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    Biggest Deaths of 2014

    The biggest music deaths of 2014: Saying goodbye to icons and pioneers

    Bill Van Rysdam
    Dec 26, 2014 | 5:11 pm

    “Music produces a kind of pleasure which human nature cannot do without.” – Confucius

    The end of the year approaching gives us a moment to pause and look back to the events of 2014. Sadly, we are reminded of the loss of many wonderful artists who gave us pleasure by sharing their very special talents.

    As in years past, this list is in no way meant to be all encompassing, but simply a quick snapshot of musicians' whose sound will live on.

    Jack Bruce

    May 14, 1943 – Oct. 25, 2014

    A versatile and widely admired bass player, Jack Bruce made up a third of the one of the early rock 'n' roll super groups Cream. Bruce co-wrote most of Cream's single releases with lyricist Pete Brown, including their biggest hits "Sunshine of Your Love", "White Room" and "I Feel Free." Prior to joining Cream, Bruce had his first commercial success as a member of Manfred Mann in 1966, including "Pretty Flamingo" which reached No. 1 on the UK singles chart.

    Bruce found limited commercial success in his later career but, as Roger Waters said, Bruce probably was the most musically gifted bass player who’s ever been.

    Paul Revere

    Jan. 7, 1938 – Oct. 4, 2014

    The frontman for Paul Revere & the Raiders, Revere lead a band that saw considerable U.S. mainstream success in the second half of the 1960s and early 1970s. With three gold records to their name in the mid-60s, the Raiders were Columbia Records top-selling rock group. Among their biggest hits were "Kicks," "Hungry, Him or Me - What's It Gonna Be?" and their mega No. 1 hit single "Indian Reservation."

    Born Paul Revere Dick, he led the band which often wore three-cornered hats and other American Revolution-era clothing during performances.

    Paco de Lucia

    Dec. 21, 1947 – Feb. 25, 2014

    Described as a "titanic” figure in the world of flamenco guitar by Eric Clapton and Richard Chapman, Paco de Lucia was a renowned guitarist, composer and producer. de Lucia was a trailblazer of the “New Flamenco” style, helping legitimize among the establishment in Spain.

    He was also one of the first to be successful in crossing into other styles music, including jazz and classical.

    Tommy Ramone

    Jan. 29, 1949 – July 11, 2014

    Tommy Ramone played drums for The Ramones from 1974 to 1978 before moving on to handle the bands management and co-producing, Road to Ruin. He then returned as producer for the eighth album, Too Tough to Die. Tommy Ramone wrote "I Wanna Be Your Boyfriend" and the majority of Blitzkrieg Bop (bassist Dee Dee suggested the title). Joined by Ed Stasium, he also played all the guitar solos on the albums he produced.

    Heavily influenced by 1970s hard-rock band the New York Dolls, Lou Reed and pop-art legend Andy Warhol, Ramone said, "The scene that developed at CBGB wasn't [for] a teenage or garage band; there was an intellectual element and that's the way it was for The Ramones.

    Johnny Winter

    Feb. 23, 1944 – July 16, 2014

    Born just up the road in Beaumont, Texas, John Dawson Winter III (aka Johnny Winter) was an iconic blues guitarist who also performed on multi-instruments, sang and produced. While he was best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters.

    After his time with Waters, Winter recorded several Grammy-nominated blues albums. Rolling Stone magazine ranked him 63rd on its list of the 100 Greatest Guitarists of All Time in 2003.

    Gerry Goffin

    Feb. 11, 1939 – June 19, 2014

    He might not have performed them, but the songs he helped to write are a parade of No. 1 smash hits. Writing at first with his wife Carole King, Goffen penned such classics as "Will You Love Me Tomorrow", "Take Good Care of My Baby", "The Loco-Motion", "Go Away Little Girl", "I'm into Something Good," "Don't Bring Me Down," "(You Make Me Feel Like) A Natural Woman" and "Pleasant Valley Sunday."

    After his divorce with King, Goffen went on to collaborate with Barry Goldberg and Michael Masser with whom he wrote "Theme from Mahogany (Do You Know Where You're Going To)" and "Saving All My Love for You," which also topped the charts at No.1. Overall, Goffin penned more than 50 US Top 40 hits, including eight chart-toppers, and 21 UK Top 40 hits.

    Bobby Womack

    March 4, 1944 – June 27, 2014

    Starting his career as the lead singer of his family musical group the Valentinos and as Sam Cooke's backing guitarist, Womack's career spanned more than 50 years landing him into the Rock n Roll Hall of Fame. Able to perform a wide range of styles including soul, rhythm and blues, rock and roll, gospel and country, he was known for such hits as "Lookin’ For a Love," "That’s The Way I Feel About Cha" and "If You Think You’re Lonely Now."

