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    Ticking down to 2010

    Logging out of the iDecade

    Jeremy C. Little
    Dec 31, 2009 | 3:15 pm
    • Get the latest news on the CultureMap iPhone app.
    • Photo by Rachel Hanley
    • Up-to-the minute news briefs are available.
    • Or find more than 500 food, drink, shopping, arts and entertainment listingsalong with places that are unique to Houston.
    • Event listings are at your fingertips.
    • All sorts of features are available on the iPhone app.

    If the 1990s were about learning what the Internet could do, then the aughts were about learning what we could do with the Internet (for better or for worse)—instant news, social media sites, high quality streaming video, instant messaging, Wi-Fi hotspots, downloadable music, blogging, and so on. Turns out the World Wide Web isn’t just an easy way to watch porn. Who knew? The Internet hit puberty over the past 10 years, and the world changed in ways that we’re only just now beginning to understand.

    Real time blogs from Afghanistan changed the way we prosecute war. Hulu and Apple TV are changing the way we watch television. Facebook has changed our definition of friendship. ”Google” is a verb. Round the clock multimedia coverage of Hurricane Katrina put our national shame sharply in focus. YouTube exposed what a freak show we are. World of Warcraft created a virtual universe where socially inept virgins reign supreme. We learned about the death of the King of Pop and Charlie’s most famous angel from the vultures at TMZ. Hell, we used the Internet to elect a new President of the United States.

    It was the iDecade.

    Apple’s trademark attorneys must be licking their chops since the California computer giant pretty much owns the letter “i,” In fact, I’m pretty sure I owe Steve Jobs a couple of bucks just for using it in the headline. No device better exemplifies the iDecade than Apple’s own iPhone – a powerful pocket computer released in summer 2007 that’s so intuitive it ships without an instruction manual. I’m not quite sure how I functioned before owning one. I mean, how did I make it from day-to-day without my iReagan app? (There’s nothing more patriotic than having The Gipper in your pocket).

    The iPhone was my only tether to the outside world during the two-week blackout following Hurricane Ike. Recharging it mattered more to me than finding drinking water. Over the past ten years, I’ve owned an iBook, iMac, iPod and iPhone. Heck, I’ll even throw Nintendo’s Wii in there. It’s got two “I’s.”

    My iPhone is, in fact, the sixth mobile phone I’ve owned this decade. When I was a college freshman in September 2001, I was the only person I knew with a cell phone—one of those dark gray, generic-looking brick Nokia handsets. I remember cranking up over $60 in overage charges while on hold in an attempt to purchase Red Sox tickets (I got to see Derek Lowe’s no hitter in April 2002, so I think it was totally worth it, but my old man disagrees—he’s no longer a fan of the Cingular Family Plan). Now I have unlimited minutes and data. Information has never been more accessible, and it’s never been easier to cheat at Trivial Pursuit.

    Don’t ask me how I ever made it from point A to point B without the voice-activated GPS system in my car complete with real time traffic and satellite radio. Screw flying cars. Mine asks me where I want to go in a pleasant female voice—this is not something I’m used to.

    Advances in consumer tech aside, the 2000s also saw the rise of the viral video and Internet celebrities. Thanks to “D*ck in a Box,” I no longer have an irrational hatred of Justin Timberlake, who I now concede is hilarious. It’s a safe bet we wouldn’t have MTV’s Jersey Shore without “My New Haircut.” And who doesn’t love a good Rickroll from time to time? Then there are the weirdos who became “famous” like the Numa Numa man and the Afro Ninja. Sure, worker productivity took a hit, but the world is a much funnier place.

    So that’s the decade that was. In the '90s we built the digital swimming pool. In the '00s a bunch of people peed in it. Maybe next decade somebody will think to put up the “adult swim” sign.

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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