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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 5, 2019 | 1:35 pm

    It wasn't a wardrobe malfunction, but it should have been.

    The music world turned on its axis when Maroon 5 frontman and The Voice star Adam Levine made a notably blase set a little less boring during the Super Bowl halftime show this past Sunday. If there was ever a time for a distraction to cover up a generic performance, Levine's "California" stomach tattoo did just the trick. Unfortunately for Levine and company, critics saw through the inked abs and weren't so kind the following day.

    We can almost guarantee that this week's Houston live shows will be better than what millions witnessed on Super Bowl Sunday. Call these performances a good palate cleanser.

    CultureMap's best, biggest, and most noteworthy shows of the week are:

    CultureMap show of the week: Fleetwood Mac
    Fleetwood Mac has been on the road steadily since 1997 when the mega-million selling band (100 million and counting) reunited after breaking up in a haze of drugs, booze, and broken hearts, proving that even mountains of cocaine couldn't kill the music. Unfortunately, they'll be without their most versatile member, Lindsey Buckingham, who was recently sacked over the rock cliché "creative differences."

    That said, there's no denying the power of the Mac and their decades of hits, including "Landslide," "Gold Dust Woman," "Go Your Own Way," and "Dreams." Those who grew up on the soft-rock behemoths will no doubt turn up in droves to see these legends perform.

    Fleetwood Mac will go their own way at Toyota Center, located at 1510 Polk St., on Tuesday, February 5. Tickets start at $69.50 plus fees. Doors open 7 pm.

    CultureMap recommends: Neko Case
    Neko Case is one of music's best treasures - a master storyteller blessed with the vocals a Greek siren would be envious of. Case is touring behind one of the best albums of 2018 in Hell On, following a string of highly acclaimed shows with master vocalists k.d. lang and Laura Viers.

    While she first gained notoriety as the strongest voice in Canadian super-group, The New Pornographers, she has steadily built a following around her stellar solo work. Mixing indie rock with Americana and folk, Case's fiery personality, whip-smart lyrics, and gorgeous voice are a combination not to be missed.

    Neko Case is at White Oak Music Hall, located at 2915 N. Main St., on Thursday, February 7. Jennifer Castle opens. Tickets start at $34 plus fees. Doors open at 7 pm.

    Samantha Fish at Heights Theater
    Blues fans, it's your duty to get to Heights Theater this Friday night to see one of the genre's fastest rising stars in guitarist-vocalist Samantha Fish. She is touring behind her latest album, Belle of the West. While she can wail on electric guitar, the new material incorporates a more rustic acoustic flavor matched with her Southern twang vocals. Regardless of what sound she favors, Fish is simply fire on the live stage for those who like their hooks rugged and raw.

    Samantha Fish performs at Heights Theater, located at 339 W 19th St., on Friday, February 8. John Egan opens. Tickets start at $22 plus a $6 service charge. Doors open at 7 pm.

    Soccer Mommy at White Oak
    The Nashville singer-songwriter Sophie Allison aka Soccer Mommy produced one of last year's best albums in Clean, and is part of a new movement of young female voices making waves on the indie rock circuit (see Snail Mail, Courtney Barnett, Phoebe Bridgers) that draw inspiration from '90s alt-rock. Songs "Your Dog," "Last Girl," and "Cool" are on heavy rotation on college radio and music industry publications have only added to the buzz.

    Soccer Mommy is at White Oak Music Hall, located at 2915 North Main St., on Saturday, February 9. Hovvdy opens. Tickets start at $12 plus fees. Doors open at 7 pm.

    Marc Anthony
    It's a great gig if you can get it. Step 1a: Put out a couple of hit Latin records. Step 1b: Win some Grammy Awards. Step 1c: Marry one of the most beautiful women in the world and then d. Step 2: Tour every major market with a Latin fanbase every single year. Step 3: Rake in the cash.

    That seems to be Marc Anthony's business plan. The guy hasn't put out much over the last five years since the 2013 release 3.0 and he's known more in pop culture for being Jennifer Lopez's ex-husband, but he's one of the highest selling Latin artists. For him, there will always be the road, and he'll always be a draw in Houston.

    Marc Anthony brings the heat to Toyota Center, located at 1510 Polk St., on Sunday, February 10. Tickets start at $61 plus fees. Doors open 7 pm.

    Vince Staples at HOB
    Fast-rising Vince Staples may just be the future of hip-hop, having had a remarkable run the last few years of working with a who's-who in music, including Mac Miller, who produced his mixtape, Stolen Youth, appeared on the song "Ascension" by Gorillaz, had his song "BagBak" featured on the trailer for the cultural phenomenon, Black Panther, and even scored a Sprite endorsement.

    Whether he can turn these opportunities into real cultural and commercial currency remains to be seen, but we're betting our money that this will be a show that we can all look back on as the beginning of something bigger.

    Vince Staples performs at House of Blues, located at 1204 Caroline St., on Sunday, February 10. Tickets start at $35 plus fees. Doors open at 7 pm.

    Blues performer Samantha Fish is at Heights Theater on Friday, February 8.

    Samantha Fish
    Photo courtesy of Samantha Fish
    Blues performer Samantha Fish is at Heights Theater on Friday, February 8.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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