HFCS Nominations

Best (and worst) movies of the year: Houston film critics' top nominees have strong Texas ties

Two films with close Houston ties trailed behind a big bird(man) in the Houston Film Critics Society nominations for the year's best — and worst — motion pictures in the organization's 8th annual awards.

Birdman — written, produced and directed by Alejandro G. Iñárritu — leads the way with 10 nominations, including Best Picture, Director, Actor (Michael Keaton), Supporting Actor (Edward Norton), Supporting Actress (Emma Stone), Screenplay, Cinematography, Original Score, Technical Achievement and Poster.

“Interestingly, both Boyhood and Budapest have Texas connections,” HFCS president Joshua Starnes said.

Austin native Richard Linklater's Boyhood — a coming-of-age drama shot intermittently over 12 years — followed with seven nominations, including Best Picture, Director, Supporting Actor (Ethan Hawke), Supporting Actress (Patricia Arquette) and Screenplay, as well as for HFCS' Texas Independent Film Award. Key scenes in the film were shot in Houston.

A close third is Houston-born Wes Anderson's film, The Grand Budapest Hotel, receiving six nominations, including Best Picture, Director, Screenplay, Cinematography, Original Score and Poster.

“Interestingly, both Boyhood and Budapest have Texas connections,” HFCS president Joshua Starnes said in a statement. “Linklater shot his film and makes Austin his home while Anderson is originally from Houston and a graduate of UT Austin.”

Other nominees for Best Picture include A Most Violent Year, Guardians of the Galaxy, The Imitation Game, Inherent Vice, Nightcrawler, Selma and Whiplash.

HFCS members, who are working film journalists on television, radio, online and in traditional print in the Houston area, also recognized five independent films made in the Lone Star State: Above All Else, Boyhood, Hellion, Joe, No No: A Dockumentary, and Stop The Pounding Heart.

To poke fun at some of the year's least appealing movies, the organization has also named the Worst Films of the Year. This year’s nominees are Blended, Dumb and Dumber To, Left Behind, The Identical and Transformers: Age of Extinction.

And they singled out five great film posters. The nominees in that category include Birdman; Godzilla (IMAX); The Grand Budapest Hotel; Guardians of the Galaxy (primary theatrical); and Inherent Vice.

HFCS' award winners will be announced on Jan. 10 at a ceremony at Sundance Cinemas.

2014 Houston Film Critics Society Nominations:

Best Picture
A Most Violent Year; Birdman; Boyhood; The Grand Budapest Hotel; Guardians of the Galaxy; The Imitation Game; Inherent Vice; Nightcrawler; Selma; Whiplash

Best Director
Paul Thomas Anderson, Inherent Vice; Wes Anderson, The Grand Budapest Hotel; Damien Chazelle, Whiplash; Alejandro G. Iñárritu, Birdman; Richard Linklater, Boyhood

Best Actor
Benedict Cumberbatch, The Imitation Game; Jake Gyllenhaal, Nightcrawler; Tom Hardy, Locke; Michael Keaton, Birdman; Eddie Redmayne, The Theory of Everything

Best Actress
Marion Cotillard, Two Days, One Night; Essie Davis, The Babadook; Felicity Jones, The Theory of Everything; Julianne Moore, Still Alice; Reese Witherspoon, Wild

Best Supporting Actor
Josh Brolin, Inherent Vice; Ethan Hawke, Boyhood; Edward Norton, Birdman; Mark Ruffalo, Foxcatcher; Andy Serkis, Dawn of the Planet of the Apes; J.K. Simmons, Whiplash

Best Supporting Actress
Patricia Arquette, Boyhood; Jessica Chastain, A Most Violent Year; Keira Knightly, The Imitation Game; Emma Stone, Birdman; Tilda Swinton, Snowpiercer

Best Screenplay
Wes Anderson and Hugo Guinness, The Grand Budapest Hotel; Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., Armando Bo, Birdman; Damien Chazelle, Whiplash; Dan Gilroy, Nightcrawler; Richard Linklater, Boyhood

Best Animated Film
Big Hero 6; The Book of Life; The Boxtrolls; How to Train Your Dragon 2; The Lego Movie

Best Cinematography
Roger Deakins, Unbroken; Robert Elswit, Inherent Vice; Hoyte van Hoytema, Interstellar; Emmanuel Lubezki, Birdman; Robert Yeoman, The Grand Budapest Hotel

Best Original Score
Alexander Desplat, The Grand Budapest Hotel; Alexander Desplat, The Imitation Game; Johann Johannson, The Theory of Everything; Antonio Sanchez, Birdman; Hans Zimmer, Interstellar

Best Original Song
Big Eyes, Big Eyes; Everything is Awesome, The Lego Movie; Glory, Selma; I’m Not Going to Miss You, Glen Campbell: I’ll Be Me; Lost Stars, Begin Again

Best Foreign Language Film
Force Majeure; Ida; Levitathan; The Raid 2; Two Days, One Night

Best Documentary Feature
Citizenfour; Glen Campbell: I’ll Be Me; Jodorowsky’s Dune; Life Itself; The Overnighters

Texas Independent Film Award
Above All Else; Boyhood; Hellion; Joe; No No: A Dockumentary; Stop the Pounding Heart

Technical Achievement
Birdman; Boyhood; Dawn of the Planet of the Apes

Best Poster
Birdman; Godzilla (IMAX); The Grand Budapest Hotel; Guardians of the Galaxy (primary theatrical); Inherent Vice

Worst Film of the Year
Blended; Dumb and Dumber To; Left Behind; The Identical; Transformers: Age of Extinction

The Grand Budapest Hotel, from Houston-born director Wes Anderson, garnered six nominations, including Best Picture.

Photo courtesy of Fox Searchlight Pictures

The Grand Budapest Hotel, from Houston-born director Wes Anderson, garnered six nominations, including Best Picture.

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Movie Review

Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

Blumhouse

Five Nights at Freddy's 2.

Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

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Five Nights at Freddy's 2 opens in theaters on December 5.

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HFCS Nominations

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The Grand Budapest Hotel, from Houston-born director Wes Anderson, garnered six nominations, including Best Picture.

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Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

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