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Texas on Netflix

Last chance to see Whorehouse? Binge on these Texas movies before Netflix removes them

Ryan Lakich
Dec 31, 2013 | 10:46 am

New Year’s Eve celebrations can be fun, but they can also be predictable. You go out with friends, have a nice dinner (within your budget), take a cab downtown to a bar or club where you have to pay a cover, make a toast with some cheap champagne at midnight, then stumble around in the freezing cold trying to catch a cab back home.

Fortunately for all of the introverts out there, there’s an alternative. You’ve likely heard that on Jan. 1, a slew of titles on Netflix will expire from the video streaming service. Devoted fans of Netflix on Reddit have already compiled the list of films waiting to get the axe, and it includes plenty of must-see classics, such as Requiem for a Dream, Do the Right Thing and Troll II.

But good luck trying to cram all of those into your tight schedule. Plenty of other publications are recommending their must-see movies, but we would like to recommend the titles with Lone Star ties. Keep supporting Texas cinema, y’all!

The Faculty

When Robert Rodriguez directed The Faculty in 1998, he was still somewhat in the transitional stage between an indie darling and a mainstream director. He had built up a following thanks to films such as El Mariachi, Desperado (also on the Netflix chopping block) and From Dusk Till Dawn, but he had yet to strike box office gold with Spy Kids.

The Faculty would be the last film he made before his first blockbuster smash hit, and while it isn’t much more than a film cashing in on the ironic slasher flicks that followed Scream, it’s worth checking out for its deep Texas roots. Despite the fact that its story takes place in Ohio, the film was shot primarily in Austin at the Texas School for the Deaf. Neighboring Lockhart, Texas, the “Barbecue Capital of the World,” provided the perfect exterior shots for the film’s small town of Herrington.

Or you can just forget all of that and simply watch The Faculty to see Jon Stewart play a character named Prof. Edward Furlong.

Once Upon a Time in Mexico

Robert Rodriguez has a sizeable portion of his filmography expiring from Netflix. As mentioned, Desperado will be leaving your queue soon, as will its follow-up, Once Upon a Time in Mexico.

As the final installment of Rodriguez’s El Mariachi trilogy, Once Upon... suffers a bit from having the biggest budget of the bunch, with almost too many action scenes and Hollywood A-listers vying for your attention. However, it is also the most fun of the entire series, particularly a scene involving an epic gunfight filmed inside UT’s ornate — and appropriately named — Battle Hall (keep an eye out for its gorgeous staircase). It was only a matter of time before Rodriguez paid tribute to the campus where he learned his craft.

Born on the Fourth of July

Oliver Stone would garner an Academy Award for Best Director with this film starring Tom Cruise as a disabled veteran turned anti-war activist, and Dallas would be the backdrop to much of the story. SMU campus locations such as Dallas Hall set the scene for the film’s staged protests, and Milo Butterfingers, a stalwart sports bar near campus, joins other locales, including Margaret Henderson Elementary School.

It goes without saying that Stone couldn’t get enough of DFW, returning shortly after to film several key scenes for his epic political thriller, JFK.

Talk Radio

Stone’s friendship with Dallas didn’t begin with Born on the Fourth of July, either. That honor goes to Talk Radio, another thriller centered around a caustic radio host who happens to push his listeners a little too much with his political viewpoints.

Filming took place almost entirely in Dallas and Irving, with SMU once again acting as a background extra.

The Best Little Whorehouse in Texas

Sadly, this musical comedy will no longer be available for streaming pretty soon, and it’s a real shame. Based on a stage production about the real-life Chicken Ranch brothel in La Grange, Texas, The Best Little Whorehouse in Texas isn’t just an example of Lone Star State cinema; it depicts of our history, too.

With locations in cities including Austin, Pflugerville, Hallettsville, and Kyle Field in College Station, viewers get a nice tour of Central Texas. Maybe if other famous events in Texas history were told via musical comedy and Dom DeLuise, we’d remember them better.

Hometown hero Robert Rodriguez has shot many of his films in Austin.

Robert Rodriguez movie director
A Film By? Facebook
Hometown hero Robert Rodriguez has shot many of his films in Austin.
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Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Alex Bentley
Jan 2, 2026 | 2:30 pm
Everett Blunck in The Plague
Photo courtesy of IFC
Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

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The Plague is now playing in theaters.

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