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    Music Heats Up This August

    These are the 11 best concerts to catch in Houston in August

    Johnston Farrow
    Johnston Farrow
    Aug 3, 2021 | 1:15 pm

    A sense of normalcy returned to the Houston music scene in July as vaccination rates rose, infection rates fell, and promoters announced tours.

    But, the collective desire to get back to shows might be tempered by the delta variant of the coronavirus. Like some twisted version of Loki in the latest Disney Plus series, the new strain of the coronavirus has a chance to disrupt fall concert schedules dependent on choices made by venues and touring act.

    That said, it will be difficult to put the genie back into the bottle after governments lifted restrictions on venues. Shows are likely here to stay, so it will be up to the ticket buyer to exercise safety in the weeks and months ahead.

    Here are some of the most notable shows coming to the Bayou City in August.

    Pure Golden Hour Sessions Virtual Concert Series
    Now virtual through September 8

    In late-July, a VIP crowd invited to the idyllic Houston Arboretum found themselves in what appeared to be a really good beer commercial. Following a guided hike sponsored by the Merrell hiking apparel line, attendees came upon a clearing with blankets and lawn chairs laid out for them with complimentary beverages and snacks.

    The evening included a performance by fast-rising British folk-rocker, Jade Bird, in a gorgeous atmosphere to catch a show despite most of the crowd not knowing the dynamo they were watching (a shame, really).

    Following that, the show will go virtual. The Pure Golden Hour Concert Series presented by Michelob ULTRA Pure Gold will highlight one of H-town’s best parks with a series of virtual concerts over the next six weeks, starting with the extremely talented Jade Bird on August 4, just in time for her new album Different Kinds of Light, dropping August 13.

    That will be followed up by R&B singer-songwriter Gallant on August 26 and wrapping up with electro rock act Arizona on September 8. Here’s hoping the Arboretum might consider hosting more shows in its gorgeous green space.

    RSVP at www.puregoldenhour.com to tune in and for a chance to win a hiking pack valued at $2,000.

    Cheap Trick
    Thursday, August 5
    Arena Theatre, 7326 Southwest Fwy

    In July of 1988, Cheap Trick hit No. 1 with schmaltzy ballad “The Flame,” a move that that many classic rock bands of the era would employ to launch them to even greater success.

    But the Illinois group didn’t really need the song most fans now loathe — their legacy was secure with songs such as “Surrender,” “I Want You to Want Me,” and “Dream Police,” influencing countless other acts, especially in the alternative rock and pop-punk worlds.

    The band was inducted into the Rock and Roll Hall of Fame in 2016 and are still going strong.

    Tickets start at $39.50. Show starts at 9 p.m.

    Cypress Hill with Atmosphere and Z-Trip
    Saturday, August 7
    White Oak Music Hall Lawn, 2915 N Main St.

    For those of a certain age, their first taste of hip-hop came in the form of a tripped out single with an, ahem, insanely catchy chorus. “Insane in the Membrane” by California group Cypress Hill was part of the classic hip-hop era of the early ’90s.

    The act made a huge mark on youth culture with its No. 1 Black Sunday album, led by high-pitch-voiced MC B-Real combined with the deep baritone of Sen Dog. Need evidence of their impact? In 2019, the band received a star on the Hollywood Walk of Fame.

    They’ll be joined by two fantastic modern hip-hop acts at White Oak this month – the Minneapolis-based Atmosphere and Phoenix-based DJ Z-Trip.

    Tickets start at $35 plus fees. Show starts at 6 p.m.

    8.8 Day at 8th Wonder Brewery
    Sunday, August 8
    8th Wonder Brewery, 2202 Dallas St.

    Drink ’em if you got 'em. Popular EaDo microbrewery 8th Wonder is celebrating the best day of the year with live music with the launch party of its Wonder Water Herbal Seltzer.

    The CBD Wonder Water and the recently released Delta-8 Wonder Water are non-alcoholic sparkling waters featuring hemp-derived, natural herbal ingredients. They are the first Delta-8 tetrahydrocannabinol (THC) and cannabidiol (CBD) seltzers in Texas, and among the first of their kind in the entire country.

    Another brew, Hard 8 Pale Ale, will also make its debut. If that wasn’t reason enough to get your sip on, the event will feature sets from local acts including rising hip-hop star Fat Tony, psych-rockers Howard & the Nosebleeds, hip-hop artist Sea Sic, and DJ Trillanoise.

    Admission is free. The event goes from noon to 8 p.m.

    Edie Brickell & New Bohemians
    Thursday, August 12
    Heights Theater, 339 W. 19th St.

    Dallas natives Edie Brickell and New Bohemians rocketed up the charts in 1988 with the double-platinum Shooting Rubberbands at the Stars and hit song, “What I Am,” which still generates radio play to this day.

    One can draw a direct line from Brickell’s self-aware lyrics and expressive performances to the female rock-folk-pop acts that would dominate the ’90s, including Alanis Morrissette and Jewel. The band didn’t maintain the same heights from their debut, but they are still a going concern. They’ll be touring behind this year’s Hunter and the Dog Star.

