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    the hos of houston

    An insider's view of the Houston Ho family — HBO Max's newest stars

    Craig Lindsey
    Dec 15, 2020 | 3:00 pm
    House of Ho cast Houston HBO Max
    House of Ho centers on a wealthy Houston Vietnamese family.
    Photo by Elizabeth Morris/HBO Max

    A new, very affluent family has hit the reality-show scene — and they hail from right here in H-Town.

    House of Ho premiered on HBO Max, starring the very rich Ho family of Houston. As for the fam: there’s powerful patriarch Binh Ho and his hard-to-please wife Hue, party-boy son Washington and his long-suffering wife Lesley, recently divorced daughter Judy, cousin Sammy, and the always unfiltered Aunt Tina.

    Given that this is a reality show that gives a wealthy, Vietnamese clan a chance to shine, we thought we’d ask local Vietnamese writer and journalist Nguyen Le his thoughts on the Hos:

    CultureMap: So, you’ve watched all seven episodes of the first season. What are your thoughts?

    Nguyen Le: It is unexpectedly compelling. Normally, I would avoid shows that focus on dysfunctional families because the drama can be shamelessly manufactured, but this one seems to avoid that — or that it manages to do it without me noticing. And although the blueprint for exactly this is there, eventually it’s a deeper look into the generational differences and the culture.

    CM: Have you heard about the Hos before the show?

    NL: No, I haven’t! And I feel strange considering the family’s name receives a lot of emphasis.

    CM: Are there any moments that stand out from the episodes you’ve seen?

    NL: Lesley telling Judy, Hue and Tina of Wash’s alcoholism at the horse race track [in episode five]. It’s particularly brave for Lesley to do that, on top of steeling herself enough to fend off the excuses for Wash.

    Aunt Tina not approving Nate because he’s not of the Brad Pitt, Chris Hemsworth, or Chris Pine type [in episode seven]. The love for Westerners and Caucasians is a real and strong thing in older generations of Vietnamese.

    CM: Do you feel this show give a positive or negative representation of Vietnamese culture?

    NL: Leaning positive. At the very least, the show will prove that not all Vietnamese are frugal or have small aims. Some of us do get to a point where we live in River Oaks and are driven in Bentleys.

    CM: One review said it was bleak and disheartening watching Lesley and Judy bend over backwards for the disapproving parents. Do you agree or disagree?

    NL: Strongly agree. At some point, protection becomes controlling, and that is exactly what Lesley and Judy feel in the household. It is especially tough being a woman in a hyper-patriarchal culture like Vietnam, and there are many exhibits here that show that.

    I’m a Vietnamese guy and sometimes Vietnamese guys, no matter their age but especially the older generations, bore and unnerve me sometimes with their thoughts on women.

    CM: Were there things you saw in the show that reminded you of your family or your upbringing?

    NL: The Lunar New Year celebration sequence [in Episode Six]. Obviously my family can’t host one that lavish, but the atmosphere of it all is something that will never get old.

    CM: Aunt Tina: yay or nay?

    NL: Somewhat yay. I was quite surprised that for someone as outspoken and tight with Judy and Lesley as her would still make excuses for Washington’s alcoholism. Then again, I’ve encountered people like her in my family before — the one who works all the sides so that she can get the whole picture, ready to report afterward. Tricky!

    CM: Do you hope House of Ho will get a Season 2?

    NL: I won’t mind if there’s another. That new dynamic between new Judy (now with Nate) and the parents is something I’d like to see. But if there’s another, maybe the production should have a bilingual member on hand so that Hue and Binh get to be more involved — there are sections in season one where it’s apparent that the language barrier hinders the content/argument.

    tv
    news/entertainment

    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

    moviesfilm
    news/entertainment

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