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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 20, 2019 | 9:00 am

    RodeoHouston is right around the corner, which usually means a dip in larger shows coming through town. Thankfully, rock and hip-hop fans will be satiated with some big name acts before Houston goes all boots and saddles for three weeks, kicking off with a powerhouse multiple Grammy Award winner next Monday.

    CultureMap's best, biggest, and most notable shows of the week are:

    CultureMap show of the week: Muse
    Monster British rock trio Muse got off to a slow start. First compared to Radiohead upon their debut album, Showbiz, in 1999, they made a small dent on the U.K. charts and barely a blip in the U.S. But a tour slot on the 2004 Curiousa Festival bill alongside heavyweights The Cure and a fantastic album, Absolution, started their ascent, eventually culminating in albums and singles placing near or at the top of the U.S. charts and multiple headline festival slots, solidifying them as one of the best live acts in the world.

    Critics may not love them, but there is no denying that Muse can seduce audiences like few other bands with their mix of glam, prog rock, and Queen-like theatrics. This is a can’t miss performance for any rock fan with the group having eight albums to pull a truckload of great tunes from, the latest being 2018’s Simulation Theory..

    Muse takes over Toyota Center, located at 1510 Polk St., on Friday, February 22. Tickets start at $39.50 plus fees. Doors open at 6:30 pm.

    Meek Mill at Revention
    Philly rapper Meek Mill’s career started out promising enough, his debut album, Dreams and Nightmares, reaching No. 2 on the charts. But his long list of run-ins with the law meant that he missed out on possibly millions of dollars in recordings and touring time. But his legal woes seemed to up the spotlight. Following the latest release from prison last year, Mill released his latest album, Championships, which went straight to No. 1, and he was invited to perform on Saturday Night Live. Unfortunately, this show is sold out with the only hopes of getting in the resale ticket market, but the hype is strong with this one.

    Meek Mill is at Revention Music Center, located at 520 Texas Ave., on Saturday, February 23. Tickets start at $85 plus fees on the resale market. Doors open at 7 pm.

    John Oates at Heights Theater
    One-half of the classic ’80s group, Hall and Oates, John Oates is mostly known for his guitar work in that duo, but he’s also an underrated singer. While his first group was a going concern throughout much of the ’80s, Oates spread his wings in the early-2000s with a solo career, producing five albums under his own name. The Rock and Roll Hall of Fame inductee is touring behind 2018’s Arkansas, which is much more influenced by blues, jazz, and gospel than the pop music of his early career.

    John Oates performs at the Heights Theater, located at 339 W 19th St., on Saturday, February 23. Vanessa Peters opens. Tickets start at $24 plus a $6 service charge. Doors open 7 pm.

    Cypress Hill at HOB
    Cypress Hill
    rose to fame in the early-’90s, speaking to a generation of suburban kids with the group’s undeniably catchy melodies and off-the-wall lyrics a la nasal voiced B Real. Singles “How Could I Just Kill a Man,” and “Insane in the Brain” pervaded U.S. youth culture before harder-edged gangster acts shuffled Hill’s stoner-rap to the sidelines. But nostalgia being a powerful motivator and ticket seller, Cypress Hill is back on the road, promoting their latest album, 2018’s Elephants on Acid, sticking largely to their sticky-icky rap playbook.

    Cypress Hill lights up the House of Blues, located at 1204 Caroline St., on Sunday, February 24. Hollywood Undead open. Tickets start at $34.50 plus fees. Doors open at 6:30 pm.

    CultureMap recommends: Kacey Musgraves
    When CultureMap spoke to Jason Kane, managing director of entertainment for the Houston Livestock Show and Rodeo, at the annual RodeoHouston artist line-up announcement in January, he said Kacey Musgraves had been on his radar as a possible performer for the last few years.

    Then she released the critically and commercially acclaimed, Golden Hour. Kane smartly booked the crossover country-pop star to open RodeoHouston festivities and she went on to win four Grammy Awards, including Best Album. Other than Cardi B (set to perform at Rodeo Houston on March 1), no other star is going supernova like Musgraves is right now.

    Kacey Musgraves opens RodeoHouston at NRG Stadium, located at 1 NRG Pkwy., on Monday, February 25. Tickets start at $20 plus fees. Doors open at 6:45 pm.

    The massive British rock band Muse is at Toyota Center on Friday, February 22.

    Muse Band
    Photo by Danny Clinch
    The massive British rock band Muse is at Toyota Center on Friday, February 22.
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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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