    Tickets start at $28 plus fees. Doors open at 7 p.m.

    Diplo
    Friday, August 13
    Clé, 2301 Main St.

    Time to pop some bottles, y’all! For better or worse, Diplo aka Thomas Wesley Pentz, might be the most well-known DJ in the world. For better or worse, Clé might be the most well-known nightclub in Houston.

    A match made in bro heaven, the two will join forces for a spectacle that will please the most fervent EDM fans and nightclub scenesters.

    Tickets start at $60 plus fees. Show starts at 10 p.m.

    Tune-Yards with Salami Rose Joe Louis
    Friday, August 13
    White Oak Music Hall (Downstairs), 2915 North Main St.

    Eccentric, off-kilter, polyrhythmic and utterly unique, Oakland duo Tune-Yards carved out a niche in indie-rock over the last dozen years, mixing pop with left-fields sounds, layered with the unforgettable vocals of Merrill Garbus.

    The 2009 album Bird-Brains broke new ground in the genre, taking Vampire Weekend’s preppy dalliances with Afro-pop and world music and blowing it out of the water, endearing the duo to critics around the world. 2021’s Sketchy is a return to the early sound with high energy and sly political commentary.

    Tickets start at $30 plus fees. Show starts at 7 p.m.

    The Black Crowes with Dirty Honey
    Saturday, August 14
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr., The Woodlands

    Aside from the Gallaghers, no other brotherly duo in music boasts a more tumultuous past than The Black Crowes’ lead singer Chris Robinson and guitarist Rich Robinson.

    The two achieved fame on the strength of bluesy rock albums such the 1990 banger, Shake Your Money Maker, and tis follow-up, The Southern Harmony and Musical Companion, before one of the nastiest wedges between two family members and bandmates led to diminishing returns, lawsuits, and side projects.

    Bygones will be bygones it appears, with the Robinsons back together to celebrate the 30th anniversary of their best known album, showcasing why their mix of Southern-fried hooks made them one of the biggest acts in the world for a spell.

    Tickets start at $29 plus fees. Show starts at 8 p.m.

    Brad Paisley with Jimmie Allen and Kameron Marlowe
    Sunday, August 15
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr., The Woodlands

    What is there more to say about Brad Paisley? He’s one of the most-liked and best-selling country stars in the world, he’s scored countless No. 1 songs and albums, he’s parlayed his affable personality into insurance commercials, and he seemingly plays RodeoHouston every year.

    Since he missed his rodeo slot in 2020 due to COVID – and let’s be honest, he would have been invited back in 2021 as well – he’ll be making it up to his legions of fans with this Cynthia Woods Mitchell Pavilion show.

    Tickets start at $29 plus fees. Show starts at 7:30 p.m.

    Kesha with Betty Who
    Saturday, August 21
    Bayou Music Center, 520 Texas Ave.

    After a very public lawsuit against her former producer, Dr. Luke, Kesha earned something she hadn’t achieved as a chart-topping pop star – critical acclaim.

    Following those legal and personal battles, the one-time party starter who scored No. 1 hits with the songs “TiK ToK” and “We R Who We R,” wisely dropped the dollar sign from her name and came back with the lauded, more personal 2017 album, Rainbow, appearing at awards shows and winning newfound respect.

    She continues her revitalized career with a tour around her 2020 record, High Road.

    Tickets start at $49.50. Show starts at 8 p.m.

    Swimwear Department with Henry Invisible
    Friday, August 27
    Discovery Green, 1500 McKinney St.

    One of the most fun groups to come out of Houston in ages, Swimwear Department deserves greater attention past it’s regular club show in their hometown. Like the Dead Milkmen or Devo, the quartet makes catchy-as-hell, arty pop-punk, and doesn’t take itself too seriously.

    They are also not above shameless, eye-catching stunts, such as the one they pulled when they shot a video for this year’s NPR’s Tiny Desk Contest with “Mattress Mack” Jim McIngvale, turning his Gallery Furniture headquarters into a playground many of us have dreamed of (and yes, there were plenty of desks featured).

    They’ll be playing the Discovery Green Friday Night Live Concert Series – free of charge to any of those looking for a cheap Friday night.

    Admission is free. Doors open at 6:30 p.m.

    Country star Brad Paisley brings his No. 1 hits to the Cynthia Woods Mitchell Pavilon on Sunday, August 15.

    Brad Paisley
    Photo courtesy of LiveNation
    Country star Brad Paisley brings his No. 1 hits to the Cynthia Woods Mitchell Pavilon on Sunday, August 15.
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    Movie Review

    Summer camp drama The Plague proves middle school is still pure horror

    Alex Bentley
    Jan 2, 2026 | 2:30 pm
    Everett Blunck in The Plague
    Photo courtesy of IFC
    Everett Blunck in The Plague.

    Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

    A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

    Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

    Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

    No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

    Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

    The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

    Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

    ---

    The Plague is now playing in theaters.

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