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    Movie Review

    Comedic horror movie Y2K takes nostalgic trip with mayhem twist

    Alex Bentley
    Dec 5, 2024 | 2:00 pm
    Jaeden Martell, Rachel Zegler, and Julian Dennison in Y2K

    Jaeden Martell, Rachel Zegler, and Julian Dennison in Y2K.

    Photo courtesy of A24

    Movies that rely on nostalgia can be successful if they’re timed right. Generally, 25-30 years seems about the right amount of time to try to take advantage of people’s fond feelings for a certain era, which is why movies/TV shows about the ‘80s have been prevalent for much of the 21st century, and ‘90s-set films started to pop up in the last 10 years.

    Y2K, a horror comedy that plays on the fears of technological mayhem many people thought would happen at the turn of the century, is right on the cusp of that rule, taking place 24 years after its timeline. It centers on two teenage boys, Eli (Jaeden Martell) and Danny (Julian Dennison), who are opposite in demeanor but have an unshakeable bond. Eli likes a popular girl, Laura (Rachel Zegler), and Danny convinces him to crash a New Year’s Eve party where she’ll be.

    As the clock strikes midnight and the year moves from 1999 to 2000, everything that uses an electrical current goes haywire, with many of them combining forces to attack the humans around them. Eli and Danny find themselves on the run with Laura, as well as two stoners, Ash (Lachlan Watson) and CJ (Daniel Zolghadri), with each of them trying to use their unique skillset to help defeat a growing robot army.

    Directed by Kyle Mooney and written by Mooney and Evan Winter, the film lands some solid jokes about the era in its opening 20 minutes or so, whether it’s the extreme slowness of dial-up internet, the goofy user names from AOL Messenger, or the various high school cliques of the time. However, many of them seem to echo ones told in 1999’s American Pie, a weird kind of art-imitating-art moment instead of commenting on real life.

    The jolt of the machines attacking partygoers seems to promise a fun — if bloody — romp, but Mooney and Winter don’t seem to know where to take the story. They establish the computer bona fides of Eli and Laura early on, but when it comes time for them to put their talents in action, it feels like two actors going through the motions instead of real people who know what they’re doing. Almost none of the characters are believable or entertaining, and the few that rise above are dispatched way too early.

    And because the filmmakers don’t make you care about the main group, nothing they face is that interesting, either. The villainous robots are made up of a bunch of disparate parts, which would seem to offer the opportunity for funny sight gags. Mooney and his team fumble most of their chances, though, leaving that side of the story stuck in limbo where it’s not absurd enough to be hilarious or scary enough to really count as horror.

    Martell, Dennison, and Zegler are each rising stars who have their individual charms, but only Dennison is able to make much of an impact. Zegler, who starred in West Side Story and will soon be Snow White, is especially misused. They try to shoehorn in a cameo by Limp Biskit lead singer Fred Durst, but his appearance makes little sense and adds almost nothing to the story.

    Filmmakers who want to mine nostalgia, especially in a comedy, need to really commit to the bit instead of throwing in a few references and needle drops. Mooney, who’s making his directorial debut, demonstrates little feel for timing, and so most of the film is like a car spinning its wheels, going nowhere.

    ---

    Y2K opens in theaters on December 6.

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    HOWDY, DOCTORS

    Grey's Anatomy spins off new medical drama led by Houston-born showrunner

    Kimberly Reeves
    May 22, 2026 | 1:00 pm
    Grey's Anatomy
    Photo via Meg Marinis/Instagram
    Showrunner Meg Marinis poses with actor Kevin McKidd, who recently exited Grey's Anatomy after more than a decade playing Dr. Owen Hunt.

    ABC is bringing the Grey's Anatomy universe to Texas with a new one-hour rural medical drama co-created by longtime showrunner Meg Marinis. Marinis was born in Houston and is an alum of both the Kinkaid School and the University of Texas at Austin.

    According to an exclusive report from Deadline, which production company Shondaland shared on social media, the untitled series has received a straight-to-series order from ABC and will follow a team at a rural West Texas medical center described as “the last chance for care before miles of nowhere.”

    The series marks the first Grey’s Anatomy franchise show set outside the West Coast, and it's the first that's not centered around an existing main character from the original series.

    The new drama will be co-created by Shonda Rhimes and Marinis, who has spent nearly two decades working on Grey’s Anatomy. She joined the series during its third season as a production assistant before rising through the ranks to become a researcher, writer, executive producer, and now showrunner.

    "This opportunity will bring new characters and stories to life that will embody the same heart, emotion, and connection audiences have loved from Grey’s for more than two decades, all set in my home state of Texas,” Marinis said in a statement announcing the series. "I am so grateful to Shonda Rhimes for creating this dynamic world and feel so fortunate that I get to be a part of it.”

    Marinis’ path to running one of television’s biggest franchises started in Austin. In an interview with Shondaland last year, she recounted moving to Los Angeles during her final semester at UT through the university’s UTLA entertainment program, which allows students to complete coursework while interning in the industry. While finishing school, she interned at Universal before landing a production assistant role on Grey’s Anatomy in 2006.

    Marinis has also woven Texas experiences into the flagship series itself in recent years. According to Deadline, she personally knew families affected by the Camp Mystic tragedy and rewrote part of a recent Grey’s Anatomy episode after becoming emotional while working on the script.

    The West Texas setting is particularly timely, as rural healthcare access remains a growing issue across the state. According to the Texas Hospital Association, more than 20 rural Texas hospitals have closed since 2010, while roughly a quarter of the state’s remaining rural hospitals are considered at risk of closure.

    By centering the new series on what ABC describes as “the last chance for care before miles of nowhere,” the franchise could bring national attention to healthcare access challenges facing communities across West Texas and other rural parts of the state.

    The new series joins a long lineage of Texas-set television dramas, though not all were actually filmed in the state. Grey’s Anatomy itself is famously set in Seattle while primarily filmed in the Los Angeles area. Friday Night Lights became closely associated with Austin through extensive local filming, while series like Dallas often recreated Texas from California sound stages, with exteriors of Southfork Ranch serving as the Ewings' fictitious home. Walker, Texas Ranger, meanwhile, became one of the best-known examples of a network drama heavily filmed across Texas itself.

    Even after more than 20 years on the air, Grey’s Anatomy remains one of television’s most durable franchises. According to ABC, the drama is now the longest-running primetime medical drama in television history and continues to rank among the network’s strongest scripted performers.

    Ellen Pompeo, who stars as Dr. Meredith Grey in the original series, is attached as an executive producer, and the new drama is expected to premiere in 2027.

    tv showshealthhospitals
    news/entertainment

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