    Womack also wrote and recorded the Rolling Stones first UK No. 1 hit, "It’s All Over Now."

    Jessie Winchester

    May 17, 1944 – April 11, 2014

    Primarily known as a songwriter due to his status as a draft resister and being unable to tour in the United States, Winchester wrote a slew of songs that were covered by the likes of George Strait, Patti Page, Elvis Costello, Joan Baez, Jimmy Buffett and many others. Winchester received a Lifetime Achievement Award from the American Society of Composers, Authors and Publishers in 2007.

    Frankie Knuckles

    Jan. 18, 1955 – March 31, 2014

    Often referred to as “The Godfather of House Music” (a style of electronic dance music that originated in Chicago in the early 1980s) and continued to work as a remixer through the 1990s reworking tracks from Michael Jackson, Luther Vandross, Diana Ross, Eternal and Toni Braxton. Knuckles took home the Grammy Award for Remixer of the Year, Non-Classical in 1997.

    His song "Your Love" appeared in the video game Grand Theft Auto: San Andreas.

    Bob Casale

    July 14, 1952 – February 17, 2014

    A founding member of the band Devo, Casale was also known for his music engineering and production skills working for television and movies, including Four Rooms, Happy Gilmore, Rushmore, The Royal Tenenbaums and Rugrats Go Wild. But he will be best remembered for his playing lead/rhythm guitar and keyboards along with singing backup vocals for the band that took devolution to a new standard.

    Pete Seeger

    May 3, 1919 – Jan. 27, 2014

    It would be impossible to list all of Pete Seeger’s accomplishments in this little blurb. His impact on the world of music and of the world may never be matched.

    Seeger had a slew of hit records during the early 1950s as a member of the Weavers including Goodnight, Irene, which topped the charts in 1950 for 13 weeks. After being blacklisted in the late 1950s, Seeger returned as a prominent singer of protest music, supporting a variety of causes. His songs include "Where Have All the Flowers Gone?," "If I Had a Hammer," and "Turn! Turn! Turn!" which were later recorded by many artists throughout the world.

    Seeger was also one of the folk singers responsible for popularizing "We Shall Overcome" which became the acknowledged anthem of the 1960s American Civil Rights Movement.

    Jimmy Ruffin

    May 7, 1936 – Nov. 17, 2014

    A soul singer and elder brother of David Ruffin of The Temptations, Ruffin had several hit records between the 1960s and 1980s. In a funny twist of fate, he heard a song about unanswered love written for The Spinners. Ruffin convinced the writers that he should record it himself and his recording of "What Becomes of the Brokenhearted" became a major success, reaching No. 7 on the Billboard Hot 100 and No. 6 on the rhythm and blues Chart.

    While unable to capture magic in a bottle twice, Ruffin was able to chart several more songs.

    Phil Everly

    Jan. 19, 1939 – Jan. 3, 2014

    As one-half of the Everly Brothers, Phil Everly helped create a new sound that has influenced artists to this day. Catching the attention of Chet Atkins, The Everly Brothers went on to record such No. 1 hits as "Wake Up Little Susie," "All I Have to do is Dream" and "Bye-Bye Love" (which charted No. 1 on the country charts and No. 2 on the pop charts).

    The duo was elected to the Rock and Roll Hall of Fame in 1986 and the Country Music Hall of Fame in 2001

    .

    Casey Kasem

    April 27, 1932 – June 15, 2014

    The person who taught America to count to 40 backwards did not sing or play an instrument, yet his impact on the world of music cannot be overstated. Also known as the voice of Shaggy in the Scooby Doo cartoons, Kasem helped cofound the American Top 40 franchise which played hits based on the Billboard Top 100 hits chart and provided background information on the songs and artists played.

    The first No. 1 song? "Three Dog Night’s Momma Told me not to come" on July 4, 1970.

    John Robert "Joe" Cocker

    May 20, 1944 – December 22, 2014

    Known for covering popular songs with a gritty voice, Cocker also used spasmodic body movement in his concerts making him a unique a memorable performer. Cocker's cover of the Beatles' With a Little Help from My Friends reached number one in the UK in 1968 and was one of the shining highlights at Woodstock.

    Hearing of his death, Paul McCartney said “I was especially pleased when he decided to cover With a Little Help from My Friends. He totally turned the song into a soul anthem and I was forever grateful for him for doing that.”

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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