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    the hos of houston

    An insider's view of the Houston Ho family — HBO Max's newest stars

    Craig Lindsey
    Dec 15, 2020 | 3:00 pm
    House of Ho cast Houston HBO Max
    House of Ho centers on a wealthy Houston Vietnamese family.
    Photo by Elizabeth Morris/HBO Max

    A new, very affluent family has hit the reality-show scene — and they hail from right here in H-Town.

    House of Ho premiered on HBO Max, starring the very rich Ho family of Houston. As for the fam: there’s powerful patriarch Binh Ho and his hard-to-please wife Hue, party-boy son Washington and his long-suffering wife Lesley, recently divorced daughter Judy, cousin Sammy, and the always unfiltered Aunt Tina.

    Given that this is a reality show that gives a wealthy, Vietnamese clan a chance to shine, we thought we’d ask local Vietnamese writer and journalist Nguyen Le his thoughts on the Hos:

    CultureMap: So, you’ve watched all seven episodes of the first season. What are your thoughts?

    Nguyen Le: It is unexpectedly compelling. Normally, I would avoid shows that focus on dysfunctional families because the drama can be shamelessly manufactured, but this one seems to avoid that — or that it manages to do it without me noticing. And although the blueprint for exactly this is there, eventually it’s a deeper look into the generational differences and the culture.

    CM: Have you heard about the Hos before the show?

    NL: No, I haven’t! And I feel strange considering the family’s name receives a lot of emphasis.

    CM: Are there any moments that stand out from the episodes you’ve seen?

    NL: Lesley telling Judy, Hue and Tina of Wash’s alcoholism at the horse race track [in episode five]. It’s particularly brave for Lesley to do that, on top of steeling herself enough to fend off the excuses for Wash.

    Aunt Tina not approving Nate because he’s not of the Brad Pitt, Chris Hemsworth, or Chris Pine type [in episode seven]. The love for Westerners and Caucasians is a real and strong thing in older generations of Vietnamese.

    CM: Do you feel this show give a positive or negative representation of Vietnamese culture?

    NL: Leaning positive. At the very least, the show will prove that not all Vietnamese are frugal or have small aims. Some of us do get to a point where we live in River Oaks and are driven in Bentleys.

    CM: One review said it was bleak and disheartening watching Lesley and Judy bend over backwards for the disapproving parents. Do you agree or disagree?

    NL: Strongly agree. At some point, protection becomes controlling, and that is exactly what Lesley and Judy feel in the household. It is especially tough being a woman in a hyper-patriarchal culture like Vietnam, and there are many exhibits here that show that.

    I’m a Vietnamese guy and sometimes Vietnamese guys, no matter their age but especially the older generations, bore and unnerve me sometimes with their thoughts on women.

    CM: Were there things you saw in the show that reminded you of your family or your upbringing?

    NL: The Lunar New Year celebration sequence [in Episode Six]. Obviously my family can’t host one that lavish, but the atmosphere of it all is something that will never get old.

    CM: Aunt Tina: yay or nay?

    NL: Somewhat yay. I was quite surprised that for someone as outspoken and tight with Judy and Lesley as her would still make excuses for Washington’s alcoholism. Then again, I’ve encountered people like her in my family before — the one who works all the sides so that she can get the whole picture, ready to report afterward. Tricky!

    CM: Do you hope House of Ho will get a Season 2?

    NL: I won’t mind if there’s another. That new dynamic between new Judy (now with Nate) and the parents is something I’d like to see. But if there’s another, maybe the production should have a bilingual member on hand so that Hue and Binh get to be more involved — there are sections in season one where it’s apparent that the language barrier hinders the content/argument.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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