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    Movie Review

    American Symphony music documentary showcases Jon Batiste's triumph over trying times

    Alex Bentley
    Dec 4, 2023 | 9:15 am

    Singer/musician Jon Batiste has a boundlessly infectious personality, whether at concerts, on stage at the Grammy Awards, or in his former role as bandleader on The Late Show with Stephen Colbert.

    And as a new documentary American Symphony demonstrates, his ability to stay upbeat in spite of enormous recent personal struggles is nothing short of remarkable.

    The film, directed by Matthew Heineman, follows Batiste in 2021 and 2022, years that would prove to be of great consequence. In those two years, Batiste would win both a Grammy and an Oscar for his work on the Disney/Pixar film, Soul; win Album of the Year at the Grammys for his fifth album, We Are; and prepare to debut his work, American Symphony, at Carnegie Hall in New York.

    At the same time, his partner (and soon-to-be wife) Suleika Jaouad had a recurrence of leukemia after being in remission for 10 years. As if to underscore the wildly fluctuating emotions with which Batiste was dealing, the day that he was nominated for 11 Grammys also happened to be Jaouad’s first day of chemotherapy, a head-spinning turn of events that few could deal with adequately.

    The film tracks Batiste as he goes back-and-forth between the important things that demand his time, while also giving a primer on the musician’s career for those who may not be familiar with him. The result is a portrait of a man that both underscores his musical brilliance and gives a glimpse behind the curtain of how people going through a cancer battle deal with the toughness of the disease and treatment.

    Heineman attempts to give Jaouad her own time in the film, highlighting her own accomplishments as a musician, writer, and budding painter. Through no fault of her own, though, the overwhelming nature of the cancer and Batiste’s exploding career push her to the background. The love story between the two of them is strong and clear, but most of the feelings are felt through the perspective of Batiste.

    Jaouad says to Batiste at one point, “I feel like we’re living a life of contrasts,” and the film is all about the juxtaposition between their two lives, again mostly by showing Batiste’s two lives. One day he’s giving an exuberant performance and winning the top award at the Grammys, and the next he’s back in Jaouad’s hospital room, where she stayed for five weeks.

    The multiple stressors in his life take their toll, with Batiste confessing to panic attacks and taking time to talk regularly on the phone with a therapist and practice breathing techniques. At one concert, Batiste dedicates a song to her and pauses for a long time before starting, clearly having a big emotional moment.

    Still, because of Batiste’s natural personality and the love he and Jaouad have for each other, the film never becomes a depressing watch. Instead, it inspires with his artistry – typified by the title symphony, which brings together disparate elements for a unique experience – and a relationship that appears to have the ability to weather many storms.

    American Symphony blends together two stories that could each warrant their own showcase, but it becomes something richer by demonstrating how they – and the two people at the film’s center – complement each other. Batiste’s music has the power to touch your soul, but this film indicates he has much more to offer than just that.

    ---

    American Symphony is now streaming on Netflix.

    Jon Batiste in American Symphony

    Photo courtesy of Netflix

    Jon Batiste in American Symphony.

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    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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