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    Paying Tribute to a Houston Legend

    Critics salute Patrick Swayze

    Joe Leydon
    Dec 20, 2009 | 4:45 pm
    • Patrick Swayze and Jennifer Gray in "Dirty Dancing," the 1987 movie thatcapulted the actor to stardom.
      Photo courtesy Vestron
    • Swayze's star on the Hollywood Walk of Fame.
      Photo courtesy Patsy Swayze
    • Swayze in a photo taken earlier this year.
      Photo courtesy A&E

    The Hurt Locker and Up in the Air were the big winners Saturday when the Houston Film Critics Society announced the winners of its annual awards for excellence at the Museum of Fine Arts, Houston. But I kinda-sorta felt like I'd grabbed a big prize myself when I was selected to offer a tribute to the late Patrick Swayze, who was honored with this year's HFCS Lifetime Achievement Award. Just before the audience viewed a deeply moving montage (assembled by Jose Del Toro and Travis Leamons) of clips from Swayze's most memorable movie performances, I got to say:

    I met Patrick Swayze for the first time back in 1983, when he dropped by the hotel where I was staying in L.A. that weekend to talk about his upcoming role in Francis Coppola’s The Outsiders. It was supposed to be a brief chat, but it turned into a long, leisurely conversation. I remember thinking at the time this guy certainly seemed to have enough drive, determination and charisma to succeed in a very challenging field. I also remember being very envious of this guy, because when the valet finally brought around his car – it was a DeLorean.

    I won’t pretend that Patrick and I were close confidants or bowling buddies. But we did wind up talking several other times over the years. And we got to the point where I think we enjoyed each other’s company – and even shared a couple private jokes. Right from the start, I noted his habit of describing how busy he might be at the moment, and how determined he was to get the next gig – and how he’d always end up shrugging, smiling, and saying: “Hey, you work hard, and then you die.”

    Up until the very end, Patrick never stopped working -- never stopped fighting. He struggled against expectations and preconceptions – and narrow-minded casting directors -- to get cast against type in movies like City of Joy and To Wong Foo, Thanks for Everything, Julie Newmar. And even though, ultimately, he lost that final battle we’re all destined to lose, he fought the good fight long and hard with uncommon grace and inspiring dignity. But here’s the thing: A man can die, but his movies are forever in the present tense.

    And I’m sure Patrick would be pleased to know that, even though he’s left us, he’s still with us. Because Patrick – with all due respect, wherever you are – you were only half right. If you work hard enough, you just might live forever.

    Follow longtime Houston movie critic Joe Leydon at MovingPictureBlog.

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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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