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    From page to screen

    Thank you HBO & BBC: Adaptations to anticipate and miniseries not to miss

    Samantha Pitchel
    Dec 25, 2011 | 9:00 am

    It’s true that TV shows like Friday Night Lights and Gossip Girl got their start as books. But many “adaptations” merely take inspiration from their optioned originals; MASH, for example, was based on a book, too, but ended up growing far beyond the story’s scope.

    Luckilyy for literary readers, more page-to-TV adaptations are focusing on contemporary novels — and more writers are experimenting with new formats.

    A recent discussion of adaptations in the New York Times notes:

    What may be surprising, though, is how many authors are working on their own shows. “It’s not just that novels make good adaptations,” [producer Michael] London says. “It’s that novelists make good adapters.” Right now, prominent writers are creating original cable series (Salman Rushdie, Sam Lipsyte, Gary Shteyngart, and Michael Chabon and Ayelet Waldman) or adapting their own books (Jonathan Franzen and “The Corrections,” Tom Perrotta and “The Leftovers”). And while many of these writers have dabbled in screenplays, their rush to cable represents something new. Novelists who used to lament the rise of television now want a chance to write for it, and that says something about the evolution of cable TV — and maybe about the evolution of literary authorship.

    The publishing world is taking cues from serializations’ success, too; Salon reported that author Mark Danielewski (House of Leaves) will be publishing his forthcoming novel The Familiar in 27 volumes, a new “chapter” every four months.

    We’re looking forward to seeing the way some of our favorite contemporary novels play out on the small screen. Here are a few of the adaptations we’re eagerly anticipating (and a few that we already love):

    Tune in soon

    Wolf Hall (HBO/BBC, 2012): Hilary Mantel’s 2009 Man Booker Prize-winning novel tells the story of Henry VIII’s minister, Thomas Cromwell, and is the first in a planned series of three books.

    A Visit From The Goon Squad (HBO, unknown): Winner of the 2011 Pulitzer Prize for fiction, Jennifer Egan’s novel centers on an aging rock record exec, flashing back and forth through time to tell the story of his rise to the top and unraveling the reasons why it wasn’t what he expected.

    Swamplandia! (HBO, unknown): The surreal story of a 12-year-old alligator wrestler’s quest to find her missing sister, Karen Russell’s first novel will make an excellent show blending drama and fantasy.

    The Leftovers (HBO, 2012): The Rapture is a hot topic these days, but nobody’s really wondered what life will be like for those left behind — until now. Tom Perrotta puts an extremely realistic spin on an oft-comical topic in his 2011 novel, and he’s adapting the scripts himself.

    “This long-form, hour-long drama is the most exciting stuff in American pop culture right now,” Perrotta told the Times. “A TV series allows you to explore everything, to focus in when you need to focus in and to sprawl when you need to sprawl,” he says. “It’s a very novelistic medium, and you can expand the novel — you can just keep going.”

    Middlesex (HBO, unknown): We’re crossing our fingers that this series, announced in 2009, is still in development; Jeffrey Eugenides’ 2002 Pulitzer Prize-winning novel explores several generations of an expansive Greek family and the life of an intersex teen in modern-day Michigan.

    Miniseries you may have missed

    The Crimson Petal and the White

    Adapted from Michel Faber’s 2002 novel of the same name and aired as a four-part miniseries on BBC Two earlier this year, The Crimson Petal and the White is set in Victorian London and follows the growing relationship between white collar William Rackley and a young, philosophical prostitute named Sugar. As the pair grow closer, the line between Rackley’s complex family life and his affair with Sugar begins to blur. The show stars Chris O’Dowd, recently seen alongside Kristen Wiig in Bridesmaids.

    The Buddha of Suburbia

    An oldie, but a goodie. Based on Hanif Kureishi’s 1990 novel of the same name, this 1993 BBC miniseries featured a soundtrack by David Bowie, a fitting choice given the plot: Buddha follows a mixed-race UK teen (played by Lost’s Naveen Andrews) attempting to find his place in various fringe communities of '70s-era London. Exploring race, sexuality, creativity, politics and the intersections of each, the show is a semi-autobiographical tale of Kureishi’s own coming of age.

    Empire Falls

    A two-part mini-series first aired on HBO in 2005, Empire Falls was adapted from Richard Russo’s 2001 Pulitzer Prize-winning novel. Starring Philip Seymour Hoffman, Ed Harris, Helen Hunt and Paul Newman, the series explores a small, run-down Maine town through the lives of a restaurateur and his regulars.

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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