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    Live Music Now

    These are the 5 best shows to see in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 1, 2018 | 1:57 pm

    Sad news for live music fans in Houston this week when Zachary Palmer, the owner of Walter’s Downtown, located at 1120 Naylor St., announced that the indie/punk/hardcore venue would close for good after Saturday, February 3.

    It’s never a good thing when an established live music space shutters, as it almost always leaves one less space for particular types of bands to play, and one less place for music aficionados to see them. It’s complete speculation, but the case of Walter’s closing might have more to do with too much of a good thing in Houston, with the live music scene thriving, and simply too many places competing for the hearts and dollars of audiences.

    Regardless, Walter’s will definitely be missed. Fans will be able to have last call with a stacked lineup through Saturday.

    Here are your must-see shows in Houston this week:

    Best chance to see an Americana legend
    Jay Farrar cemented himself as a hugely influential singer-songwriter as part of the two beloved Americana acts, Uncle Tupelo, and Sun Volt — the former including Wilco’s Jeff Tweedy. Acoustically driven in the folk tradition, with a healthy dose of country and alternative rock sounds, Farrar’s music is solidified by his fine storytelling, and subtly rich and gravelly voice. Farrar will be joined by Gary Hunt as the Jay Farrar Duo, but the performance will likely cover over two decades of songs, including those from Sun Volt’s 2017 album Notes of Blue.

    The Jay Farrar Duo will play on Friday, February 2 at The Heights Theater, located at 339 W 19th St. Andrew Duplantis will open. Tickets are $22 plus fees in advance. Doors open at 7 pm.

    Best band to use Constantinople in a song
    No indie band has been more prolific and have embraced quirky fun more than They Might Be Giants. Starting back in the ’80s, this Boston band is known for a lot of things, including their children’s albums, their television show theme songs (Mickey Mouse Clubhouse,Malcolm in the Middle), and the interesting way they got signed to a label through their Dial-A-Song scheme. (They would leave a new song on a recorded message that fans could call in and discover, like a prototypical Pandora or Spotify.)

    But the band is probably best known and most beloved for their early-’90s output of albums (Flood, Apollo 18 and John Henry) that sounded nothing like anything at the time (or ever since, really), a unique blend of indie sounds that embraced eclectic instrumentation, and clever lyrics. Check out “Birdhouse In Your Soul,” and “Istanbul” for indication of their off-center worldview. They Might Be Giants are touring their latest, I Like Fun. Expect the same from this performance.

    They Might Be Giants get quirky on Friday, February 3 at White Oak Music Hall, located at 2915 N. Main St. Tickets are $25 plus fees in advance. Doors open at 8 pm.

    Best second coming of T-Rex
    Børns came almost out of nowhere in 2015 with the album Dopamine, a mixture of glam-pop, coming on like he was the long-lost love child of ’70s glam-rock pixie Mark Bolan, especially on the hooky, T. Rex name-aping single “Electric Love.” That song catapulted the Michigan native up the charts and towards multitudes of late night TV appearances. For an idea of his sound, check out his latest single “God Save Our Young Blood,” featuring Lana Del Rey from recently released Blue Madonna. No performer is hotter right now, and this might be one of the last times fans will get to see him in a more intimate setting.

    Børns will play Saturday, February 3 at White Oak Music Hall, located at 2915 N. Main St. Charlotte Cardin and Mikky Ekko open. Tickets are sold out, but the venue does have a waiting list. Tickets are $25 plus fees. Doors open at 8 pm.

    Best chance to see a one-time, potential U.S. Senator
    If you watch Team America: World Police without any sense of irony, or if you really enjoyed the State of the Union address, or if you fondly remember the days when white dudes rapped over rock guitars, Kid Rock’s American Rock N Roll Tour is probably one show you don’t want to miss. If music doesn’t work out for Robert James Ritchie, there’s always politics.

    Kid Rock performs Saturday, February 3, at Toyota Center, 1510 Polk St. A Thousand Horses opens. Tickets are $39.50. Doors open at 6:30 pm.

    Show most likely to Sleigh
    There is truth in the power of noise-pop duo Sleigh Bells. The NYC act, consisting of singer Alexis Krauss and guitarist Derek Miller, was always the dirtier, grimier antithesis to the White Stripes’ simpler, peppermint candy aesthetic, alt-rock. Incorporating thrash metal guitar hooks, hip-hop beats, synth flourishes, and Krauss’ cheerleader yelps, the Bells play it loud, aggressive, and in your face. They are touring last year’s mini-album Kid Kruschev.

    An added bonus, Sunflower Bean will open the night, bringing songs from one of 2016’s best albums, Human Ceremony, and new tracks from their upcoming March release, Twentytwo In Blue. The hip Brooklyn trio plays fuzzy and exhilarating alt-rock, relying on catchy-as-hell riffs spawned from used copies of early Led Zeppelin records, interspersed by quieter moments of melody sung by both guitarist Nick Kivlen and bass player Julia Cumming.

    Sleigh Bells and Sunflower Bean will melt your face off on Wednesday, February 7 at White Oak Music Hall, located at 2915 N. Main St. Tickets are $24 in advance. Doors open at 8 pm.

    Sun Volt and Uncle Tupelo singer-songwriter Jay Farrar will be at the Heights Theater on Friday, February 2.

    Jay_Farrar_Spring_Waugh
      
    Photo by Spring Waugh
    Sun Volt and Uncle Tupelo singer-songwriter Jay Farrar will be at the Heights Theater on Friday, February 2.
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    Movie Review

    New movie Friendship pairs Tim Robinson and Paul Rudd in a bizarre bromance

    Alex Bentley
    May 16, 2025 | 3:30 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara), and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin — a weatherman at a local TV channel — even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, many things in the story go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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