion and Bad Religion are a big reason that punk crossed over to the mainstream in the ‘90s, paving the way for countless acts such as Green Day, Offspring, Rancid, and Blink-182. Social D’s early ‘90s output, their 1990 self-titled album and 1992’s Somewhere Between Heaven and Hell, next to Bad Religion’s No Control (1989) and Against the Grain (1990), are high-water marks, injecting socially progressive songwriting smarts on top of three-chord guitar assaults. It was only time before alt-rock radio came calling, transforming music forever.

    Kane Brown, April 27, Toyota Center
    A five-time American Music Award winner and rising country star, Tennessee-raised Kane Brown is riding a wave right now, with three Top 5 albums under his belt and number No. 1 country singles, including “What Ifs,” “Thank God,” “Heaven,” and “I Can Feel It.” The two-time RodeoHouston headliner is a steady presence on the country touring circuit whose spotlight and pop chart appeal seemingly grows with each successive year. Tyler Hubbard and Parmalee open.

    Rolling Stones, April 28, NRG Stadium
    Down to two original members following the sad passing of steady drummer Charlie Watts in 2021, The Rolling Stones – rock icons Mick Jagger, Keith Richards and gang – continue their seemingly non-stop touring to sold out stadiums worldwide, this time touring their pretty-good 31st studio album, Hackney Diamonds. While they have nothing left to prove, the now-octogenarians remain a huge draw because they have countless hit songs to pull from and they still bring the heat in a live setting, showing up bands 50 years their junior with insane energy and live visuals. Every time might be the last time we see them perform, so make plans accordingly.

    Bad Bunny, April 30 and May 1, Toyota Center
    After two sold-out shows at Minute Maid Park in late-2022, Latin superstar Bad Bunny will get comparably intimate with his rabid fanbase at two headline shows at Toyota Center for his Most Wanted tour. The prolific, Puerto Rican King of Trap is touring behind his 2023 album, Nadie Sabe Lo Que Va a Pasar Mañana, another offering of Latin soul, pop, R&B, trap, and reggaeton. It’s hard to state how much Bad Bunny has done for popularizing Latin music in the last decade, but it’s safe to say this is an opportunity to see a game-changing artist at his peak.

    Bad Bunny
      
    Getty Images

    Bad Bunny is back in Houston with a two-night headline show at Toyota Center on April 30 and May 1.

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    Movie Review

    How to Train Your Dragon remake puts a fresh twist on the original

    Alex Bentley
    Jun 12, 2025 | 4:14 pm
    Toothless and Mason Thames in How to Train Your Dragon
    Photo courtesy of Universal Pictures
    Toothless and Mason Thames in How to Train Your Dragon.

    Let’s get it out of the way right at the top: The new live-action How to Train Your Dragon, coming a mere 15 years after the original animated film, serves no real purpose other than to make more money for Universal Pictures and Dreamworks Pictures. However, unlike Disney’s approach toward remaking their animated movies, this attempt manages to succeed on its own merits instead of being a half-baked vessel for nostalgia.

    As fans will remember, Hiccup (Mason Thames) lives in Berk, a town on a remote island populated by Vikings who constantly have to defend themselves against rampaging dragons. Hiccup’s dad, Stoick (Gerard Butler), is the community’s vaunted leader, with a legacy that seems impossible for Hiccup to measure up to, especially since he’s stuck in the armory alongside Gobber (Nick Frost).

    But Hiccup has a knack for inventions, and his use of one new weapon during a dragon attack takes down a feared Night Fury. Finding the wounded dragon deep in the forest, Hiccup decides against killing it, leading to an unexpected bond between the two of them. Most of the film shows Hiccup trying to prove himself to his townspeople, including the fierce Astrid (Nico Parker), while also nursing the dragon he dubs Toothless back to health with the help of another one of his ingenious creations.

    Written and directed by Dean DeBlois (who’s had the same roles on all four HTTYD films), the film is most notable for how engaging it is despite it retelling a story many already know and love. The biggest reason for this is a pivot away from telling a story mainly for kids toward one that feels like an extremely light version of Game of Thrones. Almost right away, there are real stakes for the people in the film, and the way DeBlois and his team stage the scenes, the danger can be felt by the audience.

    This sense of “realness” comes through especially well in the scenes between Hiccup and Toothless. The design of Toothless is faithful to the original, but the CGI makes the dragon feel amazingly believable. And when they start flying, the film literally and metaphorically takes off. At multiple points, the camera seems to have trouble keeping them in frame, a smart move toward verisimilitude when the filmmakers clearly could have made it an overly smooth watching experience.

    Even though it’s more serious than the original, the film still has plenty of fun to offer. Characters like Gobber (who replaces his two missing limbs with odd contraptions) and the ragtag group of teenagers who come to be in awe of Hiccup’s skills at taming dragons provide more than a few laughs. Hiccup isn’t quite as goofy as he was when voiced by Jay Baruchel, which turns out to be a good thing as his sense of purpose amps up the drama of the story.

    Thames’ performance gets better and better as the film goes along, as Hiccup goes from town whipping boy toward hero. He really shines in the last act when he’s given a few scenes that show off his acting range. Parker is equally good, demonstrating the girl power needed for the role, but also the softness of a potential love interest. Butler, the only actor reprising their voice role, is a great presence who sells the outsized personality of Stoick.

    Against the odds, this new version of How to Train Your Dragon is equal to the success of the first film, accomplishing the goal of making it feel like you’re watching the story for the first time. If live-action remakes are going to continue to come out, future filmmakers should study this film for how to respect both the history of the franchise and the audience paying good money to be entertained.

    ---

    How to Train Your Dragon opens in theaters on June 13.

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