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    From page to screen

    Thank you HBO & BBC: Adaptations to anticipate and miniseries not to miss

    Samantha Pitchel
    Dec 25, 2011 | 9:00 am

    It’s true that TV shows like Friday Night Lights and Gossip Girl got their start as books. But many “adaptations” merely take inspiration from their optioned originals; MASH, for example, was based on a book, too, but ended up growing far beyond the story’s scope.

    Luckilyy for literary readers, more page-to-TV adaptations are focusing on contemporary novels — and more writers are experimenting with new formats.

    A recent discussion of adaptations in the New York Times notes:

    What may be surprising, though, is how many authors are working on their own shows. “It’s not just that novels make good adaptations,” [producer Michael] London says. “It’s that novelists make good adapters.” Right now, prominent writers are creating original cable series (Salman Rushdie, Sam Lipsyte, Gary Shteyngart, and Michael Chabon and Ayelet Waldman) or adapting their own books (Jonathan Franzen and “The Corrections,” Tom Perrotta and “The Leftovers”). And while many of these writers have dabbled in screenplays, their rush to cable represents something new. Novelists who used to lament the rise of television now want a chance to write for it, and that says something about the evolution of cable TV — and maybe about the evolution of literary authorship.

    The publishing world is taking cues from serializations’ success, too; Salon reported that author Mark Danielewski (House of Leaves) will be publishing his forthcoming novel The Familiar in 27 volumes, a new “chapter” every four months.

    We’re looking forward to seeing the way some of our favorite contemporary novels play out on the small screen. Here are a few of the adaptations we’re eagerly anticipating (and a few that we already love):

    Tune in soon

    Wolf Hall (HBO/BBC, 2012): Hilary Mantel’s 2009 Man Booker Prize-winning novel tells the story of Henry VIII’s minister, Thomas Cromwell, and is the first in a planned series of three books.

    A Visit From The Goon Squad (HBO, unknown): Winner of the 2011 Pulitzer Prize for fiction, Jennifer Egan’s novel centers on an aging rock record exec, flashing back and forth through time to tell the story of his rise to the top and unraveling the reasons why it wasn’t what he expected.

    Swamplandia! (HBO, unknown): The surreal story of a 12-year-old alligator wrestler’s quest to find her missing sister, Karen Russell’s first novel will make an excellent show blending drama and fantasy.

    The Leftovers (HBO, 2012): The Rapture is a hot topic these days, but nobody’s really wondered what life will be like for those left behind — until now. Tom Perrotta puts an extremely realistic spin on an oft-comical topic in his 2011 novel, and he’s adapting the scripts himself.

    “This long-form, hour-long drama is the most exciting stuff in American pop culture right now,” Perrotta told the Times. “A TV series allows you to explore everything, to focus in when you need to focus in and to sprawl when you need to sprawl,” he says. “It’s a very novelistic medium, and you can expand the novel — you can just keep going.”

    Middlesex (HBO, unknown): We’re crossing our fingers that this series, announced in 2009, is still in development; Jeffrey Eugenides’ 2002 Pulitzer Prize-winning novel explores several generations of an expansive Greek family and the life of an intersex teen in modern-day Michigan.

    Miniseries you may have missed

    The Crimson Petal and the White

    Adapted from Michel Faber’s 2002 novel of the same name and aired as a four-part miniseries on BBC Two earlier this year, The Crimson Petal and the White is set in Victorian London and follows the growing relationship between white collar William Rackley and a young, philosophical prostitute named Sugar. As the pair grow closer, the line between Rackley’s complex family life and his affair with Sugar begins to blur. The show stars Chris O’Dowd, recently seen alongside Kristen Wiig in Bridesmaids.

    The Buddha of Suburbia

    An oldie, but a goodie. Based on Hanif Kureishi’s 1990 novel of the same name, this 1993 BBC miniseries featured a soundtrack by David Bowie, a fitting choice given the plot: Buddha follows a mixed-race UK teen (played by Lost’s Naveen Andrews) attempting to find his place in various fringe communities of '70s-era London. Exploring race, sexuality, creativity, politics and the intersections of each, the show is a semi-autobiographical tale of Kureishi’s own coming of age.

    Empire Falls

    A two-part mini-series first aired on HBO in 2005, Empire Falls was adapted from Richard Russo’s 2001 Pulitzer Prize-winning novel. Starring Philip Seymour Hoffman, Ed Harris, Helen Hunt and Paul Newman, the series explores a small, run-down Maine town through the lives of a restaurateur and his regulars.

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    Movie Review

    Heartfelt animal adventure Hoppers is another Pixar classic

    Alex Bentley
    Mar 5, 2026 | 3:00 pm
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers
    Photo courtesy of Disney/Pixar
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers.

    For the first 15 years of their history, animation studio Pixar delivered one classic film after another, an astonishing streak that included their first 11 movies. Things got bumpy starting with Cars 2 in 2011, and even though the majority of their output has been good-to-great ever since, their releases are no longer considered slam dunks like they once were.

    They’re back with an original film, Hoppers, trying to return to form by going back to the animal world. The film centers on Mabel (Piper Kurda), a 19-year-old environmentalist who’s trying to stop a new highway being built by Mayor Jerry (Jon Hamm) in the fictional city of Beaverton. Her activism has as much to do with helping displaced local animals as it does with being nostalgic for her youth, in which she spent years observing nature with her Grandma Tanaka (Karen Huie).

    She finds an unlikely possible solution when she discovers that her college professors have created a system that allows them to transfer — or hop — their consciousness into animal-like robots. Hijacking a beaver robot, Mabel joins up with the local wildlife, including beaver King George (Bobby Moynihan) to try to convince them to help her execute her plan. But with the highway almost complete and Mayor Jerry willing to do anything to make it happen, Mabel might be too late.

    Directed by Daniel Chong and written by Jesse Andrews from a story by Chong, the film cycles through a variety of genres in its 105-minute running time, including comedy, drama, thriller, and even a touch of Pixar-style horror. When Pixar has been at its best, it seamlessly goes back and forth between genres, trusting that audiences will go along with them for the ride, and Hoppers feels like a return to form in that respect.

    Humor rules the day as Mabel adjusts to being part of the animal world while her professors desperately try to get her and their robot back. Mabel encounters not only wildly confusing things like “pond rules” (if a predator catches you, you don’t fight it), but also the existence of a hierarchy within the world that involves kings or queens from various animal classes like reptiles, birds, amphibians, fish, and insects. Her one-track mind and the way of the world she is invading clash in a variety of funny ways.

    As the film goes along, Chong, Andrews, and the rest of the filmmaking team also find a way to burrow into the audience’s heart. There are many elements that threaten to tip into eye-rolling territory, but the filmmakers consistently pull back before that happens. The number of fun characters on both the human and animal side helps in that regard, as does the simple yet profound message they’re trying to convey.

    Pixar has assembled one of the best voice casts in recent memory for this film, including such big names as Meryl Streep, Dave Franco, Melissa Villaseñor, Vanessa Bayer, and the late Isiah Whitlock, Jr. However, due to the sheer number of characters, only Kurda, Moynihan, and Hamm truly stand out. Still, they all fit together well and give the always-stellar animation even more life.

    Since the pandemic, Pixar has only released one truly great film (Inside Out 2), but with Hoppers and the seemingly bulletproof Toy Story 5 coming within a few months of each other, they might go back-to-back on that front. Like the classic films from the studio, it has goofy, heartfelt, and exciting parts, mixing together for an enthralling time at the theater.

    ---

    Hoppers opens in theaters on March 6.